I swear every year there is a high school, college or community theatre doing this in my city. It's not even that good. It was only on broadway for a year, won no awards. I don't get why it's so popular. Someone told me that it's currently one of the most popular musicals for high schools to do. Why is it so big in high schools?
We did it 4 or so years ago when the rights first became available. Can't tell you how many schools we've leant costumes to.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
We did it 4 or so years ago when the rights first became available. Can't tell you how many schools we've leant costumes to.
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I wonder why it didn't do better on broadway for those reasons considering it's so popular for high schools to do. I guess I get the female parts thing.
There is a major difference between observing Broadway commercial viability of a show and the feasibility/interest in mounting a show on a regional/school level. Two completely different ballparks.
Many shows are better fits for high schools than they are for Broadway. I don't mean that as a judgement against the quality of the shows themselves, but as Dramamamma mentioned, there are certain qualities that high schools look for when picking a musical, which have little to no bearing on how marketable or well-recieved the show might have been in its initial run.
Believe it or not, the three most produced high school shows are The Addams Family (<1 year Bway run), Shrek (~1 year), and Legally Blonde (~1.5 years) I think it is the fun aspect of these shows that make them popular, rather than the critical response during their Broadway bow.
Legally Blonde was selling many seats but the theatre it was in is too big. When they moved it to London it was s big hit, scaled down and got a good review in London from the NY times, it also won the Olivier award for best musical
Namo i love u but we get it already....you don't like Madonna
And what do those 3 shows have in common? Name recognition...not for their b'way show. It will bring people in to see it....because they know the title. $$$$$$$$$$$$$$$ is a concern for high schools too.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
sarahb22 said: "A high school in my area is doing "High School Musical." Did that even run on Broadway?
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you might be surprised to learn that there are THOUSANDS of musicals licensed out to schools and theatre companies every year that.... never played Broadway!!! *gasp*
It's a great crowd-pleaser with showy parts for a variety of performers. It's definitely one of the best cash-grabbing name recognition adaptations out there.
They put out the licensed version when the whole phenomenon was hot. It's pretty awful, but the kids has a fabulous time. (I had jr high kids do it.)
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
My production of LEGALLY BLONDE I directed is playing right now in a small town in WV and the run is completely SOLD OUT (which is a rare occurrence). People know and love the movie and therefore want to see the show. Many people coming had NO idea it even was a musical until they heard we were doing it. They couldn't care less how long it lasted on Broadway. We had a similar thing earlier this season when I did Fester in THE ADDAMS FAMILY.
The one part of it I find godawful is the horrendous ballad version of the title song. One of the worst songs on Broadway in recent years honestly and that is saying something. The up-tempo reprise is so much better why even include the ballad??
finebydesign said: "Except for that Gay or European crap the show is a pretty darn solid book musical.
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I find it hilarious!!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Cost and expectations. My daughter was in the ensemble for her college's production of Legally Blonde and it was a thoroughly enjoyable afternoon of theater. The show itself is annoyingly and dreadfully predictable even if you aren't familiar with the source material, but it works at that level (my son loathed the show but loved watching the pretty girls). No way could I imagine paying for three tickets at Broadway prices for it, regardless of what stars might be in it.
And sometimes really talented and charismatic kids can elevate otherwise borderline material. The four girls in our community theater's production of Little Women had performed together for years in the high school's competitive show choir and had amazing chemistry (of course I'm biased as my daughter was one of them). Still, I would have loved to see those same four girls together in any show, maybe something like Steel Magnolias, which I otherwise might find excruciating.
phan24 said: "Believe it or not, the three most produced high school shows are The Addams Family (<1 year Bway run), Shrek (~1 year), and Legally Blonde (~1.5 years) I think it is the fun aspect of these shows that make them popular, rather than the critical response during their Broadway bow.
I'm curious Broadway Bob as to how you presented that "gay" sequence. I saw a local production last month and had no problem with the plot line where Elle busts the gay character for being homosexual by testing her "Elle picking up something from the floor" routine in an overly sexual manner and not getting any response from him. I found it clever and non offensive. What did bother me was at the end of the scene as they changed scenery the orchestra broke out in a dance arrangement and both the gay character and his boyfriend effeminately ran into each others arms swishing along the way. Ending up with one of the characters jumping up on the others crotch region with his legs wrapped around his groin. I'm too lazy to dig up my home recorded DVD of the televised Broadway production but is this scene actually in the script and how are you presenting it?