Faeron Wheeler - Page 3

HOLD STILL holds up a mirror and quite deftly questions whether or not you’re as good a person as you think you are. It’s a jarring question to be faced with and the four characters on stage are left reeling in the wake of getting their answers.

DINNER WITH THE 42S is an absolute treat! It’s gritty, it’s funny, it’s sharp – it’s a production definitely worth watching.

This is the third year that CONSTELLATIONS is running out at Spier Wine Farm and I’m glad that I finally got to experience it. It’s a magical setting for performances and the whole experience was unlike anything I’d done before.

This run of THE UNLIKELY SECRET AGENT brings with it some new energy in the form of two new cast members. It’s quite exciting to get to see the same play, which is still fairly fresh in my memory, with new faces and new ideas for characterisation. It must’ve also been a fun challenge for the existing cast members to work with new people.

It felt to me like the play moved in gasps. The characters and the momentum of the play seemed to hold still like they were holding their breath, and then there’d be a rush of movement and emotion as if everyone was gasping for air before holding it all in again.

It’s so good to be back at the Masque Theatre and see an amateur society show being produced again! This week I went to see a dress rehearsal of A PICTURE OF DORIAN GRAY, produced by Cape Town Theatre Company, just before it opened. This is an original adaptation of Oscar Wilde’s classic story, which has been written and directed by Liz Roodt.

CONSTELLATIONS is an immersive, intimate artistic experience created by Brett Bailey for the wine farm Spier. This year, they celebrate their third iteration of this incredible concept and it's sure to be a hit.

The multi-nominated and award-winning THE UNLIKELY SECRET AGENT is returning to the stage this October. This run sees actor Carlo Daniels joining the cast, and Daniels came to talk to us about the experience so far.

WHO’S AFRAID OF VIRGNIA WOOLF? has to be one of the most in-your-face pieces of theatre ever written, and it’s as entertaining and relevant today as it was when it debuted 60 years ago. Under the exceptional direction of Sylvaine Strike, this incredible cast had me simultaneously wanting to hide and wanting to see more as the characters let all their dirty laundry hang out.

It’s quite amazing that a script written in 1997 about a fledgling democratic South Africa can still be so relevant and haunting in 2022. FORDSBURG’S FINEST by Paul Slabolepszy delivers in heart and in asking some truly tricky questions of the characters and of the audience members.

It’s always exciting when one of the Cape Town societies puts on original work. SO… THAT HAPPENED is made even more interesting in that it’s a sequel or a follow-up from another original work. I really loved that director and writer Werner Asher Steffen and Milnerton Players were able to bring back the original cast as well.

Magnet Theatre graduate, Molupi Lepeli, is no stranger to the Baxter's Zabalaza Festival. In 2019, he won the award for Best Supporting Actor in the festival. This year, however, he took part as a writer and director, creating BACK TO ASHES. The production was nominated as one of the Finest of the Fest and will be on at the Golden Arrow Studio this month.

Finest of the Fest from Baxter's Zabalaza Festival kicks off this week with Sohail Booise's HOSTEL LIGHTS. This young director also wrote and choreographed the piece. He sat down to tell us more about his experiences at the festival and this play.

Actress Imke du Toit throws herself into the piece body and soul. Everything about her physicality and her voice says that this character is completely immersed in the turmoil of this nightmare landscape conjured up by the character’s mind.

I’d heard a lot about ÎLE after its highly successful run at the National Arts Festival earlier this year. It won a Gold Standard Bank Ovation Award and audiences had raved about it. So, it’s safe to say that my expectations were high, and the show did not disappoint.

Cape Town City Ballet's rendition of ROMEO AND JULIET is a rich tapestry of music, dance, colour and emotion. The score is exquisite, and it was an absolute treat to have it played live by the Cape Town Philharmonic Orchestra under internationally renowned guest conductor Jonathan Lo. A live orchestra paired with ballet always makes my heart sing.

For their 2022 acting showcase, LAMTA offered audiences a very clever DOUBLE BILL. In the first half of the evening, we saw Anton Chekov’s classic THE SEAGULL. After interval, we were treated to STUPID F@CKING BIRD – a parody of the former written by Aaron Posner. I honestly had such a laugh throughout both one-act plays.

The characters in CAREFUL are really well-rounded and the story develops in a very clever way. I enjoyed this offering from Milnerton Players and it was great to be back at this lovely theatre after two years.

ONCE ON THIS ISLAND is a joyous expression of music and dance from start to finish. It’s feel-good musical theatre at its best and this production from Wêla Kapela is just wonderful. I had a blast in the audience from the moment I walked into the auditorium.

THE GREAT GATSBY is one of my absolute favourite books – the characters, the landscape, the era are all so beautifully described by F. Scott Fitzgerald. This stage adaptation by Stephan Fourie and directed by Neil Leachman did not disappoint. It is a joyous spectacle up on stage that stayed beautifully true to the characters and the story.