The latest reviews and critic recommendations from Brazil.
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (Como Vencer na Vida sem fazer Forca) opened in Rio de Janeiro with a revised Brazilian production, directed by top musical theatre directors Claudio Botelho and Charles Moeller.
Milton Nascimento - Nada Será Como Antes, is really a theatrical tapestry of wonders that celebrates the work of one of the most gifted Brazilian composers.
Charles Moeller and Claudio Botelho bring to Brazil the most expensive musical ever produced here.
With the opening of O FIM DO ARCO IRIS ( End Of the Rainbow), in Rio de Janeiro, with the author Peter Quilter in the audience, Moeller and Botelho put once more in a higher level the Brazilian Musical Theatre, this time with the help of Claudia Netto (of '‘Company', 'Avenue Q' and ‘The King And
The new Brazilian production of FIDDLER ON THE ROOF (the first one was in the sixties) is a joy which makes Brazilian theatre profissionals proud of it.
A new production of EVITA, the first one conceived and designed by a Brazilian creative team, opened to rave reviews at TEATRO ALFA, São Paulo, Brazil.
O que poderia escrever um crítico de arte estando cara a cara com a MONALISA no Museu do Louvre? E um crítico literário analisando os defeitos e as qualidades de OS MAIAS de Eça de Queiroz? Um crítico de música teria como criticar a NONA de Bethoven? Pois é.
The Brazilian production of GYPSY is, for sure, the highest point a Broadway musical ever achieved in Brazil.
No Teatro Glauce Rocha todas as quartas e quintas as 19 horas, o pano se abre para mais uma explosão de talento e teatralidade: Ernesto Piccolo e Rogério Blat estão de volta à cidade com mais um de seus trabalhos com gosto de festa, onde o humor e a musica se unem arrebatadoramente (parece impos
A foto que ilustra esta crítica não é do espetaculo que ontem estreou no Espaço Sesc Copacabana.
