Review: JIMMY, Park Theatre
For anyone who loves or even likes the game of tennis, Jimmy is a worthy paean to how harrowing the sport can be at its best.
Clementine Scott - Page 7
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Review: TRIAL BY JURY/A MATTER OF MISCONDUCT!, Opera Holland Park
A thoughtfully selected double bill making up the operetta segment of Opera Holland Park’s summer season shows the genre at its technical best, but also illuminates its troubling shortcomings.
Review: MEDEA, Coronet Theatre
This Medea feels at one with its ancient origins, with Athens’ strict patriarchy and fractured psyches and desperate quests for glory, while also injecting a risk-taking dose of dread and brutality.
Review: OUR COSMIC DUST, Park Theatre
Sometimes the Brechtian veers into the over-literal, but there is still clarity and catharsis to be found in a child's newfound understanding of life and loss.
Review: THE FROGS, Southwark Playhouse
The recent UK premiere of Here We Are, Stephen Sondheim’s final musical, certainly demonstrated that the much-mourned legend had his flaws.
Review: DIAGNOSIS, Finborough Theatre
You may not know Athena Stevens’s name, but you may remember her legal troubles: her allegations against Shakespeare's Globe of sexual abuse by a fellow actor and disability discrimination were widely reported in March this year.
Review: AFTER THE ACT, Royal Court
To pin an entire show on one piece of local government legislation may seem an implausible move at first glance.
Review: THE MUSICAL OF MUSICALS (THE MUSICAL!), Phoenix Arts Club
If there’s any fanbase that is totally unafraid of in-jokes and self-references, it’s musical theatre enthusiasts.
Review: IN OTHER WORDS, Arcola Theatre
“That’s life”, sings Frank Sinatra over the sound system, in just one of the many hits from his back catalogue that makes up the soundtrack to In Other Words.
Review: PARLOUR SONG, Greenwich Theatre
In the Jez Butterworth canon, it’s easy to overlook Parlour Song.
Review: REMYTHED, King's Head Theatre
“Stories are always being put through the wash, and end up with a sock in there which was never there before.
Review: SNAP: A NEW MUSICAL, King's Head Theatre
There’s something of the film Challengers in the pivotal scene of Snap, when an earnest male model and the lecherous photographer he’s working with end up in bed with each other’s partners, and all four actors anxiously sing their way through their tangled professional and personal lives.
Review: FAYGELE, Marylebone Theatre
Faygele deserves credit for its empathy, and how it can resonate with those both within and outside the Jewish and queer communities.
Review: SHOWDOWN, Albany Theatre
It’s been seven years since the X Factor graced our screens, and at least a decade since the ITV talent show behemoth was actually culturally relevant.
Review: WHEN THE CLOUD CATCHES COLOURS, Barbican Theatre
One might expect a hard-hitting, intellectual look at homophobia in Singapore.
Review: STILETTO, Charing Cross Theatre
A musical set in the 1730s heyday of Venetian opera ought to be a glamorous glimpse into a different, dangerous era.
Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery
Ever wanted to step inside the world of one of the National Gallery’s paintings? Immersive theatre company Boo Productions may have the answer.
Review: THE NATIONAL, All Points East
In their first UK festival performance since before the pandemic, American soft rock quintet The National have shown themselves to be capable of a competent return to form.
Review: THE MAGIC FLUTE, Arcola Theatre
Mozart’s elaborately plotted Singspiel concerning Prince Tamino’s fish-out-of-water immersion in a fantasy land of seductive Egyptian cults, demons, and vengeful queens resists straightforward transferral to a modern setting, but this is what Opera Alegría has attempted.
Review: COSÌ FAN TUTTE at Royal Opera House
Mozart’s Così fan tutte has always been a work that tells us about ourselves.
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