A witch hunt is beginning in Salem.
Raised to be seen and not heard, a group of young women suddenly find their words have a terrible power.
As a climate of fear spreads through the community, private vendettas fuel public accusations and soon the truth itself is on trial.
Cultural vibrancy and exemplary artistry from world-class companies and artists will grace the John F. Kennedy Center for the Performing Arts’ stages during its 2022–2023 ballet and dance season, announced today.
Joining the previously announced Kirsty Besterman (Constance Wicksteed), Jasper Britton (Arthur Wicksteed), Matthew Cottle (Canon Throbbing), Ria Jones (Mrs Swabb), Thomas Josling (Dennis Wicksteed), Caroline Langrishe (Lady Rumpers), Catherine Russell (Muriel Wicksteed) and Abdul Salis (Mr Shanks), are Katie Bernstein (Felicity Rumpers), Kelvin O'Mard (Mr Purdue) and Dan Starkey (Sir Percy).
The antics of the Wicksteed home are a darkly satirical merry-go-round in Alan Bennett's Habeas Corpus. Family, friends and the quest for sexual pleasures of the body (“corpus”) are the ruling passions in this farcical comedy of ill-manners. Through an escapade of mistaken identities and carnal encounters, one motto holds fast: “He whose lust lasts, lasts longest.”
His plays include The Man Who Had All the Luck (1944), All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge and A Memory of Two Mondays (1955), After the Fall (1964), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972), The Archbishop's Ceiling (1977), The American Clock (1980) and Playing for Time (1980).
SHADOWLAND STAGES today announced that the theatre will present a special online benefit reading of CHRISTMAS EVE 1953, a short story by Tom Hanks that has been adapted for the stage by SHADOWLAND STAGES' artistic associate, James Glossman.
Opera in the Ozarks will not return until 2021.
BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!
During this time when productions all over the world have been put on pause, we are coming together to celebrate plays that have left their mark on theater history. This week we will be focusing on the plays of Pulitzer Prize winning playwright, Arthur Miller. Today's play, The Crucible!
BEDLAM has announced the return of its critically acclaimed production of Arthur Miller's THE CRUCIBLE, directed by Eric Tucker.
Performances begin tonight for BEDLAM's production of Arthur Miller's THE CRUCIBLE featuring Alan Altschuler, Shirine Babb, Rajesh Bose, Truett Felt, Caroline Grogan, Paul Lazar, Susannah Millonzi, Arash Mokhtar, Ryan Quinn, Randolph Curtis Rand, Zuzanna Szadkowski, Shaun Taylor-Corbett, John Terry and Eric Tucker.
Spoleto Festival USA announces the return of Scottish Ballet during the 2020 season. Last in Charleston in 2015, the company, which celebrates its 50th anniversary in 2019, performs one of its newest works on May 22, 23, and 24: The Crucible. Choreographer Helen Pickett's retelling of Arthur Miller's iconic drama can be seen at the Charleston Gaillard Center, accompanied by 18 members of the Spoleto Festival USA Orchestra performing a haunting score by Peter Salem.
The Syracuse University Department of Drama continues its season with Arthur Miller's a?oeThe Cruciblea?? directed by faculty member Geri Clark. a?oeThe Cruciblea?? previews Nov. 8 and runs through Nov. 17 in the Storch Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St.
With the term a?oewitch hunta?? being bandied about ad nauseam in our national discourse, it seems an ideal moment to look back upon the actual witch hunt that occurred in Essex County, Massachusetts, at the end of the 17th century. SALTONSTALL'S TRIAL: THE SALEM WITH TRIAL'S UNTOLD STORY, a new play by Michael Cormier and Myriam Cyr at the Larcom Theatre in Beverly, does just that. It is a smart, ambitious production with a commanding performance by Elliot Norton and IRNE Award-winning actor Benjamin Evett in the title role and a 20-member ensemble representing the accused women, town residents, clergy, and officers of the Court.
Arthur Miller's American classic, The Crucible, is being presented this weekend by Palm Canyon Theatre, and it is relevant as more than just a precursor to Halloween's witches. Written in 1953 as a protest against Joseph McCarthy's persecution of anyone he decided was a Communist, it is a timely warning today to base decisions on fact and common sense, not hysteria.
Theatre Baton Rouge's masterful production of THE CRUCIBLE is must-see theater. For those of you who may shy away from seeing a production after studying the script one too many times in high school, here is your chance to see it the way it was meant to be seen.
A teenage girl imagines her future. A marriage is tested. Church bells ring, uniting the community in prayer. These are good people; this could be anywhere. They fear the shadows in the forest, but the real monsters are much closer to home.
Arthur Miller's classic 1953 play, THE CRUCIBLE will explore a community filled with fear, distrust and hysteria at Theatre Baton Rouge as part of the theatre's 2019-20 Capital Series.
Arthur Miller's classic drama of piety and paranoia, THE CRUCIBLE, opens September 20 at the Warehouse Theatre in Greenville, SC.
For the first time since 1975, the Stratford Festival is putting on a production of Arthur Miller's chilling 1953 play, THE CRUCIBLE. Directed by Jonathan Goad, this production maintains a thrilling level of intensity for its entire duration, keeping audiences in the Avon Theatre utterly captivated while simultaneously squirming at the challenging situation they are seeing on stage and the frightening fact that some of the most outlandish elements of the plot are far too relatable to what is going on in politics and society today.
BEDLAM announces the cast and creative team for Arthur Miller's THE CRUCIBLE featuring Shirine Babb, Rajesh Bose, Truett Felt, Caroline Grogan, Paul Lazar, Susannah Millonzi, Arash Mokhtar, Ryan Quinn, Randolph Curtis Rand, Zuzanna Szadkowski, Shaun Taylor-Corbett, John Terry and Eric Tucker.
Broadway Records will release two albums tomorrow, August 16, 2019: Kyle Taylor Parker: Broadway Soul, Vol. 1 and the world premiere recording of Anna Christie. Both albums will be available digitally, in stores, and at www.BroadwayRecords.com.
Colm Feore will utter the first words on the Stratford Festival's newest stage, an echo of the inaugural performance in 1953, when Alec Guinness's opening speech in Richard III anticipated the a?oeglorious summera?? that was to come for Stratford. Feore, an internationally acclaimed stage and screen actor, is just one of a diverse company of accomplished actors who will present a repertory season of 15 productions in four remarkable theatres.
Previews begin today for The Crucible, Arthur Miller's haunting dramatization of the Salem witch trials. Directed by Festival veteran Jonathan Goad, the production opens on Friday, August 16, at the Avon Theatre, marking the 12th and final production in the Festival's 67th season, which runs until November 10.
BEDLAM announces their return to New York with Arthur Miller's THE CRUCIBLE, directed by Eric Tucker.
Fake news circa 1692. No one is safe when the accusations start flying in superstitious Salem.
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