Abingdon Theatre Co Announces Cast of THE GENTLEMAN CALLER
Abingdon Theatre Company (Tony Speciale, Artistic Director; Denise Dickens, Producing Director) has announced casting for the first production of its 25th Anniversary main stage season, The Gentleman Caller, a new play by Philip Dawkins (Charm, Le Switch, The Homosexuals). Daniel K. Isaac (Showtime's "Billions") will play William Inge and Juan Francisco Villa (Oedipus El Rey) will play Tennessee Williams in the New York premiere production. Directed by Tony Speciale (Unnatural Acts, The Absolute Brightness of Leonard Pelkey), the limited engagement runs May 5 - 26 at the historic Cherry Lane Theatre (38 Commerce Street, NYC) in Greenwich Village. The official opening night is May 10 at 7PM. Tickets are currently on sale at abingdontheatre.org or by calling Ovationtix at 212-352-3101.
Although now regarded as two of history's finest American Playwrights, back in 1944, William Inge and Tennessee Williams hadn't yet experienced anything close to success. The Gentleman Caller takes us back in time, before the Chicago premiere of The Glass Menagerie. Inge, a dissatisfied newspaper critic, invites Williams to his St. Louis apartment for an interview. This sexy, fraught rendezvous sparks a relationship, which radically alters the course of their lives and the American Theatre.
The Gentleman Caller features a scenic design by Sara C. Walsh (Queen of the Night), costume design by Hunter Kaczorowski (The Dork Knight ), lighting design by Zach Blane (Too Much, Too Much, Too Many), and sound design and original music by Christian Frederickson (Antigone, Trojan Women).
"The struggle to create while not also destroying the self in the process is one that is, I feel, as vital today as it was in the smack-middle of the last century," says playwright Philip Dawkins. "Tennessee Williams and William Inge have both been such major influences not only to me but to so many others who I count as my mentors and theater-heroes. As a Midwestern playwright myself, I take the responsibility of holding these powerful queer voices from the middle of America as a great and powerful honor. Delving into their lives has been a wonderful and terrifying adventure, and I'm thrilled to continue this adventure with Tony Speciale and Abingdon."
"It is an honor to be able to include Philip Dawkins' searing new memory play, The Gentleman Caller, in Abingdon's 25th Anniversary Season," says Speciale. "Tennessee Williams has long been one of my favorite playwrights. His manifesto on 'plastic theatre' continues to be a guiding principle in my own work as a theatre-maker. In true Williams fashion, Dawkins has written a mythic boxing match between these two great artists, as well as a love letter to the genre they both adored: the theatre."
Daniel K. Isaac (William Inge)is an actor and writer based in New York City. You can currently see him on the small screen as 'Ben Kim' in Showtime's "Billions." Select NYC: Sagittarius Ponderosa (NAATCO), Underland (59E59), La Divina Caricatura (La MaMa, Under the Radar & St. Ann's Warehouse), Anna Nicole the Opera (BAM). Select Regional: The Ballad of Little Jo (Two River Theater), Miss Electricity (La Jolla Playhouse). Film/TV: MONEY MONSTER (dir. Jodie Foster), "The Jim Gaffigan Show" (TV LAND), "Search Party" (TBS), "Crashing" (HBO), "The Following" (FOX), "Person of Interest" (CBS), "Believe" (NBC, pilot), TOO BIG TO FAIL (HBO), and "According To My Mother" (NYTVF Best Drama & Best Actor, Inaugural Sundance New Voices Lab, www.AccordingToMyMother.com). Daniel is a member of Page 73's 2018 Interstate 73 Writers Group, Ensemble Studio Theatre's Youngblood, and a Lambda Literary Playwriting Fellow. Training: UCSD, BADA. www.DanielKIsaac.com
Juan Francisco Villa (Tennessee Williams)recently completed an Off-Broadway run of The New York Times Critics PickOedipus El Rey by Luis Alfaro, Directed by Chay Yew at The Public Theater (NYC). Other recent credits include Citizens Market at City Theatre (Pittsburgh). Off-Broadway: The Play About My Dad (Collaboration Town/59E59); Nature of Captivity(Mabou Mines); One Night in The Valley (INTAR). Chicago credits: Twelfth Night (Chicago Shakespeare Theatre); Hillary and Clinton, Mojada. (Victory Gardens Theater); 2666, El Grito del Bronx,(Goodman Theatre); Our Lady of 121st (Steppenwolf Theatre); Elliot: A Soldiers Fugue, (Steppenwolf Theatre/Teatro Vista); Empanada for a Dream, Gun Show (16th Street Theater); Take Me Out(Steppenwolf Theare/About Face Theatre). TV credits: Madame Secretary (CBS), Chicago PD (NBC), Blacklist: Redemption and Betrayal(ABC). Juanfranciscovilla.com
Philip Dawkins (Playwright)plays include Charm (Northlight Theatre-Joseph Jefferson Award for Best New Work, MCC Theatre), Failure: A Love Story (Victory Gardens Theater), Miss Marx: Or The Involuntary Side Effect of Living (Strawdog Theatre-Joseph Jefferson Award for Best New Work), The Homosexuals (About Face Theater), Le Switch (About Face Theatre, The Jungle), and The Happiest Place on Earth(Greenhouse Theater/Side Show-Joseph Jefferson Award for Best Solo Performance), as well as the book and lyrics for Dr. Seuss's The Sneetches, the Musical with composer David Mallamud at Children's Theater Company, Minneapolis. His plays, The Burn and The Gentleman Caller (commissioned by Raven Theatre Company) will premier this winter in Chicago at Steppenwolf and Raven Theater Company respectively. Dawkins teaches playwriting at Northwest University, Loyola University Chicago, and through the Victory Gardens ACCESS Program.
