There’s something of the film Challengers in the pivotal scene of Snap, when an earnest male model and the lecherous photographer he’s working with end up in bed with each other’s partners, and all four actors anxiously sing their way through their tangled professional and personal lives.
Faygele deserves credit for its empathy, and how it can resonate with those both within and outside the Jewish and queer communities.
It’s been seven years since the X Factor graced our screens, and at least a decade since the ITV talent show behemoth was actually culturally relevant.
One might expect a hard-hitting, intellectual look at homophobia in Singapore.
A musical set in the 1730s heyday of Venetian opera ought to be a glamorous glimpse into a different, dangerous era.
Ever wanted to step inside the world of one of the National Gallery’s paintings? Immersive theatre company Boo Productions may have the answer.
In their first UK festival performance since before the pandemic, American soft rock quintet The National have shown themselves to be capable of a competent return to form.
Mozart’s elaborately plotted Singspiel concerning Prince Tamino’s fish-out-of-water immersion in a fantasy land of seductive Egyptian cults, demons, and vengeful queens resists straightforward transferral to a modern setting, but this is what Opera Alegría has attempted.
Mozart’s Così fan tutte has always been a work that tells us about ourselves.
Graeae aims to address the problem of disabled representation by spotlighting the so-called 'Blind Enchantress' Maria Theresia von Paradis, and also to make the theatre a truly inclusive place for the disabled community.
Fresh from star turns in Six, RENT, and Be More Chill, Millie O’Connell now joins the trio of actresses portraying Cher in The Cher Show, which tours the UK from April.
For the first time in 15 years, Grease is back in the West End this summer with a gritty makeover, and former Heathers star Olivia Moore is stepping into Sandy’s leather catsuit.
From spotlighting women in STEM and making their performances accessible to the disabled community, to experimenting with Zoom as a performance medium, the Electric Voice Theatre is continually interested in the unexpected and the inclusive.
When it comes to a topic as over-saturated in theatre as the Second World War, there is something to be said for productions that take a new approach.
Perhaps best known for his television roles as Caleb in Casualty and Father Francis in Hollyoaks, Richard Winsor began his career dancing in a variety of Matthew Bourne productions.
Best known for having played one of Broadway’s most iconic roles, Elphaba in Wicked, Jessica Vosk makes her solo London concert debut at Cadogan Hall this month.
Mimma, a new musical telling the stories of Italians living in London during World War Two, will debut in a one-night-only concert performance at Cadogan Hall later this month.
Hannah Lowther, whose viral musical theatre parody videos made a splash on TikTok in the first lockdown, has recently joined the ensemble for The Other Palace production of Heathers.
