Musical Director Joel Fram joins us once again to dissect 'The Ladies Who Lunch', Marianne Elliott's staging of it, and the 'complex set of causes and effects' that result from this reworking.
Helena Morais explains why people need to see this production right now, and shares just what being part of the Young Company has meant to her: 'It's not enough to just be in a certain space; it's to feel welcome in that space'.
Sharing what brings her back to this theatre time and time again, Olivia also reveals one of her first questions for director Blanche McIntyre, as well as her excitement for getting to take on a comedy.
With rehearsals underway for As You Like It, this is a formative time for Lucy in what is her first encounter with not only the play, but also the character.
This Christmas, an adaptation of The Boy in the Dress will play the Royal Shakespeare Theatre, penned by Mark with music and lyrics from Robbie Williams and Guy Chambers.
As news of the West End transfer of Fiddler on the Roof broke, we chatted to Judy Kuhn and Andy Nyman to get their reactions, share their journeys with the show, and lift the lid on married life onstage.
With two months left, Musical Director Joel Fram speaks to us about developing the show with Elliott and Sondheim, how the show continues to change across the run, and working with the very special company of Company.
With rehearsals for All About Eve underway, Monica Dolan shares her excitement for taking on a similar role of direct address (playing both Karen and a narrator).