BWW Review: The Peanuts are Here: MEU AMIGO, CHARLIE BROWN (You're A Good Man, Charlie Brown ) opens at the Frei Caneca Theater
Charles Schulz's beloved comic comes to life in Clark Gesner's classic musical, You're a Good Man, Charlie Brown.
The latest reviews and critic recommendations from Brazil.
Charles Schulz's beloved comic comes to life in Clark Gesner's classic musical, You're a Good Man, Charlie Brown.
Wicked: The Untold Story of the Witches of Oz is a musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman.
?The Broadway musical Nice Work If You Can Get It, with book by Joe DiPietro, inspired by material by Guy Bolton and PG Wodehouse, debuts at Teatro CETIP, in Sao Paulo, with adaptation by Miguel Falabella, who also assumes the role of playboy Jimmy Winter.
URINAL - O Musical, the Brazilian version of URINITOWN, directed by Ze Henrique de Paula, arrives in Sao Paulo at the Teatro do Nucleo Experimental, in Barra Funda.
Fuerza Bruta chega ao Brasil com Wayra.
I Do! I Do! opened on Broadway in 1966, with lyrics by Tom Jones and music by Harvey Schmidt, starring Robert Preston and Mary Martin, with eight Tony nominations, winning best actor.
After 30 years of it first stage production in Brazil, director Wolf Maya revivals 'Nunsense' in São Paulo.
In an unprecedented initiative in Brazil, SESI-SP produces The Drowsy Chaperone, part of SESI-SP Educational Project Musical Theatre (that includes the show and vocational training in music theater), and (this is amazing) free tickets.
With a young, cohesive and full of energy cast, the rock opera Jesus Christ Superstar gets a revival in São Paulo, in a version with high levels of emotion, watching the last days of Jesus.
After watching Crazy for You in New York City in 1992, Claudia Raia dreamed of one day producing this musical in Brazil.
Charles Moeller and Claudio Botelho, who are in charge of the book and concept of BLACK ORPHEUS to be seen this year on Broadway, produced by Stephen Byrd, open in Rio 'All Chico Buarque's Musicals in 90 minutes', a theatrical love letter to one of Brazilian most gifted stage, movie and popular comp
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (Como Vencer na Vida sem fazer Forca) opened in Rio de Janeiro with a revised Brazilian production, directed by top musical theatre directors Claudio Botelho and Charles Moeller.
Milton Nascimento - Nada Será Como Antes, is really a theatrical tapestry of wonders that celebrates the work of one of the most gifted Brazilian composers.
Charles Moeller and Claudio Botelho bring to Brazil the most expensive musical ever produced here.
With the opening of O FIM DO ARCO IRIS ( End Of the Rainbow), in Rio de Janeiro, with the author Peter Quilter in the audience, Moeller and Botelho put once more in a higher level the Brazilian Musical Theatre, this time with the help of Claudia Netto (of '‘Company', 'Avenue Q' and ‘The King And
The new Brazilian production of FIDDLER ON THE ROOF (the first one was in the sixties) is a joy which makes Brazilian theatre profissionals proud of it.
A new production of EVITA, the first one conceived and designed by a Brazilian creative team, opened to rave reviews at TEATRO ALFA, São Paulo, Brazil.
O que poderia escrever um crítico de arte estando cara a cara com a MONALISA no Museu do Louvre? E um crítico literário analisando os defeitos e as qualidades de OS MAIAS de Eça de Queiroz? Um crítico de música teria como criticar a NONA de Bethoven? Pois é.
The Brazilian production of GYPSY is, for sure, the highest point a Broadway musical ever achieved in Brazil.
No Teatro Glauce Rocha todas as quartas e quintas as 19 horas, o pano se abre para mais uma explosão de talento e teatralidade: Ernesto Piccolo e Rogério Blat estão de volta à cidade com mais um de seus trabalhos com gosto de festa, onde o humor e a musica se unem arrebatadoramente (parece impos
A foto que ilustra esta crítica não é do espetaculo que ontem estreou no Espaço Sesc Copacabana.