Review: LEAR'S SHADOW, Jack Studio TheatreFebruary 16, 2024Colin Hurley gives us a Lear who has echoes of leaders today, but the pace and volume of the performance make drawing such parallels tricky.
Review: WHEN YOU PASS OVER MY TOMB, Arcola TheatreFebruary 15, 2024Daniel Goldman brings award-winning Franco-Uruguayan Sergio Blanco's 2016 play to English speaking audiences for the first time
Review: THE BARBER OF SEVILLE, English National Opera, London ColiseumFebruary 13, 2024The longstanding favourite is all very slick but, 37 years on, the production is showing its age
Review: ROMEO AND JULIET, RSC First Encounters, Sydenham Primary SchoolFebruary 6, 2024Arts funding has never been more threatened at a time when it's never been more needed
Review: THE HANDMAID'S TALE, English National Opera, London ColiseumFebruary 2, 2024Paul Ruder's opera, based on Margaret Atwood's celebrated novel, has, frighteningly, gained more relevance since its premiere in 2000
Review: THE EU KILLED MY DAD, Jermyn Street TheatreJanuary 25, 2024Aaron Kilercioglu's play may, or may not, be an allegory for Turkey's changing state in a changing world
Review: TRANSGRESSION, White Bear TheatreJanuary 24, 2024Loretta Monaco's play introduces interesting ideas, but lacks the characterisation and dialogue required to build convincing and engaging characters
Review: THE MOTHER OF KAMAL, Upstairs at the GatehouseJanuary 21, 2024Dina Ibrahim's play is important and heartfelt, but never establishes a tight grip on the audience's emotions
Review: LOOK BEHIND YOU, Theatre at the TabardJanuary 19, 202425 years on, Strut & Fret revive and update their backstage comedy to winning effect
Review: REHAB THE MUSICAL, Neon 194January 18, 2024Keith Allen and Mica Paris lead a tremendous cast in a musical that deserves a bigger stage
Review: DON'T DESTROY ME, Arcola TheatreJanuary 17, 2024Michael Hastings' debut play is both of its time and anchored in an adolescent scream for stability and meaning
Review: THE UNFRIEND, Wyndham's TheatreJanuary 11, 2024Lee Mack and Frances Barber lead a fine cast in Steven Moffat's comedy, sailing back into the West End for a limited run
Critics' Pick: Gary Naylor's Best of 2023 in ReviewDecember 20, 2023Some highlights of the last year and some optimism for an uncertain future
Review: OH NO IT ISN'T!, Jack Studio TheatreDecember 17, 2023Luke Adamson's backstage tale proves both a celebration of the joy of seasonal theatre and a condemnation of the loneliness it can bring
Review: THE REST IS POLITICS LIVE, Royal Albert HallDecember 15, 2023Wonderfully warm show by the soi-disant 'Pod-Gods' taps into a desire for a gentler, more considerate politics.
Interview: Reviewing The Situation with Steve Furst, OLIVER!'s Fagin, at Leeds PlayhouseDecember 14, 2023Ten questions for The Artful Dodger's boss
Review: ODYSSEY: A HEROIC PANTOMIME, Jermyn Street TheatreDecember 10, 2023Five opera singers are holding out for a hero
Review: THE TOYMAKER'S CHILD, Chickenshed TheatreDecember 8, 2023The joy springs from stage to stalls and back again in a wondrous update on Pinocchio
Review: OLIVER!, Leeds PlayhouseDecember 7, 2023Family show retains enough edge to honour its sources, providing thrills and spectacle and that wonderful, wonderful score
Review: THE NATIONAL YOUTH THEATRE: ADA, Workshop TheatreDecember 6, 2023Ada tells the story of the neglected pioneer of computing and, if you look a little, also the story of a foundation stone of English Theatre