Leo and Lucille Frank are a newlywed Jewish couple struggling to make a life in the old red hills of Georgia. When Leo is accused of an unspeakable crime, it propels them into an unimaginable test of faith, humanity, justice and devotion. Riveting and gloriously hopeful, Parade reminds us that to love, we must truly see one another. Direct from its acclaimed run at New York City Center, Jason Robert Brown and Alfred Uhry’s Tony-winning musical is under the visionary direction of Michael Arden.
Ben Platt remains the raison d’être of the production; if the Broadway transfer was predicated on the hunch that the former Evan Hansen would prove a ticket-selling draw, the sales thus far seem to bear this out. Platt — in adult shoes, as it were — proves himself an adept musical theater (and dramatic) actor. Relative newcomer Micaela Diamond was the welcome surprise at City Center; the 23-year-old handily carried the difficult and somewhat treacherous role of Lucile Frank, the passive wife who — when hope is lost in the second act — grabs the narrative and, thanks to composer Brown, the stage. If Diamond was an instant success last November, the intervening months have given her time to add assurance to talent and bring out heretofore hidden facets of the role of Lucile. She is very good indeed. Brown, along with his co-orchestrator, the late Don Sebesky, well understand the massive power of two people singing out at the top of their lungs over crashing cymbals. Platt and Diamond do precisely this, in “This Is Not Over Yet,” and the power crackles throughout the house.
Key to this retelling is the presentational style of the show, which is common for City Center’s Encores! shows and here becomes an asset as it sharpens the focus and always keeps the musical numbers front and center, enhanced by Heather Gilbert’s lighting, Susan Hilferty’s period costumes and Jon Weston’s sound design. The tri-level raised stage by Dane Laffrey also keeps it simple, effectively standing in for a wide variety of locales: factory offices, court room, ballroom, gravesites, prison cell and ultimately gallows. Co-choreographers Lauren Yalango-Grant and Christopher Cree Grant make the sweep of history move with grace and flair. Sven Ortel’s projections of vintage photographs of the actual characters, settings and headlines are a constant reminder of the real world and its actual history. This theatrically thrilling revival of “Parade” teaches lessons that still need to be learned from a wicked past that haunts us still.
General Rush
Price: $45
Where: Jacobs Theatre box office on the day of the performance.
When: Tuesday - Saturday at 10 AM ET, Sunday at 12 PM ET
Limit: Two per customer
Information: Determined at the discretion of the box office. Subject to daily availability.
Digital Lottery:
Price: $45
Where: rush.telecharge.com.
When: Entries open at 12 AM ET, one day before the performance. Winners will be drawn that same morning at 10 AM ET and then later that afternoon at 3 PM ET.
Limit: Two per customer
Information: Tickets are subject to availability.
Standing Room
Price: $45
When: Available only when performances are sold out.
Where: Jacobs Theatre Box Office
Limit: Two per customer
Information: Subject to availability
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