Clementine Scott
Latest Articles
Review: AS YOU LIKE IT, Shakespeare's Globe
Sean Holmes at the Globe has been characterised as something of a purist, his A Midsummer Night’s Dream and Much Ado attracting praise for their Elizabethan costumes and rowdy atmosphere.
EDINBURGH 2026: Review: A QUEER LITTLE MURDER, Gilded Balloon Patter House
US comic Savannah Hankinson loves murder mysteries.
EDINBURGH 2026: Review: ELF LYONS IS THE WOMAN ON THE EDGE, Beyond At Pleasance Courtyard
The Fringe is full of women on the edge, but none quite like Elf Lyons.
EDINBURGH 2026: Review: JESS FUCHS: FERAL, Bunker Two At Pleasance Courtyard
From the Zara Larsson tunes blasting as we walk in, and Jess Fuchs emerging in thigh-highs and a cloud of black tulle, it’s clear the Australian comic is intent on taking Edinburgh crowds on the best girls’ night out of their lives.
EDINBURGH 2026: Review: ROCKPOOLS, Bunker Three, Pleasance Courtyard
Unless one happens to have read the programme notes beforehand, it’s not immediately obvious that Rockpools is a play about endometriosis.
EDINBURGH 2026: Review: ED GAUGHAN: THE EMPEROR, Just The Tonic At The Caves
Ed Gaughan is extremely good at accents.
EDINBURGH 2026: Review: CHIP AND GUS: A COMEDY WITH BALLS, Venue 45 at TheSpace
Earlier this year, Marty Supreme made a case for ping pong as a metaphor for life’s constant ebbs and flows, and an outlet for a particular type of obsessive striver.
EDINBURGH 2026: Review: LEGENDARY, Friesian At Underbelly, Bristo Square
“I’ve been thinking about my childhood” is how the Singaporean performer Cheeyang Ng begins Legendary, a show preoccupied with the idea of childhood, and particularly with queer Asian childhood.
Review: GAME OF THRONES: THE MAD KING, Royal Shakespeare Theatre, Stratford Upon Avon
With some reluctance, longtime fans of Game of Thrones have acknowledged that the novel series that inspired the era-defining HBO fantasy show – George RR Martin’s A Song of Ice and Fire – will likely never be finished, and the franchise will be chiefly remembered for its disappointing TV endi
Feature: DISPATCHES FROM THE WEST END FLEA MARKET, St Paul's Church
It’s been a few minutes into my wander around this year’s West End Flea Market, and I’ve already heard an excited anecdote about a revival of a 1960s German-language vampire musical.
Review: SPACE DOGS, The Other Palace
Broadway veterans Nick Blaemire and Van Hughes begin their show tossing canine plushies into the audience, Oprah-style.
Review: MIDNIGHT AT THE NEVER GET, Starring Ben Platt, Menier Chocolate Factory
In Midnight at the Never Get, time is not a straightforward thing.
Review: HERE COMES J EDGAR!, King's Head Theatre
During his near-half century leading the FBI, J Edgar Hoover used illegal surveillance techniques on thousands of Americans allegedly connected with communism, curbed the influence of civil rights leaders, and caused damage to the US labour movement from which it has never recovered.
Review: FIREBIRD, Southwark Playhouse
The culture wars surrounding grooming gangs have never felt more poisonous.
Review: THE JONATHAN LARSON PROJECT, Southwark Playhouse
With Rent set to return to the West End in September, now feels like the right time for The Jonathan Larson Project, a retrospective of what the composer Jonathan Larson did before he wrote the classic East Village-set tale of life and love amid the AIDs crisis.
Review: TILLY NO-BODY: CATASTROPHES OF LOVE, Arcola Theatre
On the surface, Tilly No-Body: Catastrophes of Love has every element of a good one-woman show: a woman’s journey to gaining new agency, a compelling historical hook, and a exceedingly watchable performer.
Review: WIFE TO JAMES WHELAN, Jermyn Street Theatre
The New York-based Mint Theater Company specialises in theatrical gems neglected by accidents of history.
Review: SPRINGWOOD, Hampstead Theatre
At one point, in June 1939, the UK-US ‘Special Relationship’ was defined by the King eating hotdogs on the president’s lawn.
Review: RELICS, Lyric Hammersmith
At first Relics seems straight out of a classic, deadpan British sitcom.
Review: STING, Young Vic
The protagonist of Sting, a postdoctoral student named Ash, lives in a divided world.
Tickets From $59
Tickets From $59
Tickets From $59
Tickets From $71