David Bravos

There’s certainly a lot to be said for classics. First published in 1939, Agatha Christie’s And Then There Were None is one of the highest selling books of all time, and one of Christie’s finest works. Since its stage adaptation in 1945, the plot has been tweaked and then returned, but even in 2025, a lot of classic stage techniques are utilised (as well as wonderful acting) to amaze you and keep you guessing until the very end.

BLUE is a captivating experience that truly stands out, immediately grabbing your attention with its evocative atmosphere and originality. Black Swan Theatre Company's latest offering is both deeply effective and refreshingly unique, leaving an impression that lingers long after its conclusion.

When Drew Anthony asked the audiences from the 2024 season of shows what they wanted to see next, the first choice was overwhelming; people wanted to see FOOTLOOSE. Based on the timeless Kevin Bacon movie, the musical delivers plenty at Planet Royale with some simply superb casting and choreography that befits such a dancing spectacle. This excellent production proves that this story still has the power to get people dancing.

Circus cabaret is experiencing quite the boom, and I for one am all for it. The latest addition to Perth’s market finds a fitting home in Crown Nightclub Eve, with LA CLIQUE bringing a mix of amazing acrobatics, wild stunts, and a hefty dose of cheeky humour to heat up these May nights.

What did our critic think of SISTER ACT at Crown Theatre? This musical adaptation of the beloved 1992 film, starring Casey Donovan as Deloris Van Cartier, radiates infectious energy, blending soulful melodies with a hilarious and heartwarming story that's sure to convert you.

With a firm set and staunch fan based long established, THE LORD OF THE RINGS: A MUSICAL TALE already has a sizeable audience to please before the casual theatre goer is catered for. Thanks to a talented cast, an action-packed storyline, and staging as epic as the story itself, the show is sure to please you whether The Lord of the Rings is a part of your life, or you’re simply on the look out for a big show.

Set in a scorching Oklahoma summer, AUGUST: OSAGE COUNTY takes a contemporary look at the collapse of the American dream, illustrated by the collapse of a family unit. After an extended and multi-award winning Sydney season, Black Swan Theatre Company has brought it west thanks to their long standing partnership with Belvoir Street Theatre Company. An absolute theatrical delight, AUGUST: OSAGE COUNTY is a play that simply cannot be missed.

Despite having not touring Perth since 2013, JESUS CHRIST SUPERSTAR is still familiar to many, with many versions since its original release. Indeed, the stunning soundtrack precedes the musical, showing how it can stand alone and indeed gives many a fair idea of the musical without having to step foot in a theatre. What was originally conceived as a rock opera enjoys an updated vision that more suits the modern audience, with a stunning show that leans more into performance and rock music.

Fringeworld is back to fill your days and add something to your nights, and a very special offering this year is LASSÙ. Founded by Merrick Ashton, LASSÙ showcases what happens when someone with circus in their blood creates a show for today. There’s a little something for everyone in this high paced, high energy show that combines many circus disciplines in a cabaret style show under the Lassù Chapiteau.

Fringe World is back in full swing, and once again Bernie Dieter's CLUB KABARETT is a must-see! This year's show brings the same captivating energy and thrilling performances, but with some exciting new additions. The wide expanses of The Ice Cream Factory in Northbridge suit the theme and energy of it to a T, and as always Bernie Dieter and her team have crafted a show to truly take your breath away.

What did our critic think of THE SEED at Subiaco Arts Centre.

Every year, Yirra Yaakin Theatre Company brings together emerging indigenous writers to work with experienced First Nations playwrights. In 2020, Bruce Denny used it to turn his own reflection on family and connection to country into a genuinely heartwarming and funny play called OPERATION BOOMERANG that is as funny as it is poignant.

What did our critic think of HAIRSPRAY at Crown Theatre?

Louisa May Alcott’s timeless classic LITTLE WOMEN has been made into virtually every form of media imaginable. Whilst the process of condensing a well loved and thematically dense book misses the mark in some places, the creatives from Emergent Academy have put enough into this performance to make for an enjoyable trip to the theatre.

Black Swan Theatre Company’s production of THE CHILDREN at Perth's State Theatre Centre is a thought-provoking exploration of responsibility and legacy. The play balances the weight of its subject matter with many lighter moments, held together by the small cast. The show is emotionally resonant and will leave a lasting impression on the audience.

It may be difficult to explain how a play set 75 years and half a world away can find success today, but DEATH OF A SALESMAN does just that. The play is brought to life by a brilliant cast who hit with their performances, led by an outstanding Anthony LaPaglia. There is enduring relevance, brought forth by this stunning performance.

THE WEDDING SINGER leans into the space it has to make the audience feel like they’re at a wedding as much as they are at a show. Filled with outstanding performances and a catchy 80s soundtrack, THE WEDDING SINGER makes for a perfect night out.

It is a part of growing up that one gets to know Grease. The movie has remained firmly in the public consciousness and on rotation since its release whilst the musical undergoes many varied iterations. The latest performance sees a sharper and brighter update whilst featuring the same songs and energy that allow GREASE THE MUSICAL to endure.

PRIMA FACIE is a powerful one-person play by Suzie Miller that explores the complex perception of sexual assault survivors from the point of view of a lawyer hopelessly dedicated to the law. The play explores the legal system and its impact on sexual assault survivors, and Sophia Forrest’s performance coupled with the minimalist staging gives the audience no choice but fully confront these issues.