Review: PLAYER KINGS, Noël Coward Theatre
Ian McKellen is a mesmerizingly athletic Falstaff in Robert Icke's iconoclastic fusion of Henry IV parts 1 and 2
Alexander Cohen - Page 5
Review: THE LONG RUN, New Diorama Theatre
Lovingly snug, like you’ve been invited to into the warm for a cup of tea and a biscuit on a rainy day.
Review: MJ: THE MUSICAL, Prince Edward Theatre
This slathered-in-schmaltz hagiography is like watching the Zone of Interest: you know the disturbing stuff is always just out of view.
Review: FOAM, Finborough Theatre
An ambitious but flawed character study
Review: RED PITCH, @sohoplace
Tyrell Williams' award winning play is triumphantly promoted up a league to the West End after two runs at the Bush Theatre
Review: HARRY CLARKE, Ambassadors Theatre
Billy Crudup's mercurial talent keeps this flaccid show afloat
Review: GIANT, Royal Opera House
Where does a body start and a human being end? The story of Charles Byrne, the so-called “Irish Giant” is the diving board off of which Composer Sarah Angliss’ debut opera leaps
Review: UNCLE VANYA, Orange Tree Theatre
Trevor Nunn's production runs until 13 April
Review: THE LONELY LONDONERS, Jermyn Street Theatre
“The city has eyes and it watches your every move.
Review: THE MAGIC FLUTE, London Coliseum
It’s odd to watch an opera where the actual opera is an afterthought.
Review: OUT OF SEASON, Hampstead Theatre
The odd-couple set up is a well worn path, but there’s more than meets the eye to Neil D’Souza’s bittersweet comedy.
Review: AN ENEMY OF THE PEOPLE, Duke Of York's Theatre
German auteur Thomas Ostermeier's production is not as radical as it thinks it is
Review: KING LEAR, Almeida Theatre
Yaël Farber described King Lear as theatre’s Everest.
Review: METAMORPHOSIS, Lyric Hammersmith
Frantic Assembly’s new version, penned by Lemn Sissay, may be poetically vivid and visually mesmerising, but it is terminally plagued by dramatic inertia.
Review: TILL THE STARS COME DOWN, National Theatre
Till the Stars Come Down is a sparkling bundle of light and luminous love.
Review: THE MOST PRECIOUS OF GOODS, Marylebone Theatre
The Holocaust is not an easy subject to tackle.
Review: AMBERGRIS, Barbican
Ambergris pits the Jonah and Ahab stories together in what is another moodboard show, one that throws ideas together to see what sticks.
Review: KIN, National Theatre
Breath and breathing and important motifs in Kin, Gecko Theatre Company’s new devised show about migration trauma.
Review: ELEKTRA, Royal Opera House
The Royal Opera House’s new production of Elektra could do with an extra pinch of Saltburn-esque depravity.
Review: THE LAST SHOW BEFORE WE DIE, The Yard Theatre
The Last Show Before We Die dives headfirst into exploring that ultimate inevitability.
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