which shows? The only one I am remotely interested in is Chaplin. Scandalous seems like a total flop because the subject matter is uninteresting (and Kathie Lee, need I say more...) and Rebecca seems ok at best. What are you looking forward to?
just saw Annie in Singapore--straight from the West End and now on the way to Broadway. Was ok...
Rebecca may grow on me and Matilda is family fare with a bit of potential. Cyndi Lauper's efforts in Kinky Boots deserve a look too--but I guess the excitement will build closer to previews? Hope so! :)
NONE of these upcoming new musicals have scores that are by actual musical theater writers that have established themselves as talented and worthy. The one NEW musical I'm looking forward to happens next spring at Playwrights Horizons, and that's FAR FROM HEAVEN.
None of these people are trained, tried and true writers. Cyndi Lauper? Great pop artists, but I could honestly care less if I hear a Broadway score by her. And Kathie Lee? Oy.
Edwin Drood is a revival of a musical previously featuring Betty Buckley. The audience gets to choose certain things during the show, like ultimately who killed Edwin. Chita Rivera is in this revival
Ok--thanks for the insight! Have not heard much about this one yet, but you have piqued my interest. I like the audience participation ones from time to time--and I love Dickens (and Chita of course!)
At Godspell last year I was pulled up to play charades with Hunter Parrish! Was so excited and nervous all at the same time...was a blast! I wanted a picture! :)
At Godspell last year I was pulled up to play charades with Hunter Parrish! Was so excited and nervous all at the same time...was a blast! I wanted a picture! :)
Rebecca Cinderella Matilda Kinky Boots Edwin Drood Annie (Korins' set design looks like it is going to be stunning)
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"NONE of these upcoming new musicals have scores that are by actual musical theater writers that have established themselves as talented and worthy."
Cinderella - Rodgers and Hammerstein Rebecca - has been playing around the world since 2006 Matilda - is the biggest British musical in the past decade Kinky Boots - I know nothing about this Edwin Drood - Rupert Holmes did the book for Curtains (and The Nutty Professor, if I am not mistaken) Annie - Charles Strouse...
So, surely some new musicals have reputable scores and backgrounds.
Unless you meant new as regard brand new...
Nick Hutson
Co-Presenter/Producer
MusicalTalk - The UK's Musical Theatre Podcast
http://www.musicaltalk.co.uk
If you don't know about Drood you should definitely investigate it more! It's a fantastic musical, one of my faves in fact.
It's a musical within a musical, meaning that the cast are playing music hall performers who are presenting their version of "Drood".
There's tons of stuff you'll find about it, but as a Dickens fan you probably know it was his last (and unfinished) novel.
So the audience gets to vote every performance how they think the show should end (meaning who the murderer is). The cast then proceeds with the ending accordingly.
It's great fun.
Otherwise I'm not really excited about the line up either. I'm curious about Rebecca. And Chaplin looks like it may be much better than I anticipated (based on the comments from the first preview posters).
Matilda is the biggest thing to hit the West End in years. I cannot imagine it not being as good on Broadway.
I couldn't get even a single seat when I was there in June. In terms of popularity it is like Wicked multiplied by Book Of Mormon.
The reviews from critics and the public alike have been nothing but down right stellar and glowing.
Plus don't be put of by it being 'family fare', if it is even a smidgeon like any of Dahl's works, including its own source material, there is plenty of wicked dark adult humour to boot. :)
Plus the book is my second favourite Roald Dahl book, only after 'The Twits'. What is not to like? :)
Am I the only one who thinks the upcoming line-up of musicals to hit Broadway seem lackluster and are generating no buzz or interest?
I'm pretty sure you're not. We hear that at least half a dozen times every season.
Rebecca may grow on me and Matilda is family fare with a bit of potential.
Matilda is not your typical "family fare".
NONE of these upcoming new musicals have scores that are by actual musical theater writers that have established themselves as talented and worthy.
First of all, so what? We've had a lot of new successful scores from the first outing on Broadway (Urinetown, The Producers, Avenue Q, The Secret Garden, In the Heights, The Full Monty, Spamalot, Grey Gardens, Book of Mormon, Les Miserables, Godspell, etc). Do you feel they need your validation first? What do you consider "worthy" and who are "actual musical theatre writers" other than people who are writing a score for a musical in a theatre?
Secondly, Matilda has already been earning accolades in the UK and Rebecca's music is from Levay, composer of one of the most successful European musicals ever written, Elisabeth (as well as Mozart! and Marie Antoinette).
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Matilda seems like the girls' version of Billy Elliot. The three leads that share the role will win Best Actress & the show itself will win Best New Musical. Interested in Chaplin & Kinky Boots as well as the Jekyll & Hyde revivals.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Exactly, Matt. Plus, it should be pointed out that Drood was the first major musical by someone seen as a pop composer until then (and had some cynicism attached to it because Papp seemed so desperate to do a similar in style follow up to his successful mounting of Piratzes of Penzance--down to re-hiring much of the team and some of the cast), so I find the argument that none of these shows are done by established theatre writing teams neither here nor there.