Grammy Winner Diana Krall Performs with Pittsburgh Symphony Orchestra Tonight

PITTSBURGH - Five-time Grammy Award-winning jazz pianist and vocalist Diana Krall joins musical forces with the Pittsburgh Symphony Orchestra for the Thursday Night Icons at Heinz Hall tonight, July 23 at 7:30 p.m.

Krall boasts numerous accolades, including having sold more albums than any other female jazz artist of the last 30 years - nine gold, three platinum and seven multi-platinum albums. She has produced albums for historic musicians like Barbara Streisand and arranged music for Paul McCartney. Her latest album, Wallflower, was released on February 3 of this year. This performance marks one of nearly 60 stops on her "Wallflower World Tour" and will feature material from the critically acclaimed recording, which includes Krall's unique take on classic songs by Bob Dylan, The Beach Boys, The Eagles, Elton John and Paul McCartney. The Pittsburgh Symphony joins Krall on stage, under the direction of conductors Lawrence Loh and Chris Walden, for an exciting collaboration of jazz and orchestra.

Tickets for Thursday Night Icons: Diana Krall with the Pittsburgh Symphony Orchestra range in price from $39 to $139 and can be purchased by calling the Heinz Hall box office at 412-392-4900 or by visiting pittsburghsymphony.org.

Those interested in attending more than one summer concert can craft their own series of concerts at a discounted rate. Buy tickets to two concerts and receive 10% off the ticket price; three concerts receive 20% off the ticket price; and four or more concerts receive 30% off the ticket price. These discounts are only available via phone or in person at the Heinz Hall box office. Pittsburgh Symphony subscribers can receive a 15% subscriber discount by calling their patron services representative (PSR).

By any standard this five-time Grammy winning jazz pianist and vocalist, Diana Krall, is one of the most accomplished and distinctive musicians in the world today. Respected far and wide as a wildly successful recording and performing artist, Krall remains a true musical force. At any given moment she could be producing Barbra Streisand's new album, serving as musical director and arranger for Paul McCartney or hitting the road for a good cause with Neil Young. As the record shows, Diana Krall has already done all that and much more. Along the way Krall has sold more albums than any other female jazz artist of the last 30 years, establishing herself as one of the best-selling and most beloved performers of her generation, one whose recordings thus far have earned her nine gold, three platinum and seven multi-platinum albums. On Wallflower, Krall's stunning and surprising new album for Verve Records, this world-class player has consciously chosen to hand over a little control to 16-time Grammy winning producer David Foster in order, once again, to do something unexpected. On the new album she has recorded a collection of songs from the 60s to present day, showcasing her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include familiar popular classics like The Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems to Be the Hardest Word"). The album also features more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight"). Recorded in Los Angeles and New York, Wallflower is a tremendously refreshing and collaborative effort that reflects Krall in a gorgeous new light. "A lot of the songs on Wallflower are ones I grew up loving on the radio and on vinyl, songs I heard at home. These are songs I've been singing to myself for years. I just needed the lyric sheet to make sure I wasn't singing the wrong words all this time. I got the 45 for "I'm Not in Love" by 10cc. I listened to Bryan Adams all the time. My parents and I both loved Linda Ronstadt, who was my inspiration to sing 'Desperado.' I even had a Peter Frampton poster on the wall. I was just a typical teenager hanging out with friends, not just listening to jazz." When Krall hears "Sorry Seems to Be the Hardest Word," she can still remember the musical Christmas gift that keeps on giving, a prized copy of her hero and mentor Elton John's album Blue Moves. "My biggest influence beside Oscar Peterson is Elton John," Krall says. "I have a picture somewhere of Christmas morning when Elton's Blue Moves album came out. I wanted that album so badly. The photo is of me when I was 16 with my mom and my dad holding that album. I used to listen to it downstairs on my record player. I had a Rhodes down there so I could play along. Over the years, Elton has become like family. A while back we sang 'Sorry Seems to Be the Hardest Word' together on my husband Elvis Costello's TV show Spectacle. So many Elton songs mean so much to me but that one in particular is special." Wallflower's title track is a relatively unknown Bob Dylan composition that has become a personal favorite of Krall's. "I love Bob Dylan like crazy," says Krall. "I've only met him a few times. I told him I love the way he plays piano. He said, 'Well, you're a piano player, so you should know.' Dylan's music runs so deep. From the moment I heard the demo version of 'Wallflower' with Bob singing his song along with a dog barking in the background, I have loved this song. I've been performing 'Wallflower' for a year and a half now with my band and I just had to record it here." "Wallflower" is a standout track featuring one of Krall's most affecting vocals ever and some outstanding guitar work from acclaimed guitarist Blake Mills. "This is a song that I feel very connected to," Krall explains. "I'm a bit of a method actor and 'Wallflower' is a part I really wanted to play."

