BroadwayWorld Awards Database

In four decades as playwright, novelist, actor, and director, Alice Childress (1912-1994) challenged racism with engrossing stories and memorable characters. When a New York producer demanded revisions to soften the impact of Trouble in Mind, after an initial run Off Broadway and prior to its Broadway debut, Childress withdrew the script. Sixty-five years later, the Drama Desk celebrates the long-delayed Broadway premiere of this timeless masterpiece and salutes Childress as a towering figure in contemporary theater history.

Dede Ayite seems to have costumed half the actors of this theater season with her designs for Merry Wives, Seven Deadly Sins, The Last of the Love Letters, Chicken and Biscuits, Slave Play, Nollywood Dreams, American Buffalo, and How I learned to Drive. Whether dressing working-class Marylanders of the 1960s, amateur criminals of the 1970s, or West African immigrants in today’s Harlem, Ayite has a knack for conveying characters’ means, values, and aspirations before the actors utter a word.

This season, as a woman hiding her brother from the Taliban in Sylvia Khoury’s Selling Kabul and an English instructor straddling two very different cultures in Sanaz Toossi’s English, Marjan Neshat embodied disparate characters so fully that it was hard to recognize the single actor in the two roles. Whether in drama or comedy, Neshat mines the playwright’s text for a vast panoply of emotions that yield vivid, intricate portrayals of the parts she undertakes.