Elliot Lanes has been working in theatre for over 30 years as a PSM, Sound Designer, Board Op....you get the idea. He has had the pleasure of working with some of DC's finest artists at venues such as Theater J, Studio Theatre, and Round House Theatre. Other DC area credits include many productions at Capital Fringe, and "Two Trains Running" and "Circle Mirror Transformation" at Prince Georges Community College. He also has been the lighting designer for the past 13 for Momentum Dance Company. Prior to moving to DC, he was the Resident PSM for Negro Ensemble Company and White Horse Theatre Company in NYC for five years each. He also had the pleasure of working with Liza Minnelli, Betty Buckley and Marilyn Maye at the Backstage Bistro Awards as PSM for that event. Elliot previously covered the DC Metro Area theatre scene for Maryland Theatre Guide, and wrote the successful "A Quick 5" column.
BWW Interview: Theatre Life with Kevin Laughon
December 2, 2016
December 2, 2016
Today's subject disproves the theory that you can't be good at everything. Kevin Laughon is the Production Associate at Theater J, but his long career of working in the theatre has taken him on both sides of the footlights.
BWW Interview: Theatre Life with Jeff James
November 18, 2016
November 18, 2016
Today's subject is living his theatre life on both sides of the Atlantic and beyond. Jeff James is the Associate Director for the internationally and critically acclaimed production of A View from the Bridge, which begins performances this evening at Kennedy Center and runs through December 3rd. He has been a part of the current production of A View from the Bridge at the Young Vic in London, London's West End, Theatre de l'Odeon in Paris, and on Broadway where it won two Tony Awards (Best Director and Best Revival of a Play).
BWW Review: WIND ME UP, MARIA! A GO-GO MUSICAL at Georgetown University
November 7, 2016
November 7, 2016
Natsu Onoda Power is one of the most creative forces in DC theatre. With such credits as Yellow Face at Theater J and Astro Boy and the God of Comics at Studio Theatre, Power's productions are always visually stunning and very clear in the way she tells a story. This review starts as it does because I want it to be perfectly clear that I am a big admirer of Power's work upfront. Unfortunately, her latest endeavor goes against everything I just said.
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