The VORTEX Theatre, funded in part by the National Endowment for the Arts, Save Our Springs Alliance, Six Square-Austin’s Black Cultural District, the City of Austin Economic Development Department, and the Texas Commission on the Arts, presents the world premier of Reina Hardy’s SUNNY DAYS on t
What did our critic think of NATIVE GARDENS at Sterling Stage Austin?
It’s a party like it’s 1595 at Gaslight-Baker Theatre in Lockhart this month with their production of Wayne Kirkpatrick, Karey Kirkpatrick, and John O’Farrell’s musical farce, SOMETHING ROTTEN! from July 12 - August 4.
Set against a full moon and reminiscent of variety shows, Jones, Hope and Wooten’s FUNNY LITTLE THING CALLED LOVE mixes comedy, folly, nearly absurd situations, a hint of slapstick, and a lot of heart in four wildly hilarious situations where “that four=letter word L-O-V-E” is at stake.
The musicals of the 1920s-1940s are rich territory for parody since many imported the stylistic elements (vaudeville, dance hall style, revue, et al.
Choosing to perform a Tennessee (Thomas Lanier) Williams (1911-1983) play means genuinely committing to some of theater’s most salient aspects: in this case, a plot that must capture and then hold the audience in unfolding layers of tragedy, characters that are complex and often display less-than-
As many students of history know, 1929 was the beginning of a chaotic, and often tragic, decade for the United States.
Julie Zaffarano’s ABOVE THE FOLD, set in 1935, is a play about three investigative reporters and a photographer who are staying in the same hotel as they cover a grand jury.
I am delighted to have had a chance to interview Jill Van Velzer who plays the role of Mrs.
What did our critic think of PRELUDE TO A KISS at The Bastrop Opera House? PRELUDE TO A KISS is the story of Peter and Rita, a couple who meet at a party at one of Rita’s neighbors and later, fall in love.
What did our critic think of DANCING AT LUGHNASA at Genesis Creative Collective?
What did our critic think of GLENGARRY GLEN ROSS at Trinity Street Playhouse?
Music by José “Pepe” Martinez, Lyrics by José “Pepe” Martinez and Leonard Foglia, Book by Leonard Foglia, Orchestration by David Hanlon, CRUZAR offers a deeply moving and acutely transparent experience.
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