Review: THE FIFTH STEP, starring Martin Freeman and Jack Lowden
Plays like The Fifth Step don't come around often.
Cindy Marcolina - Page 9
Latest Articles
Review: INSANE ASYLUM SEEKERS, Bush Theatre
Laith’s parents have survived unimaginable atrocities in order to save themselves and give him a better chance, yet he struggles.
Review: DEAR ANNIE, I HATE YOU, Riverside Studios
Sam is a football-loving, tomboyish young woman with a lifetime of fun ahead of her.
Review: THE MAD ONES, The Other Palace
There won’t be any big road movie for Samantha Brown.
Review: EINKVAN, The Coronet Theatre
This production is a treat.
Review: AN OAK TREE, Young Vic
Divisive and challenging, Tim Crouch is a one-in-a-century playwright.
Review: CONVERSATIONS AFTER SEX, Park Theatre
Mark O’Halloran’s Irish Times Award-winning play follows a woman’s sexual escapades over the course of a year.
Review: GIANT, Starring John Lithgow
It’s 1983 and beloved author Roald Dahl is about to release The Witches.
Review: HOTEL ELSINORE, Riverside Studios
The grieving family of a prominent Shakespearean actor gathers at the location where he was due to perform before his sudden demise.
Review: HOW TO FIGHT LONELINESS, Park Theatre
All great plays have a moral dilemma buried at the centre.
Review: GHOSTS, starring Victoria Smurfit and Callum Scott Howells
Victoria Smurfit and Callum Scott Howells are the tragic mother-son duo in an exciting, tense, suspenseful adaptation.
Review: DEAD MOM PLAY, Union Theatre
A recently bereaved young man spars with his hyper-critical dead mother and Death himself in an attempt to accept his grief and move on.
Review: PUPPY, King's Head Theatre
Following The Audiovisual Media Services Regulation 2014, several acts were banned from explicit content filmed in the United Kingdom.
Review: JAB, Park Theatre
Sometimes you’re unlucky enough to sit in a room and wonder why plays exist.
Review: THE WOMEN OF LLANRUMNEY, Stratford East
Azuka Oforka’s powerful debut play transports us to the Llanrumney sugar estate in Saint Mary Parish, Jamaica, in 1765, where Elizabeth Morgan (Nia Roberts) lays the law as an unwed modern entrepreneur who’s facing the failure of her crops.
Review: DRACULA, A COMEDY OF TERRORS, Menier Chocolate Factory
Vampires have always had that sexy je ne sais quoi.
Review: THE MOSINEE PROJECT, New Diorama
We live in a time where Trump has been accusing the Democratic Party of Communism since his first campaign.
Review: THE HABITS, Hampstead Theatre
Each Thursday night, the most unlikely of groups meet to play Dungeons and Dragons.
Review: MACBETH, Lyric Hammersmith
The production checks off each convention you might think belongs to non-Jamie Lloyd contemporary theatre one after the other.
Review: SON OF A BITCH, Southwark Playhouse
Marnie never chose to be a mum.
.jpg?format=auto&width=300)
Tickets From $59
Tickets From $70
Tickets From $59
Tickets From $101
