Three years after its Bristol Old Vic debut, Sally Cookson's fervently theatrical reimagining of Charlotte Bront 's novel returns to the National Theatre as part of a UK tour with a new cast, but with its collective spirit intact.
London is never short of theatre temptations, whether epic West End shows or bold fringe offerings.
Sally Cookson's past work includes inventive adaptations of Peter Pan, Hetty Feather and La Strada.
Emily Stilson (Juliet Stevenson) is suspended in a void.
We need more waffles in diplomacy.
New Orleans comes to Marble Arch via this energetic revival of Clarke Peters' 1990 tribute to 'The King of the Jukebox', swing and blues bandleader Louis Jordan.
Kristin Chenoweth's work ranges from Wicked and On the Twentieth Century to The West Wing, Pushing Daisies and Glee, plus numerous albums and concerts.
Ben Lewis's past work includes Forbidden Broadway and Candide at Menier Chocolate Factory, Annie Get Your Gun at Sheffield Crucible, and playing The Phantom in the original Australian production of Love Never Dies.
Theatre has a long memory.
Ria Jones has starred in numerous musicals, including Evita, Chess, Cats and Les Miserables.
London is never short of theatre temptations, whether West End epics or bold fringe offerings.
Carley Stenson's work includes Hollyoaks, Shrek: The Musical, Legally Blonde, Spamalot and Dirty Rotten Scoundrels.
The incident tent, the police tape: a sickeningly familiar sight, made fresh yet again by the tragic events of this week.
New Take That musical The Band, co-created with Tim Firth, begins its national tour at Manchester Opera House on 8 September.
Back in 2009, Alexi Kaye Campbell followed up his bold first play The Pride with Apologia, which takes the well-trodden path of a fraught family reunion where past grievances stalk the present.
London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
Thirty years on from its birth at the Royal Court, Jim Cartwright's northern, working-class battle cry returns in a revival from John Tiffany which, though initially stodgy, has an accumulative and undeniable force.
Britain's most beloved diarist (give or take a Bridget Jones) comes to London in chamber musical form in a new adaptation created with the late Sue Townsend's blessing.
Actress and singer Emma Hatton's previous work includes We Will Rock You and Wicked.
Defiantly rejecting the standard jukebox model, Conor McPherson's much-anticipated new work mining the back catalogue of Bob Dylan is labelled 'a play with songs' - or perhaps that should be a play and songs, with two distinct forms of storytelling weaving around one another, reflecting, deepening,
