SOO i was always curious, how does a broadway replacement learn the show??
I am under the impression that all the choreography is taught to them by the dance captain, but who teaches them blocking and such? They dont bring BACK the director every time a new replacement is hired, so who teaches them all the blocking? Also, who calls the "put-in" rehearsals, who else attends them, and who runs the rehearsal???
They get 2-weeks with the stage manager and any other cast members going in at the same time. They get 1 rehearsal with the entire cast.
The stage manager and/or assistant director are in control of everything.
If it's a high-profile replacement, they may get a day or two with the director, for the purposes of the all-important photo opportunity. Updated On: 6/2/08 at 03:31 PM
Jennifer Laura Thompson said that she had three weeks for Glinda. First week for Act 1, Second week for act 2, and then third week for full runs of the show, put ins, and final preparations.
I don't know how other shows operate, but I assume it's similar...
Stage Manager, Assistant Director and Dance Captain always teach the show.
When I did the Wicked emerald curtain tour, they said that thursday and friday afternoons were dedicated to learning. They were also given about 2 -3 weeks.
Thursday & Friday afternoons are also usually rehearsals for all understudies.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
It's different for every show, regarding the timing.
for HAIRSPRAY, when there is a replacement coming in for one of the stars, they will have an all-day rehearsal on Monday and a run through of the show the afternoon of their premiere.
Stage Manager and Dance Captain teach everything. If it's a high profile name, the Director will come in for a couple of days.
I think the Hoff said he had a month of a "rehersal" period...but his run at Jekyll started two weeks late. He also said that he had to follow around Sebastian Bach a few times, but followed Joseph Mahowlad (the alternate for Sebastian) and Rob Evan (who was re-joining the cast as his alternate) a lot for again, two weeks-ish. And I also think they had Coleen Sexton reherse with him for a few days. But I suppose the Hoff could be a special case!
There was a great playbill article maybe a year or so ago that went in depth into preparing a replacement for a broadway show, but for the life of me I can't remember who it followed. Can anyone else remember?
I'm under the impression that if you're famous/someone who they don't want to see screw up at all, then the director comes back for you.
Sebastian Bach said in an interview when joining Jekyll & HYDE, an article from TheatreMania:
TM: How did your rehearsals go?
BACH: Great. I mean, it's incredible. The director, Robin Philips, he whipped my ass into shape. He taught me everything--six days a week, 11am to 7pm, for four weeks. It was like boot camp. You know, the rules of rock and roll are that there are no rules. After 15 years of rocking, I was looking for discipline, and Robin gave it to me. I feel lucky to be learning so much more about myself as a performer.
Absolutely. 100%. Robin has taught me to be still, to give in to your stillness on stage. I'm, like, six-foot-five and lanky. On stage, when I'm performing, I look like a gazelle. Robin told me that, when I'm controlled and still, I look like a lion. I'm much more dynamic. I love it.
Ann Reinking and Walter Bobbie have come back several times to work with their replacements in CHICAGO, especially the star ones. Updated On: 6/4/08 at 06:54 PM
How does a replacement learn the music? Not like the lyrics, but the harmonies, rhythms, etc.
I want to apologize for some offensive messages posted on this board under my name. The night 0f 12-15-08 I did not have internet access, and someone had used my name to post something offensive. My avatar was also changed. I dont' know what else was posted, or if anyone recieved bad PMs, but I want to apologize for that. I've changed my password, and even though I was not the one posting these messages it still needed to be corrected.
I remember an article in a not defunct theater magazine about Gary Morris replacing Colm Wilnenson in Les Miz. He said he had one week of rehearsal with a stage manager and never was on the stage until his opening performance. He was not taught how to navagate on the turntables at all.