Chris Struck

If there’s one takeaway from an evening with Carole Bufford, it is that I’ll be looking forward to her next show, open mic appearance, or wherever she might appear.

What could have been the titular song was “Unforgettable” because, most certainly, his style and class were unforgettable.

Aayushi Karnik, Brianna Thomas and Ella Sang The Blues, and Corey Harris Band impressed at the Mahindra Blues Special by Jazz at the Lincoln Center

F Michael Haynie, Ryan Knowles, and John Easterlin headline a strong crew brought together by host and creator Scott Siegel.

Canadian Juno Award Winner makes her NYC debut with Rock Anthems and Style

Vivian Green’s much-anticipated return to New York allowed her to showcase her incredible talent and fan-favorite songs

A rotating cast of Broadway talent shares some of the classics that have made the artform infamous for pulling at the heartstrings

Megan Hilty shares special songs of her roles and her life in the classic venue, Café Carlyle

The performer's fiery personality brought the audience to tears and later to their feet as they sang and clapped along.

Oscar Winning actress Mira Sorvino is playing a personal and pallatable cabaret act at The Carlyle through Saturday.

Lane captured the audience with his pizzazz while sharing a heartwarming journey appreciating friendship through song

The maestro of Manhattan’s Monday evenings (Caruso) continues to wow an audience. He and the crew played host to a packed crowd on Monday night who were treated to some great performances by stellar individual talents.

There are rare things in the world that should be cherished when they appear like quality moments in time and picturesque evenings under the stars in the moonlight. Sutton Foster’s set at the Carlyle was both these things.

Maroulis, show went on and his CD, Until I'm Wanted, is due to come out shortly. Here's to looking forward to April and a successful release.

Eder's ability to blend a tight belt with an operatic trill as easily as she breathes makes for one heck of a thrill. I could highlight any two or three songs, and they would have been a pair of the cleanest, most tightly rehearsed pieces one could see. Eder's songs aren't the only thing that's great. Her shows are great.

After seeing her show at 54 Below, Chris Struck set up an interview with Helen Park to discuss KPOP, a high energy musical destined for Broadway!

What started out as a 17 minute tap session full of some pretty slick moves became a nearly two hour romp backed by one of the world's classiest jam bands highlighted by Jonathan Michel, probably the world's best double bassist and talented pianist, accompanist Mark Meadows who defined sleek with the keys.

Everything that I could say about the plot, which was good and thoughtful, wouldn't be enough to capture the essence of what Raftery's show was. He certainly did troll Ivanka even thought that wasn't the whole show. The show was less about trashing Ivanka and more about [Ivanka the heroine] The heroine she could have been and the heroine that she still could be.

Emerson Steele and Kelly Lamor Wilson put together a dynamite show to celebrate female empowerment. Whether it was Charlotte Maltby's slightly quirky, 'Grace Kelly' or Laura Bell Bundy's differently quirky, 'Digital Disease' or Annie Golden's emphatic, warrior anthem, 'White Picket Fence,' each song and performance showcased unique talent.

Chris Struck caught up with Karine Hannah to talk about her next show on Thursday, March 26th at 7pm at The Green Room 42. She launched an EP with Universal Music in 2018 and has been on stages all around NYC.