Lo and Behold! 1951 - Articles Page 2.6

We're rounding up 24 tweets from the week of 3/1/2021 to 3/5/2021 from Broadway stars and theater fans!

Eli Tokash reminds us of the beauty of art, perseverance, passion, and most notably - the hope we can give others by the simple act of Taking a Bow.

I owe a lot to Follies - friendships with fans and actors and occasional pieces of journalism have resulted from the show - but it made me realise how transformative live theatre can be. Thinking about it, it's ironic that a show signalling the death of old Broadway should ignite such a passion, but isn't that the point of Follies?

the exquisite voice, dramatic stage presence and winning personality of this Grammy-nominated artist have garnered kudos throughout the opera world

University of North Texas Press announces the publication of Conducting Opera: Where Theater Meets Music by renowned conductor Joseph Rescigno. The book discusses operas in the standard repertory from the perspective of a conductor with a lifetime of experience performing them. It focuses on Joseph Rescigno's approach to preparing and performing these masterworks so that the full greatness of each opera can be realized.

Good news for musical theater lovers! TheatreWorks Silicon Valley's recent, acclaimed production of Paul Gordon's Pride and Prejudice will now be available to stream. Presented by Streaming Musicals, Pride and Prejudice will receive a a?oevirtual opening nighta?? on Friday, April 10 at 3:30pm PT/ 6:30pm ET, with an encore presentation at 7:00pm PT/10:00pm ET. Tony Award winner Beth Leavel (The Drowsy Chaperone, The Prom) and Julie James, Program Director/ Curator of SiriusXM's a?oeOn Broadwaya?? channel, will host the a?oevirtual opening night,a?? which will include an intermission discussion with the creative team members including TheatreWorks Silicon Valley's Founding Artistic Director Robert Kelley, who directed the new romantic musical comedy. Streaming during the April 10 a?oevirtual opening nighta?? will be free. Pride and Prejudice will then be available to stream on StreamingMusicals.com for a minimal fee. BroadwayWorld recently caught up with Robert Kelley to learn more about his production of Pride and Prejudice and also to touch base with him on how TheatreWorks was weathering the current health and economic crisis.

The Actors Fund has teamed with SiriusXM Broadway host Seth Rudetsky and his husband, producer James Wesley, to produce a daily mini-online show, entitled Stars in The House, featuring stars of stage and screen singing and performing live (from home!) on social media to promote support for The Fund's services.

It's a sad scenario that has been playing out in theaters all over the world for the past several weeks. How to reach the heart-breaking decision to cancel a show, knowing that you're about to put a team of people out of work and deprive your audience of some much-needed solace at this critical time? BroadwayWorld spoke with Robert Kelley, Artistic Director of the Tony-winning TheatreWorks Silicon Valley on March 13th, the morning after the company had decided to postpone their much-anticipated production of RAGTIME until Spring 2021 and prematurely end the run of THEY PROMISED HER THE MOON. The good news, at least for now, is that TheatreWorks is still moving ahead with its final play of the season, Lauren Gunderson's THE BOOK OF WILL, set to open in early June. Kelley describes it as a love letter to the theater.

Today, The Black Keys confirm their 35-date “Let's Rock” summer tour with performances in cities including Seattle, Dallas, Boston, New York, Tampa & Jacksonville (full dates below). Each date on the tour will feature special guest Gary Clark Jr., with the exception of the July 10th Berkeley show which will feature support from Allah-Las. Jessy Wilson, The Marcus King Band, and Yola will each open select dates. Tickets for all dates will go on sale to the general public beginning Friday, February 28th at 10am local time here

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE has set Friday, February 21 as the release date for his new ORDINARY MAN album. Marking his first new solo music in almost 10 years, the album has been preceded by the release of two singles, the title #1 rock track 'Under The Graveyard,' which was followed by 'Straight To Hell' featuring Guns N' Roses guitarist Slash. The album's track will be available instantly with any pre-order of the album. Pre-order the album here.

Patrick Combs was knee-deep in credit card debt when he got a piece of junk mail that caught his eye - a phony cheque for nearly $100,000. He knew the bank would never cash it, but he had nothing better to do, so he popped it into an ATM and - lo and behold, it cleared. Now Patrick Combs, slacker was Patrick Combs, celebrity, and public enemy number one to his bank, which did everything in its power to threaten and entice him into giving the money back.

