Alexander Cohen - Page 7

An on-stage sitcom unable to find its feet.

A meandering meditation on Zionism in desperate need of refinement

2022 got off to a shaky start. The shadow of Omicron loomed threatening another year of cancellations and a return to the online realm. But as soon as Covid worries dissipated and theatres reopened their doors with confidence, a gentle tide of scandals and uproars ebbed and flowed across the theatre world. Yes, theatre is back, but is it better than ever?

A forensic psychodrama that turns Othello's inner turmoil inside out.

There is an interesting theme emerging in the Royal Court's new season. Each play so far has been part of a paradigm shift towards exploring intensely personal stories and questions. It doesn't feel like a knee jerk reaction to a post Covid world. It feels like there is something more fundamental going on.

A biting satire on Victorian romanticism propped up by knockout performances

There is a growing trend of operas drawing inspiration from and working alongside the contemporary theatre world. Whether it is collaborations or borrowing ideas, in these tempestuous times for the performing arts our artistic ecosystem inevitably grows richer as a result.

A tender study into the blurred boundaries between desire and addiction

A gentle snapshot of a fractious family trying to heal its wounds

A fuzzy edged meditation on diaspora identity needs more focus

A profound meditation on the nature of mental illness

A glistening celebration of queer identity, individuality, and family

A new opera inspired by Kurt Cobain based on a film by Gus Van Sant premieres at the Royal Opera House

Theatres are no strangers to ghosts. Sadly, the ghost of Herschel Fink will haunt for years to come.

Making his Proms debut just last year, Víkingur Ólafsson brings his searing musical brilliance to the Southbank Centre.

An awkward marriage of melodrama and naturalism

An unspectacular meditation on human mortality

The Proms, Printworks, and multimedia mayhem. Created and co-produced by award winning counter tenor Anthony Roth Costanzo, Philip Glass's meditative Minimalism and Handel's Baroque elegance crash together in a cacophony of artistic media.

The Bush Theatre's youth company meditate on growing up in an increasingly demanding world.

Waiting for 'Waiting for Godot'