Susan and God: Reborn at The Mint
The Mint Theatre revives Rachel Crothers' 1937 comedy/drama spoofing religious fads
Michael Dale - Page 153
Richard Skipper as Carol Channing: Faux, But Still a Diamond
Richard Skipper not only looks and sounds like the original star of Hello, Dolly! and Gentlemen Prefer Blondes, but his knowledgeable and loving portrayal gives us a realistic glimpse at the woman's passion for performing and desire to make a personal connection with the strangers who flocked to see
Burleigh Grime$: How Dull, Dow Jones
Director David Warren's slick, sexy and fast-moving production can't save this weak script
Hello, Dolly!: A Striking Match
Tovah Feldshuh gives no less than a star performance in a subtler interpretation that eschews larger than life fireworks and presents the character as an earthier, more realistic representation of late 1800's immigrant survival in America
Some Girl(s): The Shallow End of the Dating Pool
Neil Labute's very funny and smart new comedy features one terribly clueless groom-to-be arranging reunions with the women he left behind
Stopping Traffic: Slow Moving Vehicle
Mary Pat Gleason's solo play about her battle with bipolar disorder lacks focus
The Threepenny Opera: Not So Perpendicular
The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season
The Singapore Mikado: Here's a How-De-Do
Theater Ten Ten's fascinating and innovative presentation of The Mikado has British military men as the 'gentlemen of Japan'
The History Boys: What If They Were Girls?
Could Alan Bennett's splendid comedy/drama attract Broadway audiences if the student/teacher relationship depicted involved girls? And if not, what does that say about us?
Tarzan: Swing For Your Supper
Perhaps it's too late to just display models of director Bob Crowley's set designs and a few of his costumes in some art gallery with a plaque reading, 'Someday we hope someone will write a good musical utilizing these.
Hands Across the Sea: Some Americans Abroad
The New York Festival of Song celebrates showtunes by American composers from musicals that premiered in London
The Caine Mutiny Court-Martial: Incredibly Guilty
With the spectacular exception of Zeljko Ivanek's supporting performance, this tensionless mounting displays all the depth and character work of a first rehearsal read-through
The Lieutenant of Inishmore: Losing My Mind
The most fun you'll ever have watching a group of insanely violent dunderheads displaying a total disregard for human life
Of Thee I Sing: The Wild Party
Encores!'s latest production helps prove this classic and wholly original musical deserves a higher place in the standard American theatre repertory
The Wedding Singer: Something To Celebrate
With its arch sense of humor and intentional tackiness, this new musical comedy proudly exalts its awkwardness in the most entertaining way imaginable
Hot Feet: Hans Christian Andersen in Boogie Wonderland
Choreographer Maurice Hines combines the music of Earth, Wind and Fire with Hans Christian Andersen's The Red Shoes
Lestat: Die Young - Live Forever - Make Bad Musicals
To write that Allison Fischer stops the show in the middle of Lestat's second act might falsely give the impression that the authors had actually provided a show up until that point
A Fine and Private Place: Who Says Romance Is Dead?
Richard Isen and Erik Haagensen's charming and romantic musical fantasy expores love in a Bronx cemetary
A Midsummer Night's Dream: Into The Woods
Tina Landau's New Age-y production features music by GrooveLily
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