Review: TAMBO & BONES, Theatre Royal Stratford East
If there were an award for most unpredictably bonkers play of the year this would be the top contender.
Alexander Cohen - Page 8
Review: WERTHER, Royal Opera House
A lacklustre central performance shifts the focus towards Charlotte's tragedy instead of Werther's.
Review: WHEN WINSTON WENT TO WAR WITH THE WIRELESS, Donmar Warehouse
The personal and the political become one in this sweater vested whirlwind of a play
Interview: 'It's Not Like Anything I've Known Before' Beverley Klein and Teddy Kempner on the Value of Experience and the Joys of Joining CABARET
BroadwayWorld caught up Beverley Klein and Teddy Kempner, two of the newest cast members, as they take over as Herr Shultz and Fraulein Schneider.
Review: HOPE HAS A HAPPY MEAL, Royal Court Theatre
A steroided neo-liberal dystopia is the backdrop for this literal and a metaphorical journey of self-discovery.
Review: ALL OF IT, Royal Court Theatre
An existential triptych of monologues slaps the audience in the face and expects them to apologise
Review: IL TROVATORE, Royal Opera House
Adele Thomas' new production is a rollicking clash of carnivalesque weirdness and heartfelt desire.
Review: ROSE, Ambassadors Theatre
Maureen Lipman's one woman show traces a Holocaust survivor's journey to find home
Review: HELEN, Theatre503
Well intentioned but generic study of grief
Review: SPEAKERS' CORNER: THE PUBLIC SHAMING OF RUFUS LOVE, The Hope Theatre
Admirable inquiry into the morality of mob short changed by its own self-indulgence
Review: WOZZECK, Royal Opera House
Deborah Warner's new production dives head first into the Lars Von Trier pool of paranoia
Review: THE COMEDY OF ERRORS, Shakespeare's Globe
With the swashbuckling zeal of a rowdy tavern brawl and all the brash bravado you can shake a bulging cod piece at, the Sean Holmes helmed The Comedy of Errors crashes onto the Globe stage to start the summer season with a bang.
Interview: 'I Know I'm Going to Learn So Much': Emily Fairn on Accents, Opportunities and Making Her Stage Debut in BROKEBACK MOUNTAIN @sohoplace
BroadwayWorld caught up with Emily Fairn, the breakout star of BBC's The Responder as she makes her theatrical debut, along with Mike Faist and Lucas Hedges.
Review: BISCUITS FOR BREAKFAST, Hampstead Theatre
An overstuffed and underbaked look at food poverty
Review: THE CIRCLE, Orange Tree Theatre
The production straddles the line between farce and poignance without deciding which it prefers.
Review: THE MOTIVE AND THE CUE, National Theatre
A wildly thrilling clash of theatrical titans becomes a love letter to the art form
Review: A PLAY FOR THE LIVING IN A TIME OF EXTINCTION, Barbican Theatre
Katie Mitchell's climate change wake-up call is a cold, hard slap in the face
![Review: TONY! [THE TONY BLAIR ROCK OPERA], Leicester Square Theatre](https://cloudimages2.broadwayworld.com/columnpiccloud/200200-c9e6b4356b116f6195ff3ddbbbeeed8f.jpg?format=auto&width=220)
Review: BLUE, London Coliseum
A confident production of a conceptually flawed opera.
Review: THE GOOD PERSON OF SZECHWAN, Lyric Hammersmith
For an eighty-year-old play about the perils of capitalism and human-nature born kicking and screaming amongst the political turmoil of Weimar Germany, it neither looks nor feels like it has aged a day.
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