Resident conductor of the Pittsburgh Symphony Orchestra, music director of the Northeastern Pennsylvania Philharmonic and music director of the Pittsburgh Youth Symphony Orchestra, Lawrence Loh is an engaging conductor of impressive range and talent. Beginning in the 2015-16 season, Loh will become the first music director of Symphoria, based in Syracuse N.Y., founded by former members of the Syracuse Symphony Orchestra. As resident conductor of the Pittsburgh Symphony Orchestra, Loh works closely with Music Director Manfred Honeck and conducts a wide range of concerts including classical, educational and pops. He is active in the Pittsburgh Symphony's Community Engagement and Partnership Concerts, extending the symphony's reach into other communities. He made his debut on the main classical series conducting Handel's Messiah in December 2008. Loh led the enormously popular Fiddlesticks Family Concert Series where he played the part of host and conductor. In addition to his duties on the podium, he is an audience favorite in the Pittsburgh Symphony's Concert Preludes lecture series, edits radio broadcasts and makes many public appearances. His association with the Pittsburgh Symphony Orchestra began as assistant conductor in 2005. He was promoted to associate conductor in 2006 and to resident conductor in 2007. Since his appointment as music director of the Northeastern Pennsylvania Philharmonic in 2005, the orchestra has made its mark as an ensemble of superb musicianship, performing electrifying performances year-round. Off the podium, Loh is very active in the region as an arts leader and music advocate, and is constantly in demand as a guest speaker and clinician. Loh's recent guest conducting engagements include the National Symphony Orchestra, Knoxville Symphony, Florida Orchestra, Colorado Symphony, Charleston Symphony Orchestra (SC), Greater Bridgeport Symphony and return engagements with the Dallas and El Paso Symphonies. Other recent guest conducting appearances include the Malaysian Philharmonic, the Detroit Symphony and the San Angelo Symphony. He has conducted the symphony orchestras of Portland, Cedar Rapids, Colorado Springs, East Texas, Fort Collins, Fort Worth, Lubbock, Plano, Shreveport, Sioux City, Spokane and Tallahassee among others. He has led Korea's Daejeon Philharmonic Orchestra, the Binghamton Philharmonic, the Yale Philharmonia, Omaha Area Youth Orchestra, Ottawa's National Arts Centre Orchestra and the Dallas Chamber Orchestra. His summer appearances include the festivals of Bravo Vail Valley, Breckenridge, Las Vegas and Hot Springs, the Kinhaven Music School (Vt.), the Performing Arts Institute (Pa.) and the Carnegie Mellon Summer Strings Camp. Loh held the positions of assistant and associate conductor of the Dallas Symphony from 2001 to 2005. He led the Dallas Symphony in a variety of classical subscription and educational programs throughout each season. He was brought to national attention in February 2004 when he stepped in to conduct on short notice for an ailing Charles Dutoit, conducting Stravinsky's Petrouchka and Berlioz's Symphonie Fantastique. Prior to his Dallas appointment, Loh was appointed by Music Director Marin Alsop to be associate conductor of the Colorado Symphony Orchestra. From 1998 to 2001, he conducted more than 50 concerts annually, including classical subscription, pops, education, family and outreach programs. While in Denver, he was also music director of the Denver Young Artists Orchestra, the premiere youth orchestra in the Colorado Rocky Mountain Region. Additionally, Loh served as the interim director of Orchestras and Head of the Orchestral Conducting Program at Denver University's Lamont School of Music in 2000-2001. In May 1998, Loh received his artist diploma in orchestral conducting from Yale University, also earning the Eleazar de Carvalho Prize, given to the most outstanding conductor in the Yale graduating class. During his years at Yale, he was selected to be the assistant conductor of the Norwalk Symphony Orchestra and apprentice conductor of the Hot Springs Music Festival. He received further training at the world-renowned Aspen Music Festival and School and has additional degrees from Indiana University and the University of Rochester. A dedicated teacher, Loh held the position of associate instructor in music theory at Indiana University and teaching assistant at Yale University in advanced hearing, conducting and orchestration. He was also the guest curator at the Denver Museum of Nature and Science for "What Makes Music?" an interactive exhibit, offering the opportunity to explore the science of music and sound, as well as the role of music in culture. Loh was born in southern California of Korean parentage and raised in Carlisle, Pennsylvania. He and his wife Jennifer have a son, Charlie, and a daughter, Hilary.

The Pittsburgh Symphony Orchestra, known for its artistic excellence for more than 119 years, is credited with a rich history of the world's finest conductors and musicians, and a strong commitment to the Pittsburgh region and its citizens. Past music directors have included Fritz Reiner (1938-1948), William Steinberg (1952-1976), Andre Previn (1976-1984), Lorin Maazel (1984-1996) and Mariss Jansons (1995-2004). This tradition of outstanding international music directors was furthered in fall 2008, when Austrian conductor Manfred Honeck became music director of the Pittsburgh Symphony. The orchestra has been at the forefront of championing new American works, and gave the first performance of Leonard Bernstein's Symphony No. 1 "Jeremiah" in 1944 and John Adams' Short Ride in a Fast Machine in 1986. The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and radio concerts. As early as 1936, the Pittsburgh Symphony broadcast on the airwaves coast-to-coast and in the late 1970s it made the ground breaking PBS series "Previn and the Pittsburgh." The orchestra has received increased national attention since 1982 through network radio broadcasts on Public Radio International, produced by Classical WQED-FM 89.3, made possible by the musicians of the Pittsburgh Symphony Orchestra. With a long and distinguished history of touring both domestically and overseas since 1900-including 36 international tours to Europe, the Far East and South America-the Pittsburgh Symphony continues to be critically acclaimed as one of the world's greatest orchestras.

Heinz Hall for the Performing Arts is owned and operated by Pittsburgh Symphony, Inc., a non-profit organization, and is the year-round home of the Pittsburgh Symphony Orchestra. The cornerstone of Pittsburgh's Cultural District, Heinz Hall also hosts many other events that do not feature its world-renowned orchestra, including Broadway shows, comedians, speakers and much more. For a full calendar of upcoming non-symphony events at the hall, visit heinzhall.org.