BWW Interview: Alice Blundell Talks SHAKESPEARE SNAPSHOTS at the RSC
The Royal Shakespeare Company is providing a series of free, live outdoor performances this summer.
Rona Kelly
BWW Interview: Katherine Pearce Talks THE WHIP
Actress Katherine Pearce makes her Royal Shakespeare Company debut this season, featuring in both King John and The Whip, a new play by Juliet Gilkes Romero.
BWW Interview: Toby Olié Talks MY BRILLIANT FRIEND
Taking us through bringing puppets and stories to life on stage in My Brilliant Friend, Toby shares how he got his start in the field and what the puppetry equivalent of playing Hamlet is!
BWW Interview: Rufus Hound Talks THE BOY IN THE DRESS
Catching up with actor Rufus Hound, he takes us through the development of The Boy in the Dress: from tears early on at hearing the songs for the first time, to tech week and getting into the theatre.
BWW Interview: Helen George Talks MY COUSIN RACHEL
Helen George talks bringing My Cousin Rachel from page to stage, and gives us a sneak peek into what we can expect from Call the Midwife's Christmas special!
BWW Interview: Fra Fee Talks TRANSLATIONS
Following an incredible journey with The Ferryman through to Broadway, Fra Fee returns to London for Translations this year.
BWW Interview: Eleanor Rhode Talks KING JOHN
This Autumn, the Royal Shakespeare Company stages a story of a nation in turmoil: King John.
BWW Interview: Elliot Cowan Talks A DOLL'S HOUSE
Elliot Cowan returns to the Lyrics Hammersmith for A Doll's House.
BWW Interview: Alexandra Gilbreath Talks THE PROVOKED WIFE
Talking about The Provoked Wife, Alexandra Gilbreath takes us through her experience at the RSC from straight out of drama school to 'Shakespearean ninja!'
BWW Interview: RSC Director of Design Stephen Brimson-Lewis Talks MEASURE FOR MEASURE
Director of Design Stephen Brimson-Lewis has over twenty years of experience designing for the RSC.
BWW Interview: Sam Troughton Talks RUTHERFORD AND SON
Rutherford and Son sees director Polly Findlay reunite with actors Justine Mitchell and Sam Troughton, the three having previously worked on Beginning.
Song Insights: 'One More Kiss', FOLLIES
Today is the last day of Follies at the National Theatre, which means we have time for just one more Song Insight before they part, as Nigel Lilley talks 'One More Kiss'.
Song Insights: 'Who's That Woman?', FOLLIES
Lord, lord, lord, how is there only one week left of Follies at the National?! This week, we're looking at a show stopping dance routine from the show with choreographer Bill Deamer and MC Nigel Lilley: 'Who's That Woman?'
BWW Interview: Hugh Wooldridge Talks THE BEST OF... ROCK MUSICALS
Next week, London's Eventim Apollo, Hammersmith will play host to The Best of.
BWW Interview: Ashley Zhangazha Talks TINA - THE TINA TURNER MUSICAL
Bringing Tina Turner's iconic numbers to audiences, Ashley Zhangazha shares how he approached playing a real-life figure, and his status as a 'confirmed big-time Tina fan!'
BWW Interview: Pearl Chanda Talks THREE SISTERS
Pearl Chanda shares her excitement for revisiting Chekhov with Three Sisters, returning to the Almeida, and reuniting with director Rebecca Frecknall.
Song Insights: 'I'm Still Here', FOLLIES
Taking us through the gamuts A to Z of 'I'm Still Here', Tracie Bennett and Nigel Lilley breakdown the demands, delivery and tiny details of the number.
BWW Interview: Director Justin Audibert Talks THE TAMING OF THE SHREW
Turning the 1590's patriarchy into a matriarchy, Justin Audibert breaks down why he chose to gender reverse The Taming of the Shrew for the Royal Shakespeare Company, and what effects the decision has had on the actors and audience alike.
BWW Interview: Ty Jeffries Talks IT'S MISS HOPE SPRINGS
It's Miss Hope Springs brings the 'never say die showbiz trouper' back to the spotlight, in a journey down memory lane.
Song Insights: 'Buddy's Blues', FOLLIES
Hello folks, we're into the Follies! To kick off the new Follies Song Insights, we're looking at the song that kicks off the Follies-style numbers which close the show: 'Buddy's Blues', with Buddy himself Peter Forbes and music director Nigel Lilley.
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