One out of every 54 homes in America received a foreclosure notice in 2008.
Award-winning playwright and author of 'Love in the Time of Foreclosure,'
Stephanie Alison Walker, takes audiences on a deeply personal journey through recent history
as she shines a light on three out of the millions of stories of loss.
In Quixote Nuevo, one of literature's most vibrant and memorable characters, Cervantes' Don Quixote is boldly brought to life by award-winning playwright Octavio Solis and director KJ Sanchez in this hilarious and imaginative adaption of the classic novel. Transported to a border town in Texas, the eccentric, brilliant knight embarks on a cross-desert quest to reunite with a long-lost love. Chased by Death himself a?" in the form of roving bands of guitar-playing Calacas a?" Quixote always leads with his heart in a world of people led astray by their brains. Quixote Nuevo, which received its world premiere at California Shakespeare Company in 2018, is a rich, contemporary, theatrical fable that has been created anew by Solis. Emilio Delgado, who is returning to Quixote Nuevo after originating the titular role, is best known for his 44-year run as beloved repairman Luis on the iconic PBS children's show a?oeSesame Street.a??
I love The Rocky Horror Show and Clint Randolph and his stellar ensemble of performers have won me over! Their 2019 production of The Rocky Horror Show is incredibly good, outlandishly fun and faithful to the material. Clearly, it ain't your grandma's musical theater (well, actually, it is a?' seeing as how the show bowed in the West End in 1973 and played Broadway in 1975, concurrent with the release of the film version), but it hews pretty damn close to traditional tropes with its boy and girl meets transsexual mastermind who's created a hot and hunky boytoy to satisfy his longings and, well, all hell breaks loose as their stories are told.
Huntington Theatre Company announced today the cast and creative team for Quixote Nuevo, a comedic and poetic reimagining of Miguel Cervantes' Don Quixote by award-winning playwright Octavio Solis. Directed by KJ Sanchez and produced in association with Hartford Stage and the Alley Theatre, Quixote Nuevo will begin performances at the Avenue of the Arts/Huntington Avenue Theatre (264 Huntington Ave, Boston) on Friday, November 15, 2019 and will run through Sunday, December 8, 2019.
Huntington Theatre Company Artistic Director Peter DuBois and Managing Director Michael Maso announce the lineup of their 2019-2020 season, featuring three world premieres, a Pulitzer Prize-winning play, a classic Tony Award-winning comedy by one of the world's most celebrated playwrights, and two adaptations of powerful literary works.
The sorceress slumps in grief as the bodies of her victims are strewn around her. Durga, the fearsome goddess, watches with indifference. It is one of the many sorrowful scenes from RATNA MANGGALI: PERIH SANG PUTRI PENYIHIR (RATNA MANGGALI: GRIEF OF THE SORCERESS' DAUGHTER) by Studi Teater Mahasiswa ITB. The show had two runs on Saturday, February 2nd 2019, at Teater Tertutup Dago Tea House, Bandung.
THE BLACK CAT is multimedia stage work that tells Edgar Allan Poe's gothic story with action, music, dance and projections. On January 19, 2019, Long Beach Opera presented its United States premiere at the Beverly O'Neill Theater.
The Black Box New Play Festival is the Gallery Players' signature festival of new works by both new and established playwrights. Now in its 22nd year, the festival will premiere 11 new plays over the course of three weekends. The festival opens Thursday, January 10 and runs through January 27, with a new collection of plays presented each week. Performances are Thursday, Friday and Saturday evenings at 7:30PM, and Sundays at 3PM. There will be a talk back with the playwrights directly after the Sunday matinees.
A Noise Within (ANW), the acclaimed classical repertory theatre, presents Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the Tony Award-winning play that first brought Stoppard to the attention of an international audience - a position he has held in the half century since its premiere in 1967. ANW Producing Artistic Director Geoff Elliott directs. Rosencrantz and Guildenstern Are Dead performs from October 7 to November 18 (Press Opening October 13).
A Noise Within (ANW), the acclaimed classical repertory theatre company, continues the cherished holiday tradition of presenting its well-loved production of Charles Dickens' A Christmas Carol this year, onstage for the seventh holiday season. This time-honored tale of forgiveness plays 17 performances only, Saturday, December 1 through Sunday, December 23, 2018. After the show, audience members are invited to enjoy a cup of cider and take photos with the cast.
