BWW Review: CONCERTO/ENIGMA VARIATIONS/RAYMONDA ACT III, Royal Opera House
by Vikki Jane Vile
- Oct 24, 2019
The first mixed bill of the season sees the Royal Ballet celebrate a diverse cross-section of 1960s productions - from the clean and tightly choreographed Concerto, to the luscious opulence of Raymonda Act III (so commonly seen as a standalone piece). The two are separated by some picture-perfect Ashtonian charm with Enigma Variations.
BroadwayWorld UK Awards 2019: Anthony Walker-Cook's Recommendations
by Anthony Walker-Cook
- Oct 25, 2019
What a year for theatre 2019 has been! Remembering all of the amazing shows as part of the build-up to the BroadwayWorld UK Awards has been a complete joy, and it is my pleasure to present some thoughts about the shows that have left a distinct impression on my stagey mind.
Photo Flash: First Look at MAGGOT MOON at Unicorn Theatre
by Julie Musbach
- Sep 30, 2019
Jesse Jones directs James Newton and James Day in Jemma Kennedy's visceral adaptation of Sally Gardner's dazzlingly original and award-winning novel, Maggot Moon, an unforgettable story of courage, friendship and rebellion.
BWW Review: THE WOMAN IN BLACK, Nuffield Southampton Theatres
by Jo Fisher
- Sep 25, 2019
There are possibly no four words more chilling to the avid theatre-goer than The Woman in Black. Having taken the West End by storm, Stephen Mallatratt's adaptation of Susan Hill's classic ghost story is now haunting theatres around the UK on its tour, after celebrating its thirtieth birthday this year.
BWW Feature: The Renaissance of the Religious Musical
by Fiona Scott
- Oct 4, 2019
Why are religious musicals experiencing a comeback in the West End? BroadwayWorld spoke to London performers about stories of faith and how their personal outlook on life connects with the material.
BWW Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, London Palladium
by Marianka Swain
- Jul 11, 2019
Oh Lord! The second Biblical Andrew Lloyd Webber opening of the week (taking his current London production total up to a whopping five from next month) is his early collaboration with Tim Rice, celebrating 50 years since its original concept album, and back home at the Palladium. But a joyfully fresh staging makes this a Joseph for 2019 - and a family-friendly summer hit.
BWW Review: LA FILLE DU REGIMENT, Royal Opera House
by Alexandra Coghlan
- Jul 12, 2019
Lighter than a macaron and every bit as deliciously Gallic, Donizetti's La fille du regiment swaps the composer's signature brand of robust, Italian comedy for something frothier, more melt-in-the-mouth. Add to that director Laurent Pelly - go-to Frenchman for whimsy and colour - and you have a classic operatic amuse-bouche.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Shakespeare's Globe
by Cindy Marcolina
- Jul 4, 2019
Shakespeare's A Midsummer Night's Dream seems to be this season's go-to comedy and, from Nicholas Hytner's lightly immersive offering at the Bridge Theatre to the smaller productions dotted around London, it's delighting audiences young and old.
BWW Review: THE FIREBIRD/A MONTH IN THE COUNTRY/SYMPHONY IN C at Royal Opera House
by Vikki Jane Vile
- Jun 6, 2019
A mixed bill of true contrasts is served up by the Royal Ballet for the last run of performances of the 18/19 season. From the tempestuous Firebird set to Igor Stravinsky's seminal score, Ashton's quaint and quietly heartbreaking A Month in the Country, to the bold and technically exposing masterclass of Balanchine's Symphony in C.
BWW Review: THE LADY FROM THE SEA, The Print Room
by Cindy Marcolina
- Feb 19, 2019
The Print Room at The Coronet is hosting a slick and melancholic bilingual revival of Henrik Ibsen's The Lady From The Sea produced by the venue in their first collaboration with The Norwegian Ibsen Company.
Song Insights: 'The Ladies Who Lunch', COMPANY
by Rona Kelly
- Feb 17, 2019
Musical Director Joel Fram joins us once again to dissect 'The Ladies Who Lunch', Marianne Elliott's staging of it, and the 'complex set of causes and effects' that result from this reworking.
BWW Review: THE CUNNING LITTLE VIXEN/THE TWO PIGEONS, Royal Opera House
by Vikki Jane Vile
- Feb 14, 2019
In a rare piece of programming from the Royal Opera House, audiences have the opportunity, for a limited run, to watch the Royal Ballet School's talent of tomorrow and the main company's talent of today together in a mixed programme of animal-based stories. It features new work from Artist in Residence Liam Scarlett and Frederick Ashton's popular Two Pigeons, seen previously this year alongside Scarlett's Asphodel Meadows. The former First Artist certainly seems to be making his mark on the company repertoire.
2018 Year in Review: Aliya Al-Hassan's Best of Theatre
by Aliya Al-Hassan
- Dec 15, 2018
What a bizarre year 2018 has been. In the months that saw too much Trump, devastating Californian wildfires, an escalation in the refugee crisis, not to mention the dreaded 'B' word, it makes me more grateful than ever for the pure escapism that live theatre so often provides.
BWW Review: DICK WHITTINGTON, Lyric Hammersmith
by Fraser MacDonald
- Dec 2, 2018
It's been a decade since the Lyric Hammersmith theatre first brought a panto to their local faithful. Following plucky young hero Dick Whittington, Londoners can expect a heartwarming story that is as funny as it is clever.
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