Another horizontal mambo: Maggie Smith discovering then-husband Robert Stephens mid-act with something like the understudy to the maid during the LA tryout run of Private Lives in 1975. Mr. Stephens left the company under a cloud, was replaced by his understudy and the production came to NY and was a major hit.
Barbra and Sydney Chaplin supposedly became chummy during the long and difficult try-out of Funny Girl, but after they came back into town they returned to their respective spouses. Barbra had a difficult time adjusting to this new relationship with her leading man, and Chaplin was bought out of his contract after 7-8 months.
And then SUPPOSEDLY: a 16 year old Carrie Fisher who Momma put into the chorus of Irene went up to a chorus girl and said, "You keep away from (another female member of the chorus). That's my mother's girlfriend."
Who knows? I wasn't there.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher
I've heard some good ones about the original production of Chicago- allegedly, a story I've heard a few times from various people but never asked Ms. Nemetz herself, Lenora Nemetz, the "Queen of the Understudies," was understudy to Velma and Roxie in the original production. One night, due to unforeseen circumstances and highly unusual chain of events, she ended up playing Velma in one act, then going on for Roxie in the other when Velma had recovered, or vice versa.
Frankly it sounds made-up, but I know stranger things have happened throughout the years, and I've heard this one time and time again, so there COULD be some truth to it.
It appears that the rumors of a group "encounter" involving the cast of "All Shook Up" are true. I remember reading about it in Cindy Adams' column. Maybe someone can find that particular report. Verrrry interrresting. from RC in Austin, Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
I googled the story, and apparently it was broken to the newspaper by an anonymous writer known by the initials HJ who was trying to enter the stage door and confronted the orgy by mistake.
Entering by the stage door would imply either a production worker or a friend of the cast with clout enough to get in- some have jokingly suggested Hugh Jackman as the interloper.
I've heard some good ones about the original production of Chicago- allegedly...Lenora Nemetz...was understudy to Velma and Roxy...ended up playing Velma in one act, then going on for Roxie in the other when Velma had recovered, or vice versa.
I never heard that but it is a fact that on at least one occasion she played one of the roles at the matinee and later that same day played the other role at the evening performance.
Here's another opera anecdote: supposedly on a recording of Madama Butterfly starring Enrico Caruso as Pinkerton and Geraldine Farrar as Butterfly, they had recorded in the morning, broke for lunch, then resumed recording in the afternoon. Supposedly Caruso had gotten tipsy, and during the big Act I love duet between Butterfly and Pinkerton, instead of singing one line in the libretto, Farrar sang "He had a HIGH-baaaaaaalllll!"
We have forgotten one of the most famous anecdotes: Lord Sydmonton, known to the public as Andrew Lloyd Webber, composed "Phantom of the Opera 2" on a keyboard based workstation, before his cat ran along the control panel, wiping the hard drive and deleting the entire musical work. He then rewrote the piece in a substantially different form, and then renamed the new piece "Love Never Dies."
I have a friend who was in All Shook Up and I'm dying to ask if there's any truth to that story, though we haven't spoken in some time. And I don't think that "So tell me about that orgy!" should be the first thing he hears from me.
Crawford during his New York run of Phantom, where he pulled the boat downstage, so he could start Music Of The Night
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Ethel Merman and Mary Martin were performing at a benefit. As Mary was onstage performing, Ethel, standing backstage, turned to someone nearby and said "She's a dyke, y'know!"
Get the story right.
Ethel was standing backstage while Mary was singing, waiting for her cue to enter. Watching Mary, she said to a stage hand nearby, "Nice kid. Nice voice. Dyke, ya know."
I once worked with someone from "All Shook Up" as well as someone from "Taboo" and we got on friendly terms and I had so so so many questions I wanted to ask but couldn't figure out a sane-sounding way to ask.
Another great TOSCA story involves the firing squad at the end of the opera. I mean, how difficult is it, right? You march on stage, shoot someone, then follow someone else offstage.
But apparently Dallas Civic Opera didnt get the rehearsal time and simply told them "Shoot the person singing and then follow the other principals offstage," because during the performance, they aimed their rifles at... Tosca, who apparently improvised with a trilling "Nononononononononono". They swung them at Jose, who, sensing a great moment in the making, replied with a "Nonononononononono". Eventually, they shot Tosca, but Jose fell anyway.
Okay, so far, so good. But then we get to the very end, when she rushes to the top of the wall and jumps off. What have they been told? "Follow the principal offstage", so apparently the entire firing squad proceeded to jump over the wall as well.
Tammy Grimes once apparently hated a co-star so much she peed on his costume.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
While appearing in WOMAN OF THE YEAR, Lauren Bacall finished her number, made her exit, walked to her dressing room for her costume change but the sound technician forgot to turn her microphone off and the sold out audience heard her drop a litany of F-bombs backstage.
Ain't Misbehavin' Nell and Armelia had one understudy at the start of the run (and this woman went on a lot) and Charlayne had an understudy only for her role.
However one night Nell and Armelia were both on, but both Charlayne and her understudy were unable to perform. Management thought they'd have to cancel a sold out performance.
However the Nell/Armelia understudy stepped forth and said, "I know the role." Unbeknownst to everybody she had gotten bored watching the show night after night and had learned the third role just for something to do.
They ran the dance numbers before the curtain, crossed their fingers and hoped for the best, and that lovely lady saved their ass. I wish I could remember her name. I met her, but only in passing. She was taller that Nell or Armelia and sturdily built but in no way could genuinely be termed fat--just a large healthy woman.
This understudy got a nice piece of change and after that they hired one-on-one understudies for all five principals.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher