i'm going to go and buy my Wicked tickets on tuesday... and my hair tickets hopefully nextweekend. but i want to see what else is going to come incase i like the other musicals better.
Does anyone know if HAIR will have rush seats? I know when I saw URINETOWN at Canstage I waited in line for 2 hours and got third row seats for like 10 bucks.
And I went all Julia Murney crazy and bought my Wicked tickets. She better be performing.
I don't know about rush but if you are under 30, Canstage offers tickets for $25. They can be bought in advance or on the day of. It's best available seating. I have never been to a show of theirs that was sold out, so your chances are good for pretty much any performance. Give them a call though to be sure. Updated On: 2/18/06 at 11:21 PM
You can bet if anything will be sold out, it will be Hair. Ticket sales are going very well and it's a long run! For all of you in Toronto, I highly recommend you get your butts to the Bluma Appel and see Stephen Ouimette in I Am My Own Wife. If you love theatre, you don't want to miss that show.
MarkCohen, trust me, if anyone thinks you look like Barrett, it's a huge compliment. That boy is gorgeous.
CanStage also offers pay-what-you-can on Mondays. Even shows that are otherwise sold out they hold a limited number of PWYC tickets which go on sale at 10 AM monday mornings. And if the show is not sold out they will offer more seats at the PWYC prices.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
"You can bet if anything will be sold out, it will be Hair. Ticket sales are going very well and it's a long run! For all of you in Toronto, I highly recommend you get your butts to the Bluma Appel and see Stephen Ouimette in I Am My Own Wife. If you love theatre, you don't want to miss that show.
MarkCohen, trust me, if anyone thinks you look like Barrett, it's a huge compliment. That boy is gorgeous."
I want to see I Am My Own Wife more than anything, but my next couple weeks are so crazy full and I don't think I'll be able to get to Toronto. I'm really dissapointed and I wish it would run a bit longer.
I'm also hoping to see SoulPepper's Our Town soon.
I was very disappointed that Julia won't be coming to Toronto as well. Maybe she'll extend her run, but I doubt it. She'd probably be worn out by September.
I heard froma few people that there are wicked rush tickets for 25$ and you win the whole box seats ? true ?i haven't been on the website recently ...so i dont know.
Oh well, it's my fault for jumping the gun. I just assumed that she would want to come to our lovely city. Sigh.
I'm also planning on seeing "I am My Own Wife" for the sole purpose of seeing the brilliant Stephen Ouimette. I'm also seeing "Leo" at the Tarragon for school - anyone seen it yet?
Oh, and did anyone catch Acting Upstage's premiere of Lippa's "John and Jen." I thought it was so incredible well-done. Just wondering about anyone else's thoughts.
Here is the info for the Wicked LOTTERY (not rush):
"A lottery for $25.00 box seats is initiated for WICKED!
These are the details. A day-of-performance lottery for $25 box seats will be held daily for WICKED, which will be performing from OCT 7 - NOV 19, 2006 at the Canon Theatre.
Each day, 2 hours prior to show time, people who present themselves at the Canon Theatre box office will have their names placed in a hat and then thirty minutes later, names will be drawn for 20 box seats at $25 each, cash only. This lottery is available only in-person at the box office, with a limit of two tickets per person."
Written by William Shakespeare Opening Night: Wed., June 28, 2006 Press Night: Sunday, July 2, 2006 CanStage - High Park
A Shakespearean farce about long-lost twin brothers and their twin servants who unknowingly end up in the same place at the same time. A hilarious romp through mistaken identities and the fine line between confusion and madness.
OF MICE AND MEN October 16 – November 11, 2006
Written by John Steinbeck
Opening Night: Thurs., October 19, 2006
Directed by Dennis Garnhum CanStage - Bluma
George and his simple-minded friend Lennie are outsiders. A gripping classic tale of two lost souls who struggle to find their place until “the best laid schemes of mice and men” go horribly awry. A timely survival story for a world that breeds and fears outsiders.
