Jade Kops - Page 50

The blackest of humour comes together for a captivating 110 minutes of theatre that challenges how far someone would go to protect the people they love in Kim Hardwick's (director) presentation of MERCURY FUR. 

A perfect parody of the famous wizarding stories, PUFFS OR SEVEN INCREASINGLY EVENTFUL YEARS AT A CERTAIN SCHOOL OF MAGIC AND MAGIC is a must see for any fans of the Harry Potter world.

its world premiere, Suzie Miller's 2018 Griffin Award winning play PRIMA FACIE highlights the flaws of the legal system with a captivating and compelling solo performance by Sheridan Harbridge under Lee Lewis' direction.

David Ireland's CYPRUS AVENUE presents a position where the politics of promoting division and hate has resulted in unfathomable horror. 

Art can make ideas easier to connect to and Alana Valentine's new work MADE TO MEASURE presents a balance of science and story to prompt the audience to consider their relationship with people living in larger bodies. 

Felix Nobis' BOY OUT OF THE COUNTRY expresses of the degradation of the community and culture of Australia's regional towns in the name of progress and capitalism. 

Led by a deliciously sinister Benjamin Gerrard, Alexander Berlage's (Director & Lighting Design) AMERICAN PSYCHO is a perfectly polished presentation of Roberto Aguirre-Sarcasa (Book) and Duncan Sheik (Music and Lyrics) musical adaptation of Bret Easton Ellis' novel. 

Under the baton of Elizabeth Scott, 400 voices from the Sydney Philharmonia Choirs' combine with the Sydney Philharmonia Orchestra for the celebration of cinema sound with MUSIC FROM THE MOVIES. 

Presented with heart and humour, FOLK Is a delightful expression of the power of music to bring people together. 

Emme Hoy's new work EXTINCTION OF THE LEARNED RESPONSE makes its premiere as part of the Belvoir 25a Independent season.

The Australian Brandenburg Orchestra (ABO) and Circa Contemporary Circus (Circa) reunite for a third thrilling concert, ENGLISH BAROQUE WITH CIRCA.

The actual outcomes from self-care retreats comes into focus as six strangers struggle to connect when they aren't allowed to use their voices in Bess Wohl's SMALL MOUTH SOUNDS. 

With a cast led by Hugo Weaving, Tennessee Williams' Pulitzer Prize winner A CAT ON A HOT TIN ROOF is given a 21st century makeover by Director Kip Williams. 

Helpmann Award Winner Kerrie Anne Greenland soars as she shares her favorite movie musical songs in PICTURES: SONGS FROM MOVIE MUSICALS.  Tying in with her recently released album of the same name, this is Sydney's opportunity to get to hear this brilliant voice before she crosses over to her latest pursuit of a Masters in Opera. 

Whilst many could be forgiven for not knowing Steven Kreamer's face, chances are if you've been to a musical at the Hayes (plus other independent theatres), you've heard his musical talents.  I SING SONGS is Kreamer's chance to be the star of his show as he shares his own compositions, covers and comical chat.

George Bernard Shaw's comic romance of the Cockney flower girl and the Phonetics professor is recreated in New Theatre's staging of PYGMALION. 

Sophocles' tale of the trauma of war is presented for a contemporary audience with the new adaptation of AJAX by Robert Johnson, Jonathan Graffam and Cast.  Post traumatic stress disorder, anger, guilt and the question of how affected the children of war really are explored in this 55 minute work. 

Mexican playwright Humberto Robles' FRIDA KAHLO: VIVA LA VIDA, adapted from Spanish by Gael Le Cornec and Luis Benkard and directed by Anna Jahjah, brings the complex painter, lover and political figure to life with playful expression from solo performer Kate Bookallil

Baroque, Classical and Contemporary music comes together for Sydney Philharmonia Choirs' Easter concert BACH AND MOZART: IN THE IMAGINATION OF THEIR HEARTS. 

David Lindsay-Abaire's RABBIT HOLE presents a middle-class family's experience with the death of a child in a somewhat staid and reserved expression middle class America, albeit with Australia voices.