Tristram Kenton News

Per chi conosce la gioia e la follia del teatro, e per chi non sa resistere a spiare dietro le quinte; per chi vuole ripassare Shakespeare e per chi vuole farsi trascinare dalle arguzie del jazz; per i romantici e per i cinici, e semplicemente per chi non vuole perdersi la festa: l'appuntamento e con il musical di Cole Porter Kiss Me, Kate al Teatro Alighieri il 7, 8 e 9 giugno.

"What's the earliest memory you have of your father?" This is the question, among many, that sets off a process of enquiry into the state of the nation's masculinity and its concerns through the prism of fatherhood in the verbatim play Fatherland. Thrillingly staged, it muscles beyond its documentary origins to excavate beneath the surface of a typically reticent, bloke-y nonchalance with great aplomb.

'Another op'nin', another show...' Following the award-winning production in 2015, Opera North's Kiss Me Kate returns to tour the UK this summer. Talking to Kate herself during rehearsals, Stephanie Corley shares her journey into opera, the challenges of taking on a musical, and her connection to the show.

There is no greater anticipation in the ballet world than that for a new Swan Lake. The unenviable pressure of this task has fallen to one of the Royal Opera House's current Artists in Residence, Liam Scarlett. Scarlett's more recent works for the Royal Ballet include the Age of Anxiety and Frankenstein, as well as the heart-wrenching No Man's Land for English National Ballet's Lest We Forget programme.

Michelle Terry's first season as Artistic Director of the Globe will be carefully scrutinised. Emma Rice's contentious exit raised important questions about the venue's purpose, its balancing of tradition and innovation, new and returning audiences, and about how we engage with Shakespeare in the 21st century.

Shakespeare's Globe presents Hamlet and As You Like It, the opening shows of Michelle Terry's first season as Artistic Director.

Shakespeare's Globe presents Hamlet and As You Like It, the opening shows of Michelle Terry's first season as Artistic Director.

Continuing the countrywide search for the opportunity to 'join the band', further kids open auditions will take place later this year in London on 16 and 17 May for musicians and on 21 and 23 May for ensemble, in Plymouth on 8 September and in Manchester on 22 September 2018. If you are between 8 - 12 years old and play a rock instrument (guitar, bass, piano, and/or drums) or sing, registration and further details can be found by contacting Jessica Ronane Casting

Chicago's hit West End revival ­- which featured a constant revolving door of big names - closed in 2012 after almost 15 years. Now, it returns with the requisite stunt casting (Cuba Gooding Jr), but also with a cast of triple-threat stalwarts who illustrate the enduring strengths of this whip-smart, black-hearted musical.

The Royal Ballet's latest offering is a rather curious mixed bill containing contemporary, classical and carnivalesque works from three of its resident choreographers. On the surface each of them are tried and tested Opera House hits but together the programme feels confused with no common thread the weave them together.

Emerging from a winter of traditional crowd-pleasers featuring Nutcracker and La Sylphide, the dancers of English National Ballet were finally allowed to cut loose in this new mixed bill - thanks to some eerie swamp monsters and a new and unexpected club banger from William Forsythe. This certainly ain't the Kingdom of Sweets anymore.

Following a successful UK and international tour, and after a 5½-year absence from London, the multi award-winning Kander & Ebb musical CHICAGO, winner of six Tony Awards, two Olivier Awards and a Grammy, will begin performances at the Phoenix Theatre in London on Monday 26 March, with a press night on Wednesday 11 April and an extended booking period until 6 October 2018.

This riotous reinterpretation of one of Shakespeare's best loved plays is given a unique and irreverent twist and features original live music. Following the production's hugely successful run at both the Lyric Hammersmith and Royal Exchange Manchester in 2012, the production was revived in 2016 at the Lyric and then toured to Brisbane Festival and Dublin Theatre Festival. This new tour will visit Hull, Clwyd, Southampton, Exeter, Oxford, Doncaster and Cambridge.

In our new series, BroadwayWorld UK writers nominate the shows they'd love to see revived!

Each first Saturday of every month, Thomas, Richard and Matthew walk. Out in the Peaks they travel up steep hills, over slippery rocks and through grassy terrain to escape the stresses of non-rural life. Never missing a trip, (except for the occasional Star Trek convention), the three of them discuss personal politics and the struggles of the past, as they move up and down the scenic path.

The hit West End production of Motown the Musical recently welcomed its new cast to the Shaftesbury Theatre, where the show celebrated its second birthday last month.

Following a successful UK and international tour, and after a 5½-year absence from London, the multi award-winning Kander & Ebb musical CHICAGO, winner of six Tony Awards, two Olivier Awards and a Grammy, will begin performances at the Phoenix Theatre in London on Monday 26 March, with a press night on Wednesday 11 April and an extended booking period until 6 October 2018.

A young girl in a football tee steps on stage and begins to sing a melodic tune. Her voice is angelic, lulling you into a fall sense of comfort - until she begins to choke on herself, coughing up copious amounts of blood.

Following a sell-out season at The Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with The Abbey Theatre.

Following on from the Royal Ballet's popular story ballets such as Giselle and The Winter's Tale, the company now turn their attention to work of Leonard Bernstein to mark a century since his birth. It comes in the form of a stylish mixed bill of Bernstein's compositions created for the concert hall. The bill features two new works, first up is Wayne McGregor's Yugen, a short piece to the distinctive Chichester Psalms. It is, as expected, an intellectual and calculated McGregor work executed with precision to a collection of choral, but unexpectedly jazzy Hebrew texts.