Jason Graae is soon to star once again as the title character in a?oeScrooge in Love!a?? at 42nd Street Moon, where has found a sort of Bay Area artistic home in recent years. This eternally youthful performer is now a veritable showbiz veteran, having starred on Broadway several times, toured the country with legendary composer Jerry Herman, recorded almost 50 CD's and most recently played The Wizard of Oz in the national tour of a?oeWicked.a?? Known for his spirited comic performances and sterling vocals, you might expect Mr. Graae to be a lot of fun to talk to, and you would be right about that. While quick to express heartfelt gratitude to colleagues, he is also the irrepressible imp who can't resist entertaining you with his mischievous sense of humor.

Last night, The Black Keys appeared on ABC's Jimmy Kimmel Live! to play a?oeGoa?? And a?oeLo/Hia?? from their latest album, a?oeLet's Rock.a?? This marks the band's first appearance on the program and it preceded tonight's sold-out show at Los Angeles' Forum. Watch their Jimmy Kimmel Live! performances, where they are joined by their touring band, Andrew Gabbard and Delicate Steve on guitar, and Zachary Gabbard on bass.

Cabaret performer and Bridging The Gap mentor Ari Axelrod returns to Birdland with his popular show A CELEBRATION OF JEWISH BROADWAY. And you don't have to be Jewish to enjoy it.

30 years after its stage debut, experiencing MISS SAIGON nowadays exposes just how outdated and out-of-touch it is with our increasingly diverse world view. The musical's original production---which first debuted in the West End in 1989 before transferring to Broadway in 1991---became a global hit despite some loud, very understandable controversy. Most audiences, however, ignored the accusations of orientalism, misogyny, and white-washing and instead focused on the show's epic melodrama and theatrical splendor, much of it powered by the lush music of Claude-Michel Schönberg and the lyrics by Alain Boublil and Richard Maltby Jr. The show continues at Orange County's Segerstrom Center for the Arts in Costa Mesa through October 13, 2019.

Elliot Cowan returns to the Lyrics Hammersmith for A Doll's House. Taking us through his own history with the play, Elliot also shares an insight into the vitality and vision of Gupta's adaptation, set against the backdrop of British colonialism.

Cabaret's Mr. Show Business shares his most personal night of theater to date with his new one-man show An Evening With Richard Skipper: From Conway to Broadway, sending a grateful audience home happy.

Today, The Black Keys release their ninth studio album, “Let's Rock,” via Easy Eye SoundNonesuch Records. The record is a return to the straightforward rock of the singerguitarist Dan Auerbach and drummer Patrick Carney's early days as a band. Auerbach says, “When we're together we are The Black Keys, that's where that real magic is, and always has been since we were sixteen.” “Let's Rock” has already received critical praise, with Paste saying, “If you want something you can crank up at backyard barbecues or in the car with the windows down, well, The Black Keys have two words for you, and they're in the album title,” and the Wall Street Journal adding, “The Black Keys have mastered the form of guitar-based music, and the craft at work on these dozen songs is something to behold.” The band also is featured in this Sunday's New York Times Arts & Leisure section and were profiled on CBS This Morning. The Black Keys' thirty-two city North American tour begins September 23 (full schedule below). “Let's Rock” is available on all formats here. Test

For this BroadwayWorld interview, I got the chance to talk to Jonathan Weir, who plays Jafar in ALADDIN. Weir talks about his role, the show, and his longtime relationship with Disney.

Last night, approximately an hour before the curtain was raised for Moscow Ballet 'La Classique's' production of Tchaikovsky's ballet 'Swan Lake' at the New Frontier Theatre, the show's local promoters Yuri and Beth Mercado officially announced that the run has been canceled, which disappointed many.

Goodbye grey skies, hello blue! Second Street Players will bring Happy Days, A New Musical to its Riverfront Theater stage this summer. Based on the hit television series, the show will run for two weekends in July. The production is directed by Josh Gross and co-directed by Laura Howard.

The 2004 San Diego Opera production of Bizet's 'Pearl Fishers' marks a visually striking end to the season.

John Godber talks about his life in theatre and about his Brexit flavoured play, Scary Bikers, running at Trafalgar Studios in April.

Musical theatre is the land of collaboration, and anyone who's ever tried to write a musical knows that it can be a land filled with landmines. But for the ladies of the new musical Marie, Dancing Still, their collaboration seemed downright fated.

Michael 'Ding' Lorenz boasts crazy talent alongside an outrageous instrument collection that warrants awe-inspired sighs and, as the Skylight Music Theatre proves, a show all its own. Things That Go Ding! played to sold-out audiences in 2012, and now it's back and bigger than ever in the Cabot Theatre.