Review: ANTHROPOLOGY, Hampstead Theatre
A cerebral thriller that puts its humanity front and centre, anthropology is a strong start to Hampstead's new season
Alexander Cohen - Page 7
Review: KING STAKH'S WILD HUNT, Barbican
Nobody can deny the humanitarian force of what unfolds on stage even if the artistry doesn’t hit the mark.
Review: DAS RHEINGOLD, Royal Opera House
Given his political radicalism and fervent romanticism, it is more than fair to wonder if Richard Wagner would be partial to Just Stop Oil.
Review: STRATEGIC LOVE PLAY, Soho Theatre
Will the Fringe hit land on its feet as it transfers to London's Soho Theatre?
Interview: 'Creating This Work Has Forced Me to Completely Rethink Directing For The Stage': Director Sam Yates on Embracing New Dimensions in VANYA
BroadwayWorld caught up with Sam Yates as he prepared to take the show to the West End to discuss the enduring appeal of Chekhov, having to rethink his method of directing and the joy of reuniting with Andrew Scott.
Interview: “I Love The Respect of The Practice in The UK': Writer Lauren Gunderson on Being Drawn to London and Studying AI for Her Play ANTHROPOLOGY
Lauren Gunderson asks pressing questions about AI in her new sci-fi thriller
Review: A MIRROR, Almeida Theatre
An interesting story sapped of its weight by gimmicks over eager to impress
Review: DUMBLEDORE IS SO GAY, Southwark Playhouse Borough
A nostalgia-lined love letter to navigating the trials and tribulations of growing up closeted, it is difficult to escape the charm that Dumbledore is so Gay casts on its audience, even if it is a little podgy in places.
Review: THE ARC: A TRILOGY OF NEW JEWISH PLAYS, Soho Theatre
The Arc keeps an eye on the past but it’s focus is firmly on the future.
Review: MAKESHIFTS AND REALITIES, Finborough Theatre
Unearthed after decades, could this new production of two once lost plays be more than a museum piece?
Review: THE EFFECT, National Theatre
Paapa Essiedu and Taylor Russell mesmerise in Prebble's fascinating yet flawed play
Review: THE SPONGEBOB MUSICAL, The Southbank Centre
This eaten-all-the-candy-floss sugar rush of a show suffers from a generic soundtrack.
Interview: 'This Play Is Not What You Think It Is': The Cast of CUCKOO at the Royal Court Chat Penguin Bars, iPads and Pinter
The cast of Cuckoo chat performing, working on Vicky Featherstone's swansong performance, and the navigating Michael Wynne's brilliantly slippery writing.
Interview: 'It's In Our Bones': Amy Rosenthal, Ryan Craig and Alexis Zegerman on Jewishness, Humanity and Chekhov in THE ARC: A TRILOGY OF NEW JEWISH PLAYS
Emanate production are bringing The Arc: A Trilogy of New Jewish Plays, three plays by writers Amy Rosenthal, Alexis Zegerman, and Ryan Craig, to Soho Theatre.
Review: CUCKOO, Royal Court
Blood is thicker than water and love is stronger than hate.
Review: DR SEMMELWEIS, Harold Pinter Theatre
A sombre warning against dogmatism adherence has resonances today.
Interview: 'We've Discovered This Multi-Layered Man' Scarlett Stitt and Dylan Aiello on Reevaluating George Michael, Drag and Cabaret in Their Show KISSING A FOOL
George Michael: Singer, songwriter, LGBTQ icon, and tragic hero? Kissing a Fool, an interdisciplinary Queer Cabaret show about the Wham! frontman might just have you revaluating everything you thought you knew about your mum’s favourite teenage heartthrob.
Review: THE SWELL, Orange Tree Theatre
The world premiere of Isley Lynn’s The Swell is a head scratching affair.
Review: STUMPED, Hampstead Theatre
The tables are turned on two twentieth century playwrights who find themselves trapped in a hybrid of their own plays.
Review: EVEREST, Barbican Theatre
An atmospheric story of a group of trapped explorers at the mercy of mother nature, the UK premiere of Joby Talbot’s Everest has a chillingly eerie resonance.
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