This December, Nearly There Yet, in association with Proteus, present an astonishing new adaptation of Carlo Collodis' Pinocchio. This series of bold adventures is an enchanting visual journey, combining captivating circus skills, music, storytelling and puppetry. Featuring a diverse company, this unique family-friendly production draws on the community spirit of Christmas.
Academy Theatre's leading ladies Fracena Byrd, Brenda Porter, and Lynna Schmidt are teaming up to bring a powerful story to the stage! With Fracena Byrd in the director's chair, Porter and Schmidt are taking to the stage, joined by Sarah Craig!
A Noise Within (ANW), the acclaimed classical repertory theatre, presents Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the Tony Award-winning play that first brought Stoppard to the attention of an international audience - a position he has held in the half century since its premiere in 1967. ANW Producing Artistic Director Geoff Elliott directs. Rosencrantz and Guildenstern Are Dead performs from October 7 to November 18 (Press Opening October 13).
North Coast Rep's newest Theatre School play, Cymbeline, by William Shakespeare comes to two stages on July 26-29, 2018 and August 2-5,2018.
INTO THE WOODS is arguably a staple of American theatre. As one of the incomparable Stephen Sondheim's most recognizable shows, INTO THE WOODS is performed continuously by a multitude of theatres across America. From middle schools, to universities, to regional theatre and beyond, an active audience member can often find at least one theatre in their area presenting INTO THE WOODS in their current season. A show with this much popularity can begin to feel trite, and theatres may struggle to find originality in their own production of this often-told tale. However, this is not the case at Gettysburg Community Theatre. Their production of INTO THE WOODS trades elaborate sets and costumes for creativity and simplicity, allowing them to truly focus on the issues and moral questions the story presents. The unique twists sprinkled throughout the show are then facilitated through a host of talent, making Gettysburg Community Theatre's production of INTO THE WOODS not to be missed.
Swan Lake has been called the world's most moving ballet and it can still spellbind an audience.
The swan is one of the most elegant animals of the animal kingdom, and it was a stroke of genius when, in the late 1800s, someone thought of letting female ballet dancers use their long limbs and flexible curves to bring to life the swans of Swan lake.
Led by co-producing artistic directors Julia Rodriguez-Elliott and Geoff Elliott, A Noise Within (ANW) is excited to announce its 2018-2019 season, themed "Let Me In."
THE EXPLORERS CLUB: Let the brandy and cigars plus a few laughs fly.
The National Tour of WAITRESS - playing at the Hippodrome until February 4, 2018 - is the best version of this particular show I've seen. I originally saw the show on Broadway last summer, but I just didn't get it. It seemed a little disjointed to me. The first act is all fun, while the second act gets dark. However, after seeing last evening's performance of this story played out by this fantastic cast, I'm fully on board with what the writers had in mind. These cast members are supremely talented and perfectly suited for their particular roles - able to bring the comedy, as well as the heart and every emotion in between.
Creative Cauldron in Falls Church, VA is dedicating their season to women and their unique stories. The season's current nod to its dedication is The Mistress Cycle. Appropriately, two women wrote the book and music: Beth Blatt and Jenny Giering. At its core, The Mistress Cycle is a show by women for women.
In 2008, playwright Stephanie Alison Walker and her husband were among the 1 in 54 homeowners to receive a foreclosure notice when the American housing market collapsed. As she fought to save her home and her marriage, Walker penned the first draft of American Home. In this powerful drama, opening August 26 at the Fremont Centre Theatre, a young couple faces eviction from the dream house they stretched to buy, an elderly widow falls prey to a reverse mortgage scheme, and a minister of the prosperity gospel must face the flock she's led astray. American Home takes an unflinching look at the impossible choices people make when faced with losing everything and, ultimately, celebrates the powerful resilience of community and the human spirit.
In the latest edition of PUTTING IT TOGETHER, a monthly series of narratives from artists constructing and performing cabaret shows in New York, Amy Oestreicher's GUTLESS & GRATEFUL finds its team and band.
In 2008, playwright Stephanie Alison Walker and her husband were among the 1 in 54 homeowners to receive a foreclosure notice when the American housing market collapsed.
The Wild Party is plenty wild enough, but its overly ambitious book and parade of cookie-cutter characters means that it never lands a knockout punch - or song.
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