After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.
Despite an exceptional ensemble of actors putting their own spins on the original 1985 John Caird/Trevor Nunn direction, for now and seemingly forever, there will be no revolutionary new interpretations of the Les Miserables experience
Douglas Carter Beane's comedy is certainly the most explosively funny, deliciously dirt-filled satire to hit Broadway in many a season, but only when Julie White is on stage.
Musical theatre lovers who like their leading characters emotionally aloof and commitment-phobic can now enjoy a worthy companion piece to the upcoming revival of Company.
The uninspired book and lyrics of this musical farce about political and romantic antics at the United Nations exercises veto power over the best efforts of a very talented supporting cast and some pleasant and catchy tunes
A thoroughly charming cabaret show saluting the international, bilingual star who has topped the pop charts in many countries, played leading roles in both Broadway and West End musicals, and even wrote a hit or two.
For those very cultured New York theatre-goers who felt last season's Martin McDonagh bloodbath The Lieutenant of Inishmore wasn't quite graphically violent enough to satisfy their very refined tastes, might I suggest an evening at the latest offering to grace the Off-Broadway stage, Evil Dead: The
The first night of the Second Annual Broadway Cabaret Festival was full of the sophistication and taste that we've come to expect from Scott Siegel and Town Hall
A precocious young girl once said that nothing can ruin a show like too much exposition, and Act I of Simon Mendes da Costa's comedy/drama is loaded with the stuff