BWW Reviews: Faith Prince Charms Kennedy Center Audience in Solo Cabaret
Polished and engaging, this cabaret proved one to remember.
Jennifer Perry - Page 10
BWW Reviews: Arena Stage's OUR WAR - Nothing if Not Ambitious
It's not an easy one, but there are ample chances to not only marvel at the work it took to put it together, but the ambition of the actors and creative team.
BWW Reviews: Strong Acting of Timely Script Makes SEX WITH STRANGERS One to See at Signature
The strong acting and the timely, provocative, and challenging script are likely reason enough to give this production a chance.
BWW Reviews: Ford's Theatre Production of DRIVING MISS DAISY is Anything But Tired
Turns out, the decision Ford's Theatre Society made to present this award-winning work might not have only been a good idea in theory, but also in execution.
BWW Reviews: Woolly Mammoth Puts Unique, Disturbing Spin on MARIE ANTOINETTE
We've all heard of the plight of Marie Antoinette, but those that make a visit to Woolly Mammoth Theatre Company throughout the next few weeks can perhaps see it in a slightly different light.
BWW Reviews: THE SHOPLIFTERS Offers Laughs, Chance to Ponder at Arena Stage
'The Shoplifters' is a perfect way to start the 65th Season at Arena Stage off right!
BWW Reviews: Alliance for New Music-Theatre Takes on Kafka's Iconic METAMORPHOSIS
As a world premiere, there are pieces from which to build.
BWW Reviews: SPARK Shows Promise at Theater Alliance
'Spark' doesn't ignite, but it doesn't fizzle either.
BWW Interviews: Susan Galbraith Talks Upcoming Unique Production Of KAFKA'S METAMORPHOSIS
Susan Galbraith, director and adapter of the upcoming Alliance for New-Music Theatre production of 'Kafka's Metamorphosis,' shares a little bit about an exciting new look at an iconic story.
BWW Reviews: Holocaust Drama UNIFORM Plays Capital Fringe
Good effort, but we're not quite there.
BWW Reviews: Personal Storytelling is Front and Center with SELF PORTRAIT at Capital Fringe
There's good to be found within this deeply personal solo performance.
BWW Reviews: Forum Offers Must-See Theatre with GIDION'S KNOT
A powerful production of a powerful play.
BWW Reviews: THE PROGRAM ASSISTANT at Capital Fringe Explores Post-Grad Life in DC
A seed of a good idea doesn't always make for a compelling script or an interesting production.
BWW Reviews: Female Solo Artists Play the Capital Fringe – MEDEA'S GOT SOME ISSUES and MANDARIN ORANGE
Both excel largely due to the strength of the performer.
BWW Reviews: Surveillance Methods Exposed in INTERROGATION at Capital Fringe
Props for creativity, but sometimes experiments work and sometimes they, well, don't.
BWW Reviews: Sara Bareilles Plays to Capacity Crowd at Wolf Trap, Displays Enviable Musicianship
Simply sensational is but one way to describe Ms.
BWW Reviews: THIS GONNA BE ON THE TEST, MISS? and MASTER HAROLD…AND THE BOYS Play the Capital Fringe
While 'This Gonna Be On the Test, Miss?' and 'Master Harold…and the Boys' are far from perfect productions, each offer something that would make them recommended viewing for certain Fringe audiences.
BWW Reviews: THE 27 CLUB Rocks the Warehouse at Capital Fringe
A musical at Fringe succeeds!
BWW Reviews: ALYSHA UMPHRESS Ignites Signature Theatre in Solo Cabaret
Alysha Umphress returned to Signature to wow local audiences again with her powerful voice, but this time in a solo cabaret as part of the ongoing Sizzlin' Summer Nights cabaret series.
Tickets From $73
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Tickets From $89
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