Marin Theatre Company 2024-25 Season - Mill Valley, CA EPA Marin Theatre Company | Mill Valley, CA
Notice: Audition Call Type: EPA
Wednesday, May 29, 2024
10:00 AM - 6:00 PM (P)
Submit Google Form & Book Audition Appointment. Completed Google Form must be submitted to reserve appointment time.
Google Form:
https://forms.gle/Qebz5ZGMXYXcJBaF6 .
Audition Appointment:
https://doodle.com/bp/mtccasting/marintheatre-epa .
Non-Equity actors will be seen on standby as time permits.
LORT Non-Rep
$800 weekly minimum (LORT D)
Equity actors for roles in Marin Theatre’s 2024 -25 Season (see breakdown)
Marin Theatre welcomes actors of all races, ethnicities, ages, gender identities, abilities, and body types.
Please prepare a short monologue or a one minute monologue and 16-bars of a song. An accompanist will not be provided. Audition may not exceed 3 minutes. Please bring your headshot and resume stapled together.
Marin Theatre Company
397 Miller Ave
Mill Valley, CA 94941-2885
Auditions will take place in the Lieberman Rehearsal room. Holding Area in the Lobby. Free Public Parking is available directly outside of the theater.
EXPECTED TO ATTEND:
Laura Steele, Casting Associate
YAGA
Rehearsal: 9/16/2024
Tech: 10/3/2024
Preview: 10/10/2024
Opening: 10/15/2024
Closing: 11/3/2024
WASTE
Rehearsal: 1/6/2025
Tech: 1/30/2025
Preview: 2/6/2025
Opening: 2/11/2025
Closing: 3/2/2025
IT’S TRUE, IT’S TRUE, IT’S TRUE Rehearsal: 3/24/2025
Tech: 4/11/2025
Preview: 4/16/2025
Opening: 4/17/2025
Closing: 5/4/2025
(*4 performances per week, Thursdays Sundays)
DO YOU FEEL ANGER
Rehearsal: 5/12/2025
Tech: 5/29/2025
Preview: 6/5/2025
Opening: 6/10/2025
Closing: 6/29/2025
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
No Roles Will be Understudied.
KATHERINE - University Professor. Has an affinity for sleeping with younger men and possibly her students. Brilliant, confident, sexy. Proficient in dialects, specifically Ukrainian. Doubles as YAGA, GEENA, ELENA, JANICE, SIDLE.
CARSON- Police Detective working to solve a missing person’s case along with Detective Rapp. Pretty, tough, athletic. Doubles as TRULY, PAMELA, LILY, ANNA, MURPHY.
RAPP - Private Detective working to solve a missing person’s case along with Detective Carson. Handsome, clever, affable. Doubles as HENRY - cocky and entitled.
AMY O’CONNELL - Female. 30s. A charming, intelligent woman who converts every quality she possesses into a means of attraction. Married to an Irishman but living on her own in London
HENRY TREBELL - OFFER OUT
FRANCES TREBELL - Female. Late 40s. Henry's unmarried sister. Has the air of a housekeeper, but possesses real wisdom
*WALTER KENT - Male. 20s. Henry's secretary. An orderly and happy fellow. Possible double with O’CONNELL.
LUCY DAVENPORT - Female. 20s. Walter's fiancé. She brings a breath of joy and intelligence into any room she enters.
Dr. WEDGECROFT - Male. 40s to 50s. A friend of Henry's. Chatty and in perfect health of body and spirit. His enthusiasm is his vitality, and he possesses an air of fearless affection.
CHARLES CANTELUPE - Male. 40s- 60s. Unathletic and a gentleman in the best and worst sense of the word. He always moves and speaks with caution. A Church leader.
LORD HORSHAM - Male. 50s to 60s. A man of delicate taste and somewhat thin intellectuality. A compromiser. About to become Prime Minister.
*JUSTIN O’CONNELL - Male. 40s. Amy's husband, Irish. Could be mistaken for a Catholic priest. His features are so impassive that they may be of grief or indifference. Possible double with KENT.
BLACKBOROUGH - Male. 50s to 60s. A politician from the Midlands who loves conniving and making deals.
ARTEMISIA - Female. 20-40s. Fierce, angry, incredibly clever. A painter who is defending herself in court at her own rape trial.
TASSI - Female. 20-40s. Confident, cold and entitled. A painter beloved by many in high society. He has been arrested many times but never held accountable for his crimes.
TUZIA - Female. 20-60s. Sly, snobbish, easily-led. A neighbor who purported to be looking after Artemisia but found herself charmed by Tassi.
ENSEMBLE/MUSICIAN - Female. 20-60s. Plays Judge, Narrator, Midwife 1 and additional characters. Accompanies piece with live music.
SOFIA - Female. 20-40s. An empathy coach fighting an uphill battle. She is good at her job and perhaps using that to distract herself from her struggles outside of the conference room.
EVA - Female. 30s. A worker at the agency. Someone keeps mugging her. Terrified but smiling.
JON - Male. 40-50s. The boss. He wants to help Sofia succeed (but mostly get her in and out with minimal effort in a way that doesn’t impact him at all).
HOWIE - Male. 20-30s. White. A worker at the agency. Man-child #1. Aggressive. JORDAN - Male. 20-30s. A worker at the agency. Man-child #2. A poet.
SOFIA’S MOTHER/JANIE - Female. 50-60s. Sofia’s mom. She’s trying. / A worker at the agency. She’s been through it.
OLD MAN - Male. 50+. Deranged. Or is he? He is. Or is he?
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