Louise is a poet and librarian turned critic who started consuming theatre from an early age. Now settled in London she is keen on drama, musicals, dance and comedy, and is a passionate supporter of fringe theatre. She runs the arts website loureviews.blog.
Returning to Stratford East after two decades, the vibrant ska musical The Big Life mixes the plot of Love's Labour's Lost with the arrival of the Windrush generation to London.
With ghostly lighting and flourishes of laughter, Tiny Tim's Christmas Carol can be highly recommended for its target audience of children under ten and for adults who may be looking for a break from their festive planning.
With a potent and varied score from Thomas Adès, vibrant choreography from Wayne McGregor, and intruguing design from Tacita Dean, The Dante Project captures the attention despite the assumption audiences know who's who in this revered Italian narrative poem.
As the most widely seen modern dance work in the world, Alvin Ailey's Revelations has become part of the DNA of contemporary and popular dance, and it is a privilege to finally experience it on a live stage, alongside its more modern yet complementary 21st century cousins from Kyle Abraham and Rob
Marking the Proms debut of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfonieorchester Berlin), their artistic director Vladimir Jurowski conducted a lively and varied programme of works by Weill, Adès and Rachmaninov to a Royal Albert Hall high in anticipation.
The process of bringing the works of the Bard to a modern stage is full of challenges, as director Bill Alexander explains in his new book, Exploring Shakespeare.
A pub theatre in Earl's Court turns into a Quaker Meeting House for Naomi Wallace and Marcus Rediker's intriguing play The Return of Benjamin Lay, which takes the true story of a farmer, sailor, and abolitionist who stands just 4 feet tall and makes his passion for equality universal.
Raw, brutal, twisted, and full of rich wordplay, this play makes its political points and highlights a relationship which uses regret, mistakes, and teasing to hide what is really happening at its core.
Creature is a fascinating experiment, but requires a familiarity with both pieces of source material and a constant attention to what is going on in the story.
Returning to London with their double bill, Pioneers, Ballet Black continue to enhance their reputation as Britain’s most diverse and daring ballet company.
Familie Flöz are back in London for the first time in over a decade, with their fifth visit the London International Mime Festival, and their mask storytelling keeps its noted style and substance.
How did a low-budget sci-fi film, made in less than a week, become one of America's most beloved cult musicals? Adam Abraham's meticulously researched book reveals the story behind Little Shop of Horrors, from the initial idea to the choice of cast and creative team.
It is fast approaching Christmas, and we are well into panto season - so what better time to settle down at home to watch one of children's television's greats in full creative mode?
The latest digital festive treat from Panto Online and Peter Duncan is named Pantoland, with stories, characters, an