Review: PRETTY WOMAN: THE MUSICAL at Crown Theatre

There is something inherently comforting about a Movie-to-Musical adaptation that knows exactly what it is. PRETTY WOMAN: THE MUSICAL, currently playing at Crown Theatre, doesn't attempt to reinvent the wheel or modernize the 1990 classic into something unrecognizable. Instead, it leans into the neon-drenched nostalgia of the era, delivering a production that is as slick, polished, and bright as a Beverly Hills hotel

The staging is impressive, utilizing a vibrant scenic design that transitions seamlessly from the gritty Hollywood Boulevard to the opulent suites of the Beverly Wilshire. While the Bryan Adams and Jim Vallance score leans heavily into 80s/90s soft rock—serviceable, if not entirely memorable—the sheer energy of the ensemble and the high production values keep the momentum from flagging. Indeed, whilst the two leads get many chances to show off their spectacular vocals, an outstanding ensemble cast gives extra energy and humour that make PRETTY WOMAN: THE MUSICAL one to see.

In the lead role of Vivian is Perth's own Samantha Jade. Her character acting is good, but what really stands out is her vocal ability. The songs she sings really fit her strengths, and several times throughout the show she leans right into it, which itself is something to behold. More local flavour is added by Ben Hall as Edward. Hall captures his character's aloofness and self-worth perfectly, however he too really hits his straps in his first song, showing off truly impressive vocals. Adding to the delightful lead vocals which are each incredible is the opportunites they get to harmonise. As good as their chemistry is in the plot, Samantha Jade and Ben Hall are simply stunning when singing together.

Whilst I could go on about the leads, the show is truly elevated by the ensemble cast.  Fitting right where she belongs in the overlap of musical and comedy is Michelle Brasier as Kit. Brasier has an energy and timing that demands attention whenever she's on stage. Bobby Fox as Mr Thompson/The Happy Man is equally delightful, with Fox showing a tremendous depth of ability. A true triple threat, he is outstanding whether singing, dancing, or acting, and ensures that there is a lightness that remains in even the most serious of scenes.

The ensemble is equally excellent, with enough big song and dance numbers to make the show memorable. Whilst the staging is kept quite sparce and narrow, the way the ensemble use it is is excellent, and Rusty Mowery's choreography (based on Jerry Mitchell's original work) utilises what it has to perfection. 

Whilst there is nothing groundbreaking in the re-work of Pretty Woman, it also shows that there is nothing wrong with going back to what's good. There is a precision and heart to PRETTY WOMAN: THE MUSICAL that sparks genuine joy as well as the nostalgia it's aiming for. It's a glittering, high energy production that succeeds on the strength of a truly outstanding cast.

PRETTY WOMAN: THE MUSICAL is at Crown Theatre Perth until May 24, before heading to Adelaide and Melbourne. Tickets and more information from PRETTY WOMAN THE MUSICAL Australia.