Review: THE BALLAD OF HATTIE AND JAMES, Kiln Theatre
Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency.
Franco Milazzo - Page 11
Review: SOPHIE'S SURPRISE 29TH, Underbelly Boulevard
As any fan of this art form will tell you, the first rule of cabaret shows is: never sit in the front row.
Review: GISELLE: REMIX, Pleasance Theatre
Created by cabaret artist Jack Sears and Royal Ballet soloist Hannah Grennell, Giselle:Remix fuses dance and lip sync.
Review: AN ACTOR CONVALESCING IN DEVON, Hampstead Theatre
Sometimes reality and drama overlap so much that it can be hard to tell where one finishes and another starts.
Review: MIDSUMMER NIGHT'S DREAM, Wilton's Music Hall
Serving as a kind of Barber of Seville of theatre, Midsummer Night’s Dream is one of the most accessible of Shakespeare’s plays.
Review: PHANTOM PEAK: FESTIVAL OF INNOVATION, London
When Phantom Peak, one of London's most innovative and ridiculously fun theatrical experiences, holds a Festival Of Innovation, how can one say no? It is not the only impressive immersive show in town but its near-peerless execution and boundless imagination puts it up there with the more well know
Review: KYLE DEAN MASSEY, Crazy Coqs
After two years away, Kyle Dean Massey steps back onto the cabaret stage at London’s Crazy Coqs.
Interview: 'We Are Living Through a Contemporary Pansy Craze': Cabaret Star Mason Alexander Park on Their New London Show
This weekend, Netflix star Mason Alexander Park brings The Pansy Craze to Underbelly Soho, a theatrical concert series chronicling multiple periods in history where queerness was celebrated, commodified, consumed, and then criminalised.
Review: DON'T.MAKE.TEA, Soho Theatre
A pitch-black comedy thriller which gives Franz Kafka a run for his money, Don’t.
Review: MADAMA BUTTERFLY, Royal Opera House
There are few things more life-affirming than christenings, orgies and operas.
Review: MIND MANGLER: MEMBER OF THE TRAGIC CIRCLE, Apollo Theatre
A spin off from Mischief Theatre’s Magic Goes Wrong, Mind Mangler: Member Of The Tragic Circle makes its official London debut.
Review: SISTER ACT THE MUSICAL, Dominion Theatre
Sister Act The Musical’s tagline is “A Divine Musical Comedy” but whether the gods were for or against the film or this later version is debatable.
Review: FAITH HEALER, Lyric Hammersmith
Frank Hardy has a problem.
Review: BIG FINISH, Battersea Arts Centre
Absurdist quintet Figs In Wigs return to preach an apocalyptic gospel - but is this the beginning of the end or the end of the beginning?
Review: UNIVERSE: A DARK CRYSTAL ODYSSEY, Sadler's Wells
Getting to grips with what a mute medium like dance is trying to convey is never easy even when there is a recognisable concept like Jim Henson’s The Dark Crystal.
Review: THE BARBER OF SEVILLE, Wilton's Music Hall
In the week when an Arts Council England report lambasted the current state of opera and questioned its relevance to wider society, Charles Court Opera’s The Barber Of Seville stands as a stern rebuff to those who consider this art form to be dated and irrelevant.
Review: THE RETURN OF THE KING IN CONCERT, Royal Albert Hall
With a live rendition of the Oscar-winning score by the Royal Philharmonic Concert Orchestra and the Philharmonia Chorus, the latest in the Royal Albert Hall’s “films in concert” series brings the The Lord of the Rings epic fantasy saga to a majestic conclusion.
Review: GINGERLINE'S THE GRAND EXPEDITION, Dalston
Like some latter day Phileas Fogg, immersive dining specialists Gingerline’s revival of The Grand Expedition leads us on a merry virtual journey around the world all while sat in a hot air balloon gondola.
Review: JENŮFA, London Coliseum
Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.
Review: PUDDLES PITY PARTY, Soho Theatre
Puddles Pity Party returns to Soho Theatre after almost a decade away.
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