Review: IMPOSTER 22, Royal Court
Produced by Access All Areas, a theatre company led by disabled and autistic performers, Imposter 22 thrusts questions about disability centre stage.
Alexander Cohen - Page 7
Latest Articles
Review: PICTURE A DAY LIKE THIS, Royal Opera House
George Benjamin's slick new opera plays at the Royal Opera House after a critically acclaimed run at Festival d'Aix-en-Provence
Review: DEATH OF ENGLAND: CLOSING TIME, National Theatre
The latest part of the the Death of England tetralogy is theatre at its most courageous
Review: PETER GRIMES, London Coliseum
Deftly balances psychological thrill with morality as murky as the North Sea
Review: ANTHROPOLOGY, Hampstead Theatre
A cerebral thriller that puts its humanity front and centre, anthropology is a strong start to Hampstead's new season
Review: KING STAKH'S WILD HUNT, Barbican
Nobody can deny the humanitarian force of what unfolds on stage even if the artistry doesn’t hit the mark.
Review: DAS RHEINGOLD, Royal Opera House
Given his political radicalism and fervent romanticism, it is more than fair to wonder if Richard Wagner would be partial to Just Stop Oil.
Review: STRATEGIC LOVE PLAY, Soho Theatre
Will the Fringe hit land on its feet as it transfers to London's Soho Theatre?
Interview: 'Creating This Work Has Forced Me to Completely Rethink Directing For The Stage': Director Sam Yates on Embracing New Dimensions in VANYA
BroadwayWorld caught up with Sam Yates as he prepared to take the show to the West End to discuss the enduring appeal of Chekhov, having to rethink his method of directing and the joy of reuniting with Andrew Scott.
Interview: “I Love The Respect of The Practice in The UK': Writer Lauren Gunderson on Being Drawn to London and Studying AI for Her Play ANTHROPOLOGY
Lauren Gunderson asks pressing questions about AI in her new sci-fi thriller
Review: A MIRROR, Almeida Theatre
An interesting story sapped of its weight by gimmicks over eager to impress
Review: DUMBLEDORE IS SO GAY, Southwark Playhouse Borough
A nostalgia-lined love letter to navigating the trials and tribulations of growing up closeted, it is difficult to escape the charm that Dumbledore is so Gay casts on its audience, even if it is a little podgy in places.
Review: THE ARC: A TRILOGY OF NEW JEWISH PLAYS, Soho Theatre
The Arc keeps an eye on the past but it’s focus is firmly on the future.
Review: MAKESHIFTS AND REALITIES, Finborough Theatre
Unearthed after decades, could this new production of two once lost plays be more than a museum piece?
Review: THE EFFECT, National Theatre
Paapa Essiedu and Taylor Russell mesmerise in Prebble's fascinating yet flawed play
Review: THE SPONGEBOB MUSICAL, The Southbank Centre
This eaten-all-the-candy-floss sugar rush of a show suffers from a generic soundtrack.
Interview: 'This Play Is Not What You Think It Is': The Cast of CUCKOO at the Royal Court Chat Penguin Bars, iPads and Pinter
The cast of Cuckoo chat performing, working on Vicky Featherstone's swansong performance, and the navigating Michael Wynne's brilliantly slippery writing.
Interview: 'It's In Our Bones': Amy Rosenthal, Ryan Craig and Alexis Zegerman on Jewishness, Humanity and Chekhov in THE ARC: A TRILOGY OF NEW JEWISH PLAYS
Emanate production are bringing The Arc: A Trilogy of New Jewish Plays, three plays by writers Amy Rosenthal, Alexis Zegerman, and Ryan Craig, to Soho Theatre.
Review: CUCKOO, Royal Court
Blood is thicker than water and love is stronger than hate.
Review: DR SEMMELWEIS, Harold Pinter Theatre
A sombre warning against dogmatism adherence has resonances today.
.gif?width=300)
Tickets From $59
Tickets From $70
Tickets From $59
Tickets From $101
