Director Peter Evans seeks to create an interpretation of William Shakespeare's HAMLET for a modern world to start Bell Shakespeare's 2020 season.
Riley Spadaro brings the world premiere of Angus Cameron's AUSTRALIAN OPEN to the Sydney stage as part of KXTeethCutting 's 2020 season.
Liam Maguire's SHEPHERD shares a modern age method of coping with the stress of the connected community.
The shocking and horrific details of the violence towards the NSW LGBTIQ community are presented in OUR BLOOD RUNS IN THE STREET, a new piece of powerful verbatim theatre.
Internationally famous Courtney Act returns to Australia to share her experience with gender fluidity in her new cabaret FLUID, complete with fabulous frocks, beautiful hair and all new musical compositions.
Campion Decent's THE CAMPAIGN presents an incredibly insightful piece of verbatim theatre that shares the Tasmanian Gay Lesbian Rights Group's (TGLRG) fight to have homosexual acts decriminalized.
David Williamson rounds out over half a century of putting Australian stories stage with his final work, CRUNCH TIME.
THE RISE AND DISGUISE OF ELIZABETH R shares Gerry Connolly's relationship with his most popular impersonation, Queen Elizabeth II.
Marieke Hardy's new adaptation of Dario Fo's Marxist political farce NO PAY? NO WAY! is a cracker of a comedy with grounding in truth and remains relevant over 40 years later.
Claude-Michel Schönberg (Music), Herbert Kretzmer's (English Lyrics) and Alain Boubil and Jean-Marc Natel (both Original French) world famous LES MISERABLES is given the Packemin Productions Pro/Am big cast treatment at Riverside Theatre Parramatta.
Under award winning director Paige Rattray's considered eye, Sydney Theatre Company opens their 2020 season with Terence Rattigan's THE DEEP BLUE SEA.
Steve Rodgers' adaptation of Peter Goldsworthy's novella JESUS WANTS ME FOR A SUN BEAM comes to the Belvoir St stage under Darren Yap's direction.
In an era where political leaders are more often promoting division and prejudice, the show presents an amusing take on what could happen if seemingly peaceful people take matters into their own hands and were able to say a 'I Made It Better'
Jesse Eisenberg's THE SPOILS reinforces the ability of rich white men to get away with abhorrent behavior with little to no consequences.
Alistair McDowall blurs the lines of truth and fiction, reality and imagination, real life and games in his dystopian thriller POMONA.
Bernadette Robinson, who has built a reputation as a vocal chameleon able to recreate the sound of the 20th century divas, brings back her solo show SONGS FOR NOBODIES for another season at the Sydney Opera House.
FAMILY VALUES sees the woke women of the Collins family take control as power shifts from the middle class white male run world which has set up so much of the inequality and injustice of modern Australian bureaucracy.
GRAND FINALE is an emotive expression of Hofesh Shechter's vision that speaks to one's intuition.
Part cabaret, part vaudevillesque variety sketch, and all intriguing and amusing, THE RECIDIVISTS is a dark and twisty journey into the depths of the human mind and ambition and the repeated behaviours that return even after attempts at rehabilitation.
The new musical from Australian duo Ben Bennett (Music, Lyrics and Book) and Ashleigh Taylor (book), THE LIFE OF US, has had its world premiere in Sydney.
