Chicago Philharmonic Presents 'Romantic Serenade' November 10
By: Robert Diamond Oct. 16, 2013
The Chicago Philharmonic continues its season with Romantic Serenade on Sunday, November 10, 2013 at 3:00 p.m. at Nichols Concert Hall in Evanston. The orchestra welcomes back to the podium perennial favorite and masterful conductor Joel Smirnoff. The Chicago Philharmonic's David Perry takes center stage again to share his amazing sound and passion on the violin.
Maestro Smirnoff leads a diverse program opening with the beautiful sound of Perry's violin in Hector Berlioz's Rêverie and Caprice. The intense pathos and introspective Romanticism of Richard Strauss' orchestral work, Metamorphosen, ignite the flames of romance. Concluding this concert is Johannes Brahms' Second Serenade for Orchestra. This unique chamber orchestra work focuses heavily on violas. Brahms relies on the darker timbre of the lower strings and winds, yet there still remains the unmistakable Romantic charm of the 19th century. In a stimulating discussion, Northwestern University musicology professor Jesse Rosenberg illuminates the cultural and musical worlds of the Romantic Era, a special enhancement to the typical concert experience. The concert takes place at Nichols Concert Hall, 1490 Chicago Ave., Evanston. Tickets: $25-$75. Visit www.chicagophilharmonic.org or contact the ticket hotline at 866.811.4111. On February 16, 2014 at 3:00 p.m. the orchestra presents Romantic Remix at Nichols Concert Hall in Evanston. This concert, consisting of music taken from other sources, is the pinnacle of Romantic expression. Scott Speck returns to conduct Siegfried Idyll, Richard Wagner's surprise birthday gift to his wife. Wagner awoke his wife Cosima with this work, played by a chamber orchestra on the stairs of their home, incorporating themes from his opera Siegfried. Gustav Mahler's music is among the most stirring of the Late Romantics. His Rückert Lieder were based on the poignant poetry of Frederick Rückert, which affectEd Mahler greatly. These songs are performed by the brilliant, creamy-voiced mezzo-soprano Susan Platts. Next are two different interpretations to Molière's play/ballet Le Bourgeois Gentilhomme. First we hear themes by Jean- Baptiste Lully, who wrote the original music for the work in 1670. Next, we hear these same themes in a very different take on this satirical comedy by Richard Strauss. Actors from the Chicago's renowned Court Theatre perform spirited excerpts Le Bourgeois Gentilhomme, making connections between the play and the music of Lully and Strauss.http://www.chicagophilharmonic.org/
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