BWW Review: OZ, Tobacco Factory Theatres
This year, Pins and Needles Productions, in league with Bristol’s Tobacco Factory Theatre makes a reliably bold move by taking something familiar and confounding expectations every step of the way.
Shane Morgan
BWW Review: MICHAEL FEINSTEIN, St George's Bristol
The Great American Songbook is a constantly evolving canon that arguably spans almost 100 years of music.
BWW Interview: Michael Feinstein on his UK Tour and The Great American Songbook
The Great American Songbook is an exhaustive, evolving canon of standards that includes work by the likes of Cole Porter, Jerome Kern, George Gershwin and Richard Rogers.
BWW Interview: Dino Fetscher Talks THE NORMAL HEART at the National Theatre
Writer and activist Susan Sontag once famously referred to Larry Kramer as 'one of America's most valuable troublemakers.
BWW Review: ANGELA, Online
The act of story telling is always a selfless undertaking.
BWW Review: THE POLTERGEIST, Southwark Playhouse
Playwright Philip Ridley is known for his menace, his verbal gymnastics and the bleak lens through which he observes the world his characters inhabit.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Bridge Theatre via National Theatre At Home
Hytner has capitalised on the success of his Julius Caesar the year before by placing his audience at the centre of the action.
BWW Review: SHOE LADY, BBC Radio 4
When EV Crowe wrote Shoe Lady for the Royal Court, little did she know that a pandemic would force Vicky Featherstone's production to close early.
BWW Review: ADVENTURES WITH THE PAINTED PEOPLE, Pitlochry Festival Theatre, BBC Radio 3
Theatre is a powerful being, so much so that when a pandemic closes one door, the creative team behind BBC Radio 3's Adventures With The Painted People blasts open another one with a world premiere that will fill the heart of anyone within hearing distance.
BWW Review: CORIOLANUS, National Theatre At Home
To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London's Donmar Warehouse take a skill and lightness of touch that is not only rare but all so often missed.
BWW Review: THIS HOUSE, National Theatre At Home
Legend has it that the distance between the front bench of the Government and that of Her Majesty's Opposition is the length of two swords tip to tip.
BWW Review: I and You, Hampstead Theatre via Instagram
In our current enforced state of isolation thanks to the nationwide lockdown, creatives across the country have been engaged in a tornado of generosity sharing their existing work on line and producing theatre at home.
BWW Review: RETURN TO HEAVEN, Tobacco Factory Theatres Bristol
A post-apocalyptic road warrior, an astronaut and a shark walk into a bara??
BWW Review: RENDEZVOUS WITH MARLENE, St. George's, Bristol
Rendezvous with Marlene started with a letter.
BWW Review: THE POLITICAL HISTORY OF SMACK AND CRACK, Bristol Old Vic
In large part, Ed Edwards' class A drug odyssey The Political History of Smack and Crack does what it says on the tin.
BWW Review: EXTRAORDINARY WALL (OF SILENCE), Bristol Old Vic
1880 was something of a watershed moment in the history of the Deaf community.
BWW Review: PRIDE AND PREJUDICE* (*SORT OF), Bristol Old Vic
It is a truth, universally acknowledged, that if you produce Jane Austen, especially in the South-West, then it is to be as authentic, as earnest and as close to traditional BBC magnificence as possible.
Tickets From $89
Tickets From $89
Tickets From $72
Tickets From $65