KINKY BOOTS Submission (Ensemble) - Stage 42 Auditions

KINKY BOOTS (OFF BROADWAY) - EQUITY VIDEO SUBMISSIONS (CHORUS)

Producing Org TBD

CONTRACT

Off Broadway $1,217 weekly minimum (Category E)

SEEKING

Equity actors for roles in KINKY BOOTS Off Broadway (see breakdown).

We are committed to diverse, inclusive casting. Qualified performers, without regard to disability, gender, race and ethnicity, age, color, national origin, sexual orientation, gender identity or any other basis protected by law are encouraged to submit.

INSTRUCTIONS

SEE PREPARATION IN BREAKDOWN. Singers submit at https://forms.gle/X3AAAu9wTMF6iXHm7. Dancers submit at https://forms.gle/qKZiUUdP2JnK1vDM9.

Deadline: Thu, Apr 21, 2022

PERSONNEL

Producer: Daryl Roth and Hal Luftig
Director/ Choreographer: Jerry Mitchell
Book: Harvey Fierstein
Music & Lyrics: Cyndi Lauper
Musical Supervisor: Stephen Oremus
Assoc. Choreographer: Rusty Mowrey (viewing dance auditions)
Assoc. Music Supervisor: Will Van Dyke (viewing singers' auditions)
General Management: Foresight Theatrical / Aaron Lustbader
Casting: The Telsey Office / Geoff Josselson, casting director (viewing auditions)

OTHER DATES

Rehearsals Start: June 27, 2022
Previews: July 26, 2022
Opening: August 25, 2022 (open ended)

OTHER

Venue: Stage 42

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

PREPARATION: Slate your name, height and your place of residence/location.

If you are using an iPhone to video record, please be sure to film horizontally and in a well-lit space (not backlit).

FOR SINGERS: Please record yourself singing 16 bars of a brief 1980s/1990s pop rock song or similar. Please provide your own accompaniment. As an alternative to singing a song of your choice, you may sing an excerpt from the following link https://www.dropbox.com/sh/z0k0d8cklhilmyl/AACaogh_p4y0k3Nn0WJyFBqXa?dl=0

FOR DANCERS: Please prepare the dance combo from the following
link: https://www.dropbox.com/sh/eb3ooh36c2hn32r/AACcHEOzjdaF-8Z0LeqsciAja?dl=0

You may also include singing 16 bars of a brief 1980s/1990s pop rock song or similar. Please provide your own accompaniment. As an alternative to singing a song of your choice, you may sing an excerpt from the following link https://www.dropbox.com/sh/z0k0d8cklhilmyl/AACaogh_p4y0k3Nn0WJyFBqXa?dl=0

[ANGELS] male, 20s – 30s, any ethnicity. These are the drag performers who populate THE BLUE ANGEL NIGHTCLUB. Versatile, but also terrific dancers, singers and actors. This ain’t a job for no wallflowers. Tumbling, acro and tricks are a plus. Will be required to dance in heels. Strong pop tenors.

[PAT] female, 40s, any ethnicity. Officious office manager who will let loose her wild side when allowed. Lola’s love interest. Strong pop singer, belter.

[TRISH] female, 40s, any ethnicity. Factory worker with a husband and kids to worry over. Strong pop singer, belter.

[MISTER PRICE] male, 40s-50s, any ethnicity. Charlie’s father and owner of the shoe factory in the opening and closing sequences. Doubles as a pub patron, factory worker, etc for the rest of the show. Strong pop singer.

[SIMON SR] male, 40s-50s, Black. Lola’s father. An unforgiving tower of anger. He works in the opening, and two scenes in act two. Doubles as a homeless man, a factory worker, etc. Strong pop singer, baritone (Bb2-F4)

[HARRY] male, 20s – 30s, any ethnicity. A contemporary of Charlie’s but his opposite. Harry is successful, self aware and confident. Doubles as a delivery man, factory worker, photographer, etc. Strong pop singer, tenor.

[RICHARD BAILEY] male, 40s, any ethnicity. Nicola’s boss. An overtly attractive and successful man. A real threat to Charlie. One of the hooligans, factory workers, etc. Strong pop singer, tenor.

[MALE ENSEMBLE/SWINGS] male, 20s – 40s, any ethnicities. To appear in the ensemble and play various roles (hooligans, pub patrons, club patrons, referee, Milan stage manager, photographers, etc.) and possibly cover principal and featured ensemble roles. All move well and have great pop voices.

[FEMALE ENSEMBLE/SWINGS] female, 20s – 40s, any ethnicities. To appear in the ensemble and play various roles (factory workers, photographers, etc.) and possibly cover principal and featured ensemble roles. All move well and have great pop voices.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.