Review: A VERY NAUGHTY CHRISTMAS, Southwark Playhouse Elephant
With an abundance of witty filth (and filthy wit), A Very Naughty Christmas is an adults-only musical burlesque which has come straight up from down under.
Franco Milazzo - Page 8
Review: ALICE IN WONDERLAND, Brixton House
Alice In Wonderland? More like Alice Goes Underground as Poltergeist Productions’ take on the Lewis Carroll classic sees our heroine trapped on a tube.
Review: CLUB LIFE, Omnibus Theatre
Stepping out from behind the ones and twos, Lemon Jelly DJ and club promoter Fred Deakin takes us on an odyssey through his own life and times.
Review: THE GLORIOUS FRENCH REVOLUTION, New Diorama Theatre
Finding the funny in one of Europe’s most violent episodes of political tumult, YESYESNONO’s The Glorious French Revolution (or: why sometimes it takes a guillotine to get anything done) is a riotous romp.
Review: MADDADDAM, Royal Ballet And Opera
Whether on the news or on Netflix, dystopia seems the theme of the year.
Review: LA CLIQUE, Leicester Square Spiegeltent
Returning to the West End La Clique is back with a new cast.
Review: STORIES, Peacock Theatre
Smashing together tap dance and film noir, Romain Rachline Borgeaud’s Stories is wrapped around an immersive form of storytelling.
Review: MONICA SALVI: SPIRITS IN MY CLOSET, Stage Door Theatre
With cabaret, sometimes it isn't about the singer, or the song, but the singer singing the song while bouncing a drumstick off a trio of skulls.
Review: RIGOLETTO, London Coliseum
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.
Review: CHILLY GONZALES, Royal Albert Hall
Jarvis Cocker singing torch version of Tina Turner’s “Private Dancer”? Peter Serafinowicz doing an Elvis Presley impression for half an hour? In the Royal Albert Hall on a rainy Monday night? Welcome to the world of Chilly Gonzales, one of the most unique musicians around as he comes to the ca
Review: AVATAR IN CONCERT, Royal Albert Hall
James Cameron’s Avatar was this weekend the latest to be screened at the Royal Albert Hall as part of their Films In Concert series.
Review: THE ORCHESTRAL FOREST, Smith Square Hall
Featuring works as diverse as Michael Nyman’s “Strong on Oaks, Strong on the Causes of Oaks” and Felix Mendelssohn’s “Overture” from A Midsummer Night’s Dream, Sinfonia Smith Square’s environmentally-minded concert The Orchestral Forest is an enchanting sonic experiment.
Review: BRIDGE COMMAND, Vauxhall
Ever wanted to captain a spaceship on a mission to explore strange new worlds, seek out new life and new civilisations and perhaps shoot up some enemy ships along the way? With the aid of a shiny new £3.
Interview: World Record-Breaking Pianist Chilly Gonzales
As much a persona as a musician, the Canadian rapper and classical pianist Chilly Gonzales comes to the Royal Albert Hall on 28 October to promoting his latest album Gonzo with special guest Jarvis Cocker and Peter Serafinowicz as Elvis Presley.
Review: THE KEY OF DREAMS, Treowen
With tickets costing £400 each and a storyline stretching over 24 hours, is Lemon Difficult’s The Key Of Dreams the ultimate in immersive theatre?
Review: IMMERSIVE 1984, Hackney Town Hall
Watching this reboot of Immersive 1984, a thought comes to mind: if, as we’re constantly being informed, we’re all living in the post-privacy, post-truth and post-politics world foretold in 1984, aren't we already inside an immersive version of George Orwell’s seminal book?
Review: COME ALIVE! THE GREATEST SHOWMAN CIRCUS SPECTACULAR, Empress Museum
Based on the 2017 hit film about PT Barnum, Come Alive! The Greatest Showman Circus Spectacular is an immersive mishmash of circus, story and song that somehow manages to do a disservice to all three.
Review: HOFESH SHECHTER COMPANY: THEATRE OF DREAMS, Sadler's Wells
As his latest production Theatre Of Dreams amply demonstrates, it’s probably easier to pin strawberry jelly to a wall than to precisely pin down Hofesh Shechter’s exuberant full-on style.
Interview: COME ALIVE! Creative Director Simon Hammerstein: 'Our Production Absolutely Would Not Work in a Traditional Theatre'
This month sees the grand arrival of Come Alive!, a live blend of circus and musical theatre inspired by the 2017 film The Greatest Showman.
Interview: Intergalactic Comedian and Novelty Politician Count Binface
A self-described 'independent space warrior' from Sigma IX, Count Binface is becoming something of a political institution.
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