Review: LONDON CLOWN FESTIVAL: OPENING CABARET, Soho Theatre
And here we go again: the London Clown Festival returns for another run of bizarre, brilliant and occasionally bonkers shows until 26 July.
Franco Milazzo - Page 10
Review: COSÌ FAN TUTTE, Royal Opera House
Has opera found its own Ivo van Hove? Jan Philipp Gloger’s radical production of Così fan tutte continues until 10 July.
Review: TOSCA, Royal Opera House
Fronted by some fresh faces, Jonathan Kent’s cinematic take on the Puccini masterwork Tosca returns for its seventeenth run at Covent Garden.
Review: MANIKINS: A WORK IN PROGRESS, CRYPT
Deadweight Theatre’s The Manikins: A Work In Progress is many things.
Review: LEA SALONGA: STAGE, SCREEN & EVERYTHING IN BETWEEN, Theatre Royal Drury Lane
With a cry of “honey I’m home!”, international musical theatre icon Lea Salonga returns to the stage that launched her career over three decades ago.
Review: ACROBATIC SWAN LAKE, Sadler's Wells
Zhang Quan’s Acrobatic Swan Lake is so much more than its title suggests.
Review: CIRQUE: THE GREATEST SHOW, Leicester Curve
With its live singers, superb clowning and disappointing vaudeville acts, The Entertainers’ Cirque: The Greatest Show is bringing its dazzling show around the country.
Review: THE BARBER OF SEVILLE, Opera Holland Park
Even if the press night weather for this open air production suggested otherwise, this latest take on The Barber Of Seville is the perfect summer opera with its fluffy blend of humour and romance and some of the art form’s best known arias.
Review: GANDINI JUGGLING'S SMASHED, Peacock Theatre
Juggling not only apples but comedy, dance and socio-sexual commentary, the troupe co-founded by Sean Gandini and Kati Ylä-Hokkala in 1992 bring back their signature production to London.
Review: VIOLA'S ROOM, One Cartridge Place
In a sudden lurch away from their epic 2022 creation The Burnt City, immersive specialists Punchdrunk’s next effort is a far more cosy affair.
Review: FUN AT THE BEACH ROMP-BOMP-A-LOMP!!, Southwark Playhouse
Advertised as “Grease meets Squid Game”, Fun At The Beach Romp Bomp A Lomp!! manages to go from the ridiculous to the sublime, even if it does lose its way every now and then.
Review: STRATEGIC LOVE PLAY, Soho Theatre
Miriam Battye’s hilariously brutal and dark dissection of modern relationships - from tentative beginnings over a pint to their varied ends - returns to Soho Theatre for its second run in less than a year.
Interview: 'There Was Definitely Blood Involved. Blood And An Accordion': voidspace live's Katy Naylor Discusses Immersive Theatre And Her New Interactive Festival
The post-pandemic rush of immersive theatre in London has been very hard to ignore with new shows popping up every month.
Review: BETWEEN RIVERSIDE AND CRAZY, Hampstead Theatre
Walter Washington is stuck.
Review: THE WINTER'S TALE, Royal Opera House
Part violent psychodrama, part sunny romcom, The Winter’s Tale was not the most obvious of plays for the Royal Ballet to take on.
Review: CYCLES, Barbican Centre
With their new work Cycles, it is clear that Boy Blue are at something of a crossroads.
Review: DOCTOR BROWN: BETURNS, Soho Theatre
Coming on like some kind of sadistic Mr Bean, the scarier-than-Pennywise Doctor Brown has been terrorising audiences with his silent comedy since 2009 and returns to Soho Theatre with his first new show in over a decade.
Review: A SPECTACLE OF HERSELF, Battersea Arts Centre
In her PhD on “Deconstructing the Spectacle: Aerial Performance as Critical Practice”, Dr Laura Murphy had a singular mission: “to challenge normative ideas attached to and embedded in aerial work”.
Review: YOU ARE GOING TO DIE, Southwark Playhouse
A show dripping in pretension performed by a naked man? An impenetrable work obsessed with having a sex toy deep inside one’s backside? A meditation on “existential anxiety” that does little of note with an hour of precious life? There’s enough irony in You Are Going To Die to power an Alani
Review: 1884, Shoreditch Town Hall
What is the difference between a house and a home? And who gets to write history? Interactive experience 1884 provokes challenging answers to these questions in the context of an almost-forgotten historical event that had significant consequences for two continents.
Tickets From $73
Tickets From $89
Tickets From $89
Tickets From $65