If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Why would anyone want to bring this to Broadway? It was dreadful. Absolutely no redeeming value. I'd rather sit through a revival of, In My Life, the Tourette musical.
ARTc3 formerly ARTc. Actually been a poster since 2004. My name isn't Art. Drop the "3" and say the signature and you'll understand.
LOVE Alison Jiear! She was just on Britain's Got talent and was also in the West End in Smokey Joe's Cafe and The Fabulous Singlettes. An underrated talent.
tazber said: "I liked it. I thought the studio audience/chorus was hilarious. It's far too dated to ever play Broadway."
I saw a production in SF by Ray of Light Theater about six years ago (with a production budget of about $2.95 I think) I really enjoyed it - but you may be right about it being dated by now.
I saw that same production and totally agree with you. Also, the guy who played Jerry Springer was also the first person I ever saw as Jack in Into the Woods, so that was kinda strange/fun...
"This thread reads like a series of White House memos." — Mister Matt
I find Alison Jiear to be the best thing about the show. Anytime she was onstage I could not keep my eyes off of her. She needs to be more famous then she is.
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
I really enjoy this score, and I think it actually comes to a very poignant, philosophical conclusion. But taz is right that it is probably dated; Jerry Springer (and those type of shows) are so out of vogue now, and what was audaciously blasphemic about the material is sort of old-hat. I'm sure conservatives would still protest it, though...
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I agree with Kad - it's a fun show with a really good score, but the time for it to be on Broadway has passed. A lot of people probably don't even know who Jerry Springer is anymore. Besides, the brilliant original London production was filmed for TV and I think the entire thing can be found somewhere online.
I saw the show at the National Theatre in 2003 and then again twice in 2004/05 after it transferred to the West End. David Bedella delivered a great performance as the warm up man/Satan and well deserved the Olivier Award that year. Although I loved the show, I found the second act to be something of a letdown from the excellence of the first (similar to my experience with Something Rotten). I question whether it would appeal to a broad audience today.