Tony Speciale (Director) joined Abingdon Theatre Company as its Artistic Director in October 2015. Abingdon: The Boy Who Danced on Air, music by Tim Rosser, book and lyrics by Charlie Sohne; The Mother of Invention by James Lecesne; Jason O'Connell's The Dork Knight; and Stet by Kim Davies. Other: Unnatural Acts (Classic Stage Company, Drama Desk Award and GLAAD Media Award nominations); Barry Manilow's Harmony (ALLIANCE THEATRE/Ahmanson Theatre); The Absolute Brightness of Leonard Pelkey (Off Broadway/National Tour); A Midsummer Night's Dream featuring Bebe Neuwirth, Christina Ricci and Taylor Mac (Classic Stage Company); Handbook for an American Revolutionary (The Gym at Judson) and Romeo and Juliet (Actors Theatre of Louisville). Tony has developed new work at Berkeley Rep's Ground Floor, Sundance Theatre Lab at Mass MoCA and Public Theatre's Under the Radar Festival. Upcoming: the world premiere of David Cale's We're Only Alive for a Short Amount of Time (Goodman Theatre).
Sara C Walsh (Scenic Design) Sara is a New York based designer of sets and environments for theatre, dance, and film. She is a member of Wolf 359 in New York and Resident Designer at Welfleet's Harbor Stage Theatre on Cape Cod. Her work has been presented in New York at Lincoln Center, St Ann's Warehouse, PS122, the Ontological-Hysteria Theatre, The Kitchen, New York Live Arts, Women's Project, and Classic Stage Company, and around the country at A.R.T., The Wexner Center, The San Diego Museum of Art and the Institute of Contemporary Art/Boston. She was Head of Design on the immersive nightclub experience Queen of the Night. Sara's designs have been presented in Germany, Ireland and France, and she most recently designed and directed the North American tour of Emily's D+Evolution for the Grammy Award winning musician Esperanza Spalding. She has worked with comedians Jerry Seinfeld, Colin Quinn, and Hasan Minaj, and is currently Associate Designer on a new ballet with Basil Twist. She received a Bessie Award in 2010 for Faye Driscoll's 837 Venice Blvd. Her designs have been presented at the Prague Quadrennial and she has designed books, bookstores, and zoo exhibits. She holds an MFA in Set Design from NYU.
Hunter Kaczorowski (Costume Design) Previous Abingdon: The Dork Knight and Stet. Other New York credits include: Yours Unfaithfully (Mint Theater, 2017 Hewes Award Nom.), HAM (Ars Nova, dir. Billy Porter), Before Your Very Eyes (Gob Squad at The Public Theater), Sense of An Ending (Kef Productions at 59E59), several productions with Astoria Performing Arts Center, HERE Arts Center, Dixon Place, Joyce Soho, The New School for Drama. Regional: The Fix (Signature Theater, dir. Eric Schaeffer); A Streetcar Named Desire (Yale Rep); The Last of the Red Hot Lovers and A Doll's House (Northern Stage); Arsenic and Old Lace, Cat on a Hot Tin Roof, Design for Living (among others, Berkshire Theater Festival); AfterLife and Josephine (Urban Arias DC, dir. Alan Paul); as well as Barrington Stage, Millbrook Playhouse, Red House Theater, Kitchen Theater Company, Cape Fear Regional Theater, Luna Stage Company, The Yale Baroque Opera Project and Muhlenberg College. As assistant: Angels in America(current Broadway). Upcoming: The Petrified Forest (BTF, dir. David Auburn), How to Succeed... (Muhlenberg Summer Music Theater). MFA, Yale School of Drama. www.Huntersk.com
Zach Blane (Lighting Design) Selected Off-Broadway: Too Much, Too Much, Too Many; Suicide Incorporated (Roundabout Theatre Company); Would You Still Love Me If (New World Stages, dir. Kathleen Turner); Charles Busch's Cleopatra (TFANC); Wringer (City Center); The Siblings Play (Cherry Lane); Suitcase Under the Bed (Mint Theatre Company, Theatre Row); Bulldozer: The Ballad of Robert Moses (St. Clements); The Crusade of Connor Stephens (Jerry Orbach); The Eternal Space (Theatre Row); Soul Doctor (Actors Temple); The Good Girl (59E59); The Dork Knight (Abingdon); Sommerfugl; Holiday House (4th Street, NYTW). National Tour: Crane: On Earth, In Sky (Heather Henson). Regional: Pasadena Playhouse, Maltz Jupiter Theatre, Drury Lane Theatre, Two River Theater, Olney Theatre Center, Barrington Stage Company, Bucks County Playhouse, Dorset Theatre Festival, Cape Playhouse, Fiddlehead Theatre Company, Shubert Theatre, Adirondack Theatre Company, City Theatre, Engeman Theater, Will Rogers Center. Norwegian Cruise Lines (Fleet-wide Lighting Designer). Named "Designer to Watch" by Live Design Magazine 2011. www.ZachBlane.com Instagram: @zachblane.