Review: VISIT FROM AN UNKNOWN WOMAN, Hampstead Theatre
The lights flash on, a writer stumbles into his scantly decorated flat. A woman follows, champagne on her breath, flirtatious glances smuggled between them. It’s late at night and the inevitability of retiring to the bedroom looms. But it is not what it seems.
American Symphony Orchestra Reveals 2024-25 Season
The American Symphony Orchestra announced its 63rd season of four full-orchestra concerts at Lincoln Center’s David Geffen Hall, Carnegie Hall, and St. Bartholomew’s Church, featuring a free opening performance titled Beyond the Hall at Bryant Park on September 6, repeated and also free at the Kupferberg Center for the Arts in Queens on September 7.
Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vienna
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title characters as abused women scarred by powerful men—not exactly the business-as-usual for these works by Puccini and Strauss, respectively—in pared-down productions that hearkened to the father of psychoanalysis, Sigmund Freud, as well as to #MeToo.
The Cleveland Orchestra Promotes Daniel Reith To Associate Conductor
The Cleveland Orchestra has announced the promotion of Assistant Conductor Daniel Reith to the position of associate conductor with immediate effect. Reith, who also serves as the music director of The Cleveland Orchestra Youth Orchestra (COYO), will assume this role through the end of the 2024–25 season following a one-year contract extension.