Review: THE MUSICAL OF MUSICALS (THE MUSICAL!), Phoenix Arts Club
If there’s any fanbase that is totally unafraid of in-jokes and self-references, it’s musical theatre enthusiasts.
Clementine Scott - Page 6
Review: IN OTHER WORDS, Arcola Theatre
“That’s life”, sings Frank Sinatra over the sound system, in just one of the many hits from his back catalogue that makes up the soundtrack to In Other Words.
Review: PARLOUR SONG, Greenwich Theatre
In the Jez Butterworth canon, it’s easy to overlook Parlour Song.
Review: REMYTHED, King's Head Theatre
“Stories are always being put through the wash, and end up with a sock in there which was never there before.
Review: SNAP: A NEW MUSICAL, King's Head Theatre
There’s something of the film Challengers in the pivotal scene of Snap, when an earnest male model and the lecherous photographer he’s working with end up in bed with each other’s partners, and all four actors anxiously sing their way through their tangled professional and personal lives.
Review: FAYGELE, Marylebone Theatre
Faygele deserves credit for its empathy, and how it can resonate with those both within and outside the Jewish and queer communities.
Review: SHOWDOWN, Albany Theatre
It’s been seven years since the X Factor graced our screens, and at least a decade since the ITV talent show behemoth was actually culturally relevant.
Review: WHEN THE CLOUD CATCHES COLOURS, Barbican Theatre
One might expect a hard-hitting, intellectual look at homophobia in Singapore.
Review: STILETTO, Charing Cross Theatre
A musical set in the 1730s heyday of Venetian opera ought to be a glamorous glimpse into a different, dangerous era.
Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery
Ever wanted to step inside the world of one of the National Gallery’s paintings? Immersive theatre company Boo Productions may have the answer.
Review: THE NATIONAL, All Points East
In their first UK festival performance since before the pandemic, American soft rock quintet The National have shown themselves to be capable of a competent return to form.
Review: THE MAGIC FLUTE, Arcola Theatre
Mozart’s elaborately plotted Singspiel concerning Prince Tamino’s fish-out-of-water immersion in a fantasy land of seductive Egyptian cults, demons, and vengeful queens resists straightforward transferral to a modern setting, but this is what Opera Alegría has attempted.
Review: COSÌ FAN TUTTE at Royal Opera House
Mozart’s Così fan tutte has always been a work that tells us about ourselves.
BWW Review: THE PARADIS FILES, Southbank Centre
Graeae aims to address the problem of disabled representation by spotlighting the so-called 'Blind Enchantress' Maria Theresia von Paradis, and also to make the theatre a truly inclusive place for the disabled community.
BWW Interview: Millie O'Connell Talks THE CHER SHOW
Fresh from star turns in Six, RENT, and Be More Chill, Millie O’Connell now joins the trio of actresses portraying Cher in The Cher Show, which tours the UK from April.
BWW Interview: Olivia Moore Talks GREASE at Dominion Theatre
For the first time in 15 years, Grease is back in the West End this summer with a gritty makeover, and former Heathers star Olivia Moore is stepping into Sandy’s leather catsuit.
BWW Interview: Frances M. Lynch Talks SONGS & STORIES FROM “THE SOMERVILLE CONNEXION”
From spotlighting women in STEM and making their performances accessible to the disabled community, to experimenting with Zoom as a performance medium, the Electric Voice Theatre is continually interested in the unexpected and the inclusive.
BWW Review: MIMMA, Cadogan Hall
When it comes to a topic as over-saturated in theatre as the Second World War, there is something to be said for productions that take a new approach.
BWW Interview: Richard Winsor Talks SATURDAY NIGHT FEVER at the Peacock Theatre
Perhaps best known for his television roles as Caleb in Casualty and Father Francis in Hollyoaks, Richard Winsor began his career dancing in a variety of Matthew Bourne productions.
BWW Interview: Jessica Vosk Discusses Her New Concert at London's Cadogan Hall
Best known for having played one of Broadway’s most iconic roles, Elphaba in Wicked, Jessica Vosk makes her solo London concert debut at Cadogan Hall this month.
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