George Michael: Singer, songwriter, LGBTQ icon, and tragic hero? Kissing a Fool, an interdisciplinary Queer Cabaret show about the Wham! frontman might just have you revaluating everything you thought you knew about your mum’s favourite teenage heartthrob.
The world premiere of Isley Lynn’s The Swell is a head scratching affair.
The tables are turned on two twentieth century playwrights who find themselves trapped in a hybrid of their own plays.
An atmospheric story of a group of trapped explorers at the mercy of mother nature, the UK premiere of Joby Talbot’s Everest has a chillingly eerie resonance.
If there were an award for most unpredictably bonkers play of the year this would be the top contender.
A lacklustre central performance shifts the focus towards Charlotte's tragedy instead of Werther's.
The personal and the political become one in this sweater vested whirlwind of a play
BroadwayWorld caught up Beverley Klein and Teddy Kempner, two of the newest cast members, as they take over as Herr Shultz and Fraulein Schneider.
A steroided neo-liberal dystopia is the backdrop for this literal and a metaphorical journey of self-discovery.
An existential triptych of monologues slaps the audience in the face and expects them to apologise
Adele Thomas' new production is a rollicking clash of carnivalesque weirdness and heartfelt desire.
Maureen Lipman's one woman show traces a Holocaust survivor's journey to find home
Well intentioned but generic study of grief
Admirable inquiry into the morality of mob short changed by its own self-indulgence
Deborah Warner's new production dives head first into the Lars Von Trier pool of paranoia
With the swashbuckling zeal of a rowdy tavern brawl and all the brash bravado you can shake a bulging cod piece at, the Sean Holmes helmed The Comedy of Errors crashes onto the Globe stage to start the summer season with a bang.
BroadwayWorld caught up with Emily Fairn, the breakout star of BBC's The Responder as she makes her theatrical debut, along with Mike Faist and Lucas Hedges.
An overstuffed and underbaked look at food poverty
The production straddles the line between farce and poignance without deciding which it prefers.
A wildly thrilling clash of theatrical titans becomes a love letter to the art form
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