BWW Interview: Nicholas Hytner Discusses BALANCING ACTS
Nicholas Hytner, former Artistic Director of the National Theatre in London, discusses his memoir BALANCING ACTS and new Bridge Theatre
Marianka Swain - Page 17
Listen To Josie Walker Sing 'He's My Boy' From EVERYBODY'S TALKING ABOUT JAMIE
Everybody's Talking About Jamie is now in previews at the Apollo Theatre in London's West End, following a hit run at Sheffield Crucible.
BWW Interview: Josie Walker On EVERYBODY'S TALKING ABOUT JAMIE
Josie Walker's work ranges from Matilda the Musical to Husband & Sons and War Horse.
BWW Review: GLENGARRY GLEN ROSS, Playhouse Theatre
David Mamet's Pulitzer-winning play, which premiered at the National in 1983, in back in London in a star-studded, pugilistic revival from Sam Yates.
BWW Review: BIG FISH, The Other Palace
Based on Daniel Wallace's novel and Tim Burton's 2003 film adaptation, this musical is quite the oddity.
BWW Interview: Daniel Boys and Simon Lipkin Talk NATIVITY! THE MUSICAL
Actors Daniel Boys and Simon Lipkin lead the new stage musical version of hit family film Nativity!, which is touring the UK this Christmas season.
EVERYBODY'S TALKING ABOUT JAMIE Leads November's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
BWW Interview: David Oakes Talks VENUS IN FUR
David Oakes's past roles range from The Borgias and Victoria to Shakespeare in Love.
BWW Review: THE SLAVES OF SOLITUDE, Hampstead Theatre
We're back in the world of ration books, blackouts and spam fritters, as Nicholas Wright delves into the home front via his adaptation of Patrick Hamilton's 1947 novel.
BWW Review: YOUNG MARX, Bridge Theatre
Nicholas Hytner and Nick Starr's enterprise is certainly an historic one: The Bridge is London's first new wholly commercial theatre in 80 years.
BWW Interview: Fenella Woolgar Talks THE SLAVES OF SOLITUDE
Actress Fenella Woolgar's work ranges from Handbagged and Circle Mirror Transformation to Home Fires and Doctor Who.
BWW Review: AN INTIMATE EVENING WITH KRISTIN CHENOWETH, London Palladium
The words 'an intimate evening with' may seem at odds with the cavernous Palladium.
BWW Interview: Paula Garfield On 15 Years Of Deafinitely Theatre
Marking the 15th anniversary of pioneering company Deafinitely Theatre, Artistic Director Paula Garfield is directing a new production of Mike Bartlett's Contractions.
BWW Review: ALBION, Almeida Theatre
The urge to present state-of-the-nation plays following the Brexit vote is understandable, even vital, but has produced decidedly mixed results.
BWW Review: A WOMAN OF NO IMPORTANCE, Vaudeville Theatre
Dominic Dromgoole's new company Classic Spring kicks off its year-long celebration of Oscar Wilde with lesser-known 1893 work A Woman of No Importance.
BWW Review: BEGINNING, National Theatre
It seems to be the week for notable romcom two-handers.
BWW Interview: Emma Fielding On A WOMAN OF NO IMPORTANCE
Actress Emma Fielding's work ranges from Arcadia, Private Lives and The King's Speech to Terror and The School for Scandal.
BWW Review: HEISENBERG: THE UNCERTAINTY PRINCIPLE, Wyndham's Theatre
For the premiere work of new company Elliott & Harper Productions, director Marianne Elliott got the Curious Incident band back together, from playwright Simon Stephens to her acclaimed creative team.
BWW Interview: Susan Stroman On Bringing YOUNG FRANKENSTEIN To London
Multi-award-winning director and choreographer Susan Stroman is helming the West End premiere of Young Frankenstein, the stage musical version of Mel Brooks's beloved movie.
BWW Review: LABOUR OF LOVE, Noel Coward Theatre
With This House enjoying an acclaimed revival last year, and Almeida hit Ink now situated just metres away from new offering Labour of Love on St Martin's Lane, the West End currently belongs to the fantastically prolific playwright James Graham.
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Tickets From $71
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