Helen 1964 - Articles Page 3

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

The Civilians, under the leadership of Founding Artistic Director Steve Cosson and Managing Director Margaret Moll, is proud to announce a series of lively and engaging post-show salons that will follow select performances of Claire Kiechel's Paul Swan is Dead and Gone. Luminaries from the world of arts and letters will speak on various themes relevant to Paul Swan's life and work including his residency in the Carnegie Hall studios, queer performance, and mid-century ideas of camps.

Award-winning Retro Productions kicks off its 2019 season with one of the longest running Broadway comedies of the 1960's, Mary, Mary written by Jean Kerr. The witty revival runs May 3 - 18 at the Gene Frankel Theatre in SoHo. Shay Gines who previously directed Retro's revival of And Mrs. Reardon Drinks A Little, directs. Opening night is slated for Friday, May 3.

Just in! Two-time Tony Award and three-time Emmy Award winner Laurie Metcalf and two-time Emmy Award winner Eddie Izzard will star on Broadway next season...

Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce Title Wave at Bay Street: The 6th Annual New Works Festival, May 3 - 5. All readings are free, but tickets are required, as these events typically sell out. Tickets are available now at baystreet.org or by calling the Bay Street Theater Box Office at 631-725-9500, open Tuesday through Saturday 11 am to 5 pm, or until show time.

Award-winning Retro Productions kicks off its 2019 season with one of the longest running Broadway comedies of the 1960's, Mary, Mary written by Jean Kerr. The witty revival runs May 3 - 18 at the Gene Frankel Theatre in SoHo. Shay Gines who previously directed Retro's revival of And Mrs. Reardon Drinks A Little, directs.

Shakespeare Theatre Company's Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn's 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC's history by mapping D.C.'s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).

'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.

Spring activities for the Centennial, which continues through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, community programming, and new works by other artists in conversation with Merce Cunningham's work.

'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.

The play will be shown from March 21, 2019 until March 24, 2019. 

Legendary designer and teacher Ming Cho Lee will be honored with the first Lifetime Achievement Award bestowed by the Henry Hewes Design Awards at the 54th annual luncheon ceremony in New York on October 22.

The Hunter Theater Project at Hunter College (President, Jennifer J. Raab) announced a two-week extension today for the critically acclaimed New York premiere of Anton Chekhov's UNCLE VANYA, directed by Richard Nelson, at the Frederick Loewe Theater (E. 68th Street between Lexington and Park Ave). Translated by Richard Nelson, Richard Pevear, and Larissa Volokhonsky, and directed by Nelson, UNCLE VANYA began performances on Friday, September 7 and was originally scheduled to run through October 14.

The Sheen Center for Thought & Culture has announced its 2018 Fall/Winter season, a rich program of theater, film, music, poetry, art, and talk events featuring artists and thought leaders including Princeton professors Cornel Westand Robert P. George; Grammy Award winner George Winston; two-time Tony Award nominee, Grammy nominee, and author Reg E. Gaines; Pulitzer Prize, Tony Award and Oscar-winning writer and director John Patrick Shanley; Pulitzer Prize winning poet Sharon Olds; the Tony-nominated star of Harry Potter & The Cursed Child, Jamie Parker;Suzzy Roche and Lucy Wainwright Roche with special guests The Indigo Girls; Benedictine nun and former Hollywood leading lady Mother Dolores Hart, O.S.B.; Cardinal Timothy Dolan, Archbishop of New York; and events tackling topical national themes including civility on college campuses; police and refugee relations; and race, faith and identity politics.  

The Nora Eccles Harrison Museum of Art (NEHMA) at Utah State University (USU) is presenting Collecting on the Edge, a ground-breaking, two-part exhibition showcasing its exceptional collection that focuses on the history of art west of the Mississippi River since 1920. Featuring work by 172 artists, Collecting on the Edge and the publication that accompanies it provide a compelling look at NEHMA's collection and the curatorial rigor and connoisseurship evident in its development. 

Pittsburgh CLO's THE FULL MONTY will take it all off at the Benedum Center this summer July 6 - 15. With a book written by Terrence McNally (Ragtime) and the music/ lyric talents of David Yazbek (The Band's Visit, Dirty Rotten Scoundrels, Women On The Verge of a Nervous Breakdown), this duo cooks up an aggressive crowd-pleaser that is both highly-entertaining and charmingly uplifting.

National Sawdust, the artist-led nonprofit incubator and venue, announces June 2018 as Hildegard Month at the Williamsburg space that serves as a dynamic home for artists and new music of all kinds. Named for the influential medieval composer Hildegard von Bingen and celebrating the contribution of women and gender non-binary artists to music of all genres, including contemporary classical music, the Hildegard Month festivities center around the June 12 concert featuring premieres from Hildegard Competition winners Emma O'Halloran, X. Lee, and Kayla Cashetta performed by The Refugee Orchestra under the baton of Lidiya Yankovskaya.

Stage and screen star, Patricia Morison died today at the age of 103 at home in Los Angeles of natural causes. A stage icon and legend best known for her starring roles in Cole Porter's Kiss Me Kate and The King & I opposite Yul Brynner, she established an indelible mark in films with a reputation as a the villainous femme fatale with large blue eyes and extremely long, dark hair that made her a favorite of studios and fans alike. 

On Thursday, April 19th, the clouds cleared and the festive sounds of jazz filled the beautifully lit Broadway Presbyterian Church setting the tone for the nonprofit Bloomingdale School of Music's (BSM) annual scholarship benefit, Notes From 108th Street hosted by Ken Fischer, President Emeritus University Musical Society. The event honored Alexander Bernstein and the nonprofit Artful Learning, founded by Leonard Bernstein. Notes From 108th Street coincided with the worldwide celebration of Leonard Bernstein's 100th birthday, and this year's event featured the music of this legendary composer, conductor, educator, cultural ambassador, and humanitarian performed by BSM students and faculty.

The much-loved 1964 musical is a timely reminder that we are standing on the shoulders of those who came before us. Traveling back to Anatevka feels more familiar than expected. The music is wonderfully familiar and the all time popular 'Tradition', 'Matchmaker Matchmaker', 'If I were a Rich Man' and 'Sunrise, Sunset' to name but a few, will have you singing along. The orchestra is beautiful and pays homage to the much loved music. Musical Director Edwin Randall is indeed a supreme maestro.

In words and music, Magic Times will celebrate the contributions of Caffe Cino to theater and to gay rights with a special event at the legendary, Cornelia Street Cafe, which sits next door to where Caffe Cino once resided, on Sunday, April 22, 2018.  

Funny Girl Brings Chutzpah To Players Centre

Tim Rice & Andrew Lloyd Webber's Jesus Christ Superstar is a rock opera that tells the story of the final week in the life of Jesus Christ. It begins with the preparation for the arrival of Jesus and his disciples in Jerusalem and ends with the crucifixion. It also highlights the political and interpersonal struggles between Jesus and one of his 12 apostles, Judas Iscariot that are not present in the Bible narratives.

Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.

In 1958 Leonard Bernstein revolutionized music education through the medium of television with his famed Young People's Concerts shown on CBS. A few years later, in 1964 David D. Greer, an organist and choirmaster at the West End Presbyterian Church noticed that many neighborhood children (Bloomingdale District) seemed to have nothing to do and so began the Bloomingdale School of Music. Greer first began by offering Saturday morning classes for as little as 50 cents to community residents and now 53 years later under the direction of only it's third Executive Director, Erika Floreska, the school is still committed to the notion that music has the power to change people's lives and that all people should have access to high quality music instruction and performance.