Jade Kops - Page 48

Tim Draxl returns to the Cabaret stage for SYDNEY CABARET FESTIVAL with another beautiful blend of history, storytelling and honest personal expression as he shares his interpretations of the songs originally written for women in LOVE IS A DRAG.

Sydney Symphony Orchestra (SSO) continues the collaboration it started in 2017 with the latest instalment of CineConcerts' live music and big screen movie experience with HARRY POTTER AND THE HALF BLOOD PRINCE: IN CONCERT.

The Fringe Wives Club bring their 2018 Adelaide Fringe Festival Award winning cabaret GLITTERY CLITTERY: A CONSENSUAL PARTY to Sydney.

The headline act for the inaugural Sydney Cabaret Festival had audiences captivated as Jennifer Holliday shared personal stories and soaring soul songs in an amazing Australian debut concert.

The tradition of the circus, sans animals, comes to Sydney for the school holidays as ZIRK! CIRCUS - The Big Top Spectacular takes up residence at The Entertainment Quarter.

Sydney Cabaret Festival Artistic Director Trevor Ashley opened the inaugural SYDNEY CABARET FESTIVAL with a delightful amuse-bouche of performances at the ALL STAR GALA. 

Following on from a successful season in the summer of 20172018, the Multi Helpmann Award winning MURIEL'S WEDDING THE MUSICAL returns to Sydney for an encore season

Sydney audiences finally get to experience the wonderful music and heartwarming story of ONCE  with Richard Carroll's (Director) delightful interpretation of the musical adaptation of John Carney's movie. 

Presented with artful simplicity, the multilayered JASPER JONES is presented for a new generation of high school students at Bondi Pavillion Theatre.

John Bell and John Gaden reprise their roles as the men who saved Paris from being obliterated in the encore season of DIPLOMACY. 

New work by Bass G Fam (Writer, Director and Producer), MATADOR has the firey passion and sensuality of Spain in a mythical love story told through dance, burlesque and circus. 

Shaun Rennie strikes a perfect balance of humor and heart in Nick Jones' funny and thought-provoking TREVOR.

The bloody story of the two queens of Sydney's seedy underworld are recounted in Kate Mulley (book and lyrics) and Andy Peterson's (music) RAZORHURST.

Darling of Broadway and screen Megan Hilty delivers her endearing blend of comedy and expressive musical interpretation at her Sydney Opera House debut.

ANATOMY OF A SUICIDE delves into the difficult subject of mental health, suicide and the debate between nature and nurture.

The audience is transported to the days of live broadcast radio plays with MURDER ON THE WIRELESS, a double bill of murder mysteries complete with live sound effects.

Anthony Warlow returns to the Australian musical theatre stage to take on the dark twisted tale of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET.

Centred in the potentially declining world of magazine publishing, GLORIA poses a possibility of what happens when ambition overrides the courtesy and compassion vital for a functioning society.

A treat of traditional and contemporary music, Irish hard-shoe dancing and amusing personal stories of growing up in Longford Ireland, THE IRISH BOY is an entertaining insight into Bobby Fox's background.

Multi award winning Australian Soprano Emma Matthews returned to Sydney for a one-night treat with Sydney Symphony Orchestra as EMMA MATTHEWS SINGS MOZART ARIAS.