World premiere of a musical in one act
THE STORY OF MY LIFE October 30 – December 9, 2006
Written by Neil Bartram and Brian Hill Opening Night: Thurs. Nov. 2, 2006
Directed by Michael Bush CanStage Berkeley/Downstairs
Alvin and Thomas met in grade one. They shared the battlefields of childhood and adolescence and, in the end, adulthood. A tender, musical celebration of lifelong friends by the gifted duo that brought us Not Wanted on the Voyage.
GLORIOUS! November 20 – December 16, 2006
Written by Peter Quilter Opening Night: Thurs., Nov. 23, 2006
Starring Nicola Cavendish CanStage - Bluma
In co-production with Theatre Calgary
Nominated for a 2005 Laurence Olivier Award for Best Comedy
Florence Foster Jenkins can’t sing a note. In 1944 she played Carnegie Hall to a sold-out, adoring audience. The true, hilarious story of a gloriously tone-deaf diva and a moving tribute to the innocence and purity of belief.
CanStage presents Necessary Angel’s production of
HALF LIFE January 8 – February 3, 2007
Written by 2005 Siminovitch recipient John Mighton Opening Night: Thurs., January 11, 2007
Directed by Daniel Brooks CanStage – Bluma
Starring Eric Peterson, Randy Hughson and Diego Matamoros
Winner of the 2005 Governor General’s Award for Drama
Nursing home residents Clara and Patrick fall in love. But their children are wary of this unconventional affair. A poetic and compassionate portrait of the nature of memory, aging and true love.
World premiere
CanStage presents Crow’s Theatre production of
WHAT LIES BEFORE US January 15 – February 24, 2007
By Morris Panych Opening Night: Thurs., Jan. 18, 2007
Directed by Jim Millan
Ambrose and Keating have been workin’ on the railroad. They are lost in the Rockies but still fight about everything. A darkly comic look at man, mountains and the meaning of life.
THE OVERCOAT
February 12 – March 10, 2007
Created by Morris Panych and Wendy Gorling Opening Night: Thurs., February 15, 2007 CanStage – Bluma
An ordinary man acquires a beautiful coat. His identity is transformed, his society is lifted and his life is shattered by this simple acquisition. A Toronto homecoming for this fascinating weave of movement, dance, Shostakovich and Gogol.
World premiere
LUCY March 5 – April 14, 2007
Written by Damien Atkins Opening Night: Thurs., March 8, 2007
Lucy is almost twelve. She sees her mom for the first time in years. A play about newfound love between mother and her autistic daughter and the provocative theory of evolution it triggers. Written by Richard O’Brien
THE ROCKY HORROR SHOW March 26 – April 21, 2007
Directed by Ted Dyksta Opening Night: Thurs., March 29, 2007
Dr. Frank N. Furter is a sweet transvestite. Brad and Janet have car trouble in the middle of Transylvania and a rocky horror party ensues. Cult figures, pop culture, crazy sing-a-long tunes – “let’s do the time warp again!”
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
tourboi, there's never been a non-Eq tour of Rent to hit Toronto. The last tour (the one at the Canon) there was the Benny tour. Non-eq tours hit Kitchener, Hamilton, and London but not Toronto.
I too saw it at Tarragon and it was brilliant. One of those plays that draws you in right at the start and keeps you riveted.
Morris Panych can do no wrong in anything he does.
Oh, yes. He can go wrong. I guess you didn't see his staging of SWEENEY TODD for CanStage a few seasons back. The worst production of that show I have ever seen. (See my review in The Sondheim review.)
I also think Panych didn't quite get TAKE ME OUT right, but his production of THE OVERCOAT was sensational and he made Shaw's YOU NEVER CAN TELL a delight last summer in N-O-T-L. I also thoroughly enjoyed his adaptation of THE GOVERNMNET INPSCTOR at Soulpepper (running until March 25.)
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com