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Franco Milazzo - Page 10

Franco Milazzo

The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.

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Latest Articles

Review: THE MAGICIANS TABLE, London

Review: THE MAGICIANS TABLE, London

September 23, 2024

You wait all your life for someone to come up with an immersive show which blends magical and cocktails and suddenly London has two.

Review: RHYTHM & RUSE, The Vaults

Review: RHYTHM & RUSE, The Vaults

September 13, 2024

With a Jazz Age theme and plenty of cabaret, cocktails and close-up magic, London’s latest slab of immersive fun Rhythm & Ruse opens at The Vaults.

Review: KIRILL RICHTER - THE SANDS OF TIME, London Coliseum

Review: KIRILL RICHTER - THE SANDS OF TIME, London Coliseum

September 12, 2024

Have you ever invited a guest to your own party and then seen them totally upstage you? If so, spare some sympathy for Kirill Richter who presented his new work The Sands Of Time alongside the National Symphony Orchestra of Uzbekistan for one night only at the London Coliseum.

Review: THE MAGNETIC FIELDS: 69 LOVE SONGS, Barbican Hall

Review: THE MAGNETIC FIELDS: 69 LOVE SONGS, Barbican Hall

September 3, 2024

Wearing a T-shirt emblazoned with the name of American metal band Goatwhore, Stephin Merritt and his Magnetic Fields bandmates arrived in London last weekend to celebrate the 25th anniversary of genre-blending 69 Love Songs.

Review: WING CHUN, Sadler's Wells

Review: WING CHUN, Sadler's Wells

September 2, 2024

Presented as a side-by-side narrative by the Shenzen Opera and Dance company, Wing Chun tells the story of kung fu grandmaster and Bruce Lee mentor Yip Man as well as that of a film crew making a movie about his life.

Review: A NIGHT WITH JANIS JOPLIN THE MUSICAL, Peacock Theatre

Review: A NIGHT WITH JANIS JOPLIN THE MUSICAL, Peacock Theatre

August 29, 2024

Who wouldn’t want to spend a night with Janis Joplin? Despite barely hitting the charts on this side of the pond, the American singer still symbolises the best (and worst) of the Sixties over fifty years before she joined the 27 Club.

Review: BOUND, Bargehouse

Review: BOUND, Bargehouse

August 27, 2024

As shown in Amber Jarman-Crainey’s Bound (stylised as B O U N D), talking to the dead is not solely the preserve of spiritualists and mediums.

Review: MADAMA BUTTERFLY, Royal Opera House

Review: MADAMA BUTTERFLY, Royal Opera House

July 15, 2024

There’s a singular simplicity in Madama Butterfly that draws in audiences year after year, decade by decade like moths to a flame: a man loves and leaves a woman; she gives up everything